the image interchange framework - Academy of Motion Picture Arts ...

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For Cinematographers and Creatives… • IIF doesn’t: – Dictate the look – Make it all automatic – Make it cheaper or faster • IIF does: – Allow the “convenience” of DI while preserving the level of quality now only achievable via “heroic efforts” – Provides a usable Archival Master in a digital form The Image Interchange Framework ®2011 A.M.P.A.S.
THE IMAGE INTERCHANGE FRAMEWORK Background and Overview For more information, please visit http://www.oscars.org ®2011 A.M.P.A.S.
Page 1 and 2: THE IMAGE INTERCHANGE FRAMEWORK Bac
Page 3 and 4: Image Interchange Framework - Why?
Page 5 and 6: Academy Digital Source Master • I
Page 7 and 8: Brief Technical Overview • Refere
Page 9 and 10: ACES Color Encoding Principles •
Page 11 and 12: ACES Color Encoding Details • Fix
Page 13 and 14: Academy Digital Source Master • E
Page 15 and 16: Academy Digital Source Master - 3
Page 17 and 18: Input Methodology - Film Negative T
Page 19 and 20: Input Methodology - Digital Camera
Page 21 and 22: An IIF-Based System on-set timing s
Page 23 and 24: Fixed RRT, device-specific ODTs The
Page 25: IIF Benefits • Standardized encod

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