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Spring 2001 Participant - Pitzer College

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Faculty Notes<br />

Buerkle<br />

In February, DARCY BUERKLE (history)<br />

presented “Longing for Evidence,” a talk<br />

about Charlotte Salamon’s work, as an<br />

invited lecturer at the Jewish Museum in<br />

New York. In the fall, she organized a panel<br />

on “Monologues and Dialogue with<br />

America” for the Pacific Ancient and<br />

Modern Language Association meeting<br />

held at UCLA. She also spoke at the<br />

German Studies Association annual<br />

meeting in Houston in October and<br />

participated in a panel discussion on the<br />

Holocaust last year at the Modern Language<br />

Association meeting in Washington.<br />

An article by PAUL FAULSTICH (environmental<br />

studies) titled “Art As Biocultural<br />

Artifact” appeared in Rock Art Research in<br />

December. Another article by Faulstich,<br />

“An Inquiry Into the Nature of Sacred<br />

Places: The Petroglyph Sites of the Pipkin<br />

Lava Flow, San Bernardino County,<br />

California,” was published in Vol. 15 of<br />

Rock Art Papers, the journal of the San<br />

Diego Museum of Man, in February.<br />

In October, Faulstich received a<br />

citation “recognizing the highest standards<br />

of excellence in service” for his work in<br />

<strong>Pitzer</strong>’s Leadership in Environmental<br />

Education Partnership program (LEEP)<br />

from the Claremont Unified School<br />

District.<br />

Ceramic sculptures by DAVID FURMAN (art)<br />

have been exhibited recently at numerous<br />

museums and galleries across the country,<br />

including the Los Angeles County Museum<br />

of Art; LewAllen Contemporary in Santa<br />

Fe, N.M. (October); The Clay Studio,<br />

Philadelphia (November); Navy Pier,<br />

Chicago (November); and the International<br />

Art Fair (November) and the New York<br />

Ceramics Fair (January), both in New York<br />

City. His work also was exhibited at Gallery<br />

128 in New York (January to February);<br />

the Kemper Museum of Contemporary Art<br />

in Kansas City, Mo. (December 2000 to<br />

March <strong>2001</strong>); and the Jerald Melberg<br />

Gallery, Charlotte, N.C. (March to April).<br />

Additionally, Furman, who was on<br />

sabbatical in the spring and fall, lectured as<br />

artist-in residence at the University of<br />

Arizona (October), Kansas State University<br />

and the Kansas City Potters Guild (October),<br />

Sacramento State University (October),<br />

and the University of Nevada, Las<br />

Vegas (November).<br />

His ceramics appear in a number of<br />

recently published art books, including<br />

“Teapots Transformed: The Exploration of<br />

an Object” (Guild Publishing, December<br />

2000), “Contemporary Ceramics”<br />

(Calmann-King, London, distributed by<br />

Thames and Hudson; also published by<br />

Watson Guptill, September 2000), “Color<br />

and Fire: Defining Moments in Studio<br />

David Furman receives a doctorate from Julio Estrella, director of<br />

the National School of Fine Art, Lima, Peru.<br />

12<br />

<strong>Pitzer</strong> <strong>College</strong> <strong>Participant</strong>

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