Spring 2001 Participant - Pitzer College
Spring 2001 Participant - Pitzer College
Spring 2001 Participant - Pitzer College
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Faculty Notes<br />
Buerkle<br />
In February, DARCY BUERKLE (history)<br />
presented “Longing for Evidence,” a talk<br />
about Charlotte Salamon’s work, as an<br />
invited lecturer at the Jewish Museum in<br />
New York. In the fall, she organized a panel<br />
on “Monologues and Dialogue with<br />
America” for the Pacific Ancient and<br />
Modern Language Association meeting<br />
held at UCLA. She also spoke at the<br />
German Studies Association annual<br />
meeting in Houston in October and<br />
participated in a panel discussion on the<br />
Holocaust last year at the Modern Language<br />
Association meeting in Washington.<br />
An article by PAUL FAULSTICH (environmental<br />
studies) titled “Art As Biocultural<br />
Artifact” appeared in Rock Art Research in<br />
December. Another article by Faulstich,<br />
“An Inquiry Into the Nature of Sacred<br />
Places: The Petroglyph Sites of the Pipkin<br />
Lava Flow, San Bernardino County,<br />
California,” was published in Vol. 15 of<br />
Rock Art Papers, the journal of the San<br />
Diego Museum of Man, in February.<br />
In October, Faulstich received a<br />
citation “recognizing the highest standards<br />
of excellence in service” for his work in<br />
<strong>Pitzer</strong>’s Leadership in Environmental<br />
Education Partnership program (LEEP)<br />
from the Claremont Unified School<br />
District.<br />
Ceramic sculptures by DAVID FURMAN (art)<br />
have been exhibited recently at numerous<br />
museums and galleries across the country,<br />
including the Los Angeles County Museum<br />
of Art; LewAllen Contemporary in Santa<br />
Fe, N.M. (October); The Clay Studio,<br />
Philadelphia (November); Navy Pier,<br />
Chicago (November); and the International<br />
Art Fair (November) and the New York<br />
Ceramics Fair (January), both in New York<br />
City. His work also was exhibited at Gallery<br />
128 in New York (January to February);<br />
the Kemper Museum of Contemporary Art<br />
in Kansas City, Mo. (December 2000 to<br />
March <strong>2001</strong>); and the Jerald Melberg<br />
Gallery, Charlotte, N.C. (March to April).<br />
Additionally, Furman, who was on<br />
sabbatical in the spring and fall, lectured as<br />
artist-in residence at the University of<br />
Arizona (October), Kansas State University<br />
and the Kansas City Potters Guild (October),<br />
Sacramento State University (October),<br />
and the University of Nevada, Las<br />
Vegas (November).<br />
His ceramics appear in a number of<br />
recently published art books, including<br />
“Teapots Transformed: The Exploration of<br />
an Object” (Guild Publishing, December<br />
2000), “Contemporary Ceramics”<br />
(Calmann-King, London, distributed by<br />
Thames and Hudson; also published by<br />
Watson Guptill, September 2000), “Color<br />
and Fire: Defining Moments in Studio<br />
David Furman receives a doctorate from Julio Estrella, director of<br />
the National School of Fine Art, Lima, Peru.<br />
12<br />
<strong>Pitzer</strong> <strong>College</strong> <strong>Participant</strong>