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The 4th Playwrights Showcase - Red Rocks Community College

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Testimonials and <strong>Showcase</strong> Success Stories<br />

Playwright Development:<br />

“My short play Nocturne, Sort Of (<strong>Showcase</strong> ‘07) had a run this past summer at <strong>The</strong><br />

Stagecrafters New Play Festival at <strong>The</strong> Baldwin <strong>The</strong>atre in Royal Oak, Michigan. You<br />

know what's intriguing about that? I really don't know how they even found out about<br />

this play, unless it was through the showcase...<br />

Maybe more significantly, following the reading of “Nocturne" (which was helped<br />

immeasurably by the direction of Rick Bernstein and the pitch-perfect performances<br />

by actors Bernie Cardell and Mari Geasair), one of the luminaries who'd watched it,<br />

Richard Dresser, approached me and encouraged me to develop the piece into a fulllength<br />

play. It's taken me the better part of a year, and it was one of the more challenging<br />

projects I've undertaken, but I now have a full-length version of this piece.” -Scott<br />

Gibson, Denver, CO<br />

From the staged reading of<br />

Sand Creek Casino - 2007<br />

Playwright and Producer<br />

Scott Gibson<br />

Quality Readings Quality Results:<br />

“For my own particularly reading the three most important elements were in<br />

place. Actors who had read and understood the script. A knowledgeable audience.<br />

And theatre professionals with both an understanding of theatre and of<br />

new work, to help the play along. With all these in place I was able to get a better<br />

idea of my script, and the ideas (and silences) and helped in the rewriting,<br />

which is still going on.<br />

...because I was able to hear my play read I was able to better craft a half<br />

hour version of the play which went on to win first place in the Hinton Battle<br />

Diverse Voices Playwriting Contest--as well as a $1000 prize.” - Stuart Boyce,<br />

Boulder, CO<br />

Valuable Feedback<br />

“<strong>The</strong> real benefit for me was hearing the talk back about the play. I have remembered the<br />

remarks and "listened" to them in my subsequent writing.” – Susan Hickey, Denver,<br />

CO<br />

photos by: Tyler Giebel<br />

Playwright Susan Hickey<br />

Based on comments I received in the post-show discussion, How To Avoid Bob (<strong>Showcase</strong><br />

‘05) was revised and later performed as a reading at Portland <strong>The</strong>atre Works on a double<br />

bill titled Wrestling With Charlotte. That double-bill went on to be a finalist in the 2006<br />

Oregon Book Awards for Drama. -Doug Baldwin, Portland, OR<br />

National and International Success:<br />

• <strong>The</strong> M Word by William Missouri Downs (<strong>Showcase</strong> ‘07) was produced by the University of Wyoming and<br />

was part of the 2008 Regional American <strong>College</strong> <strong>The</strong>atre Festival. In two<br />

weeks it opens at a small theatre in Pasco, Washington<br />

• Renaissance by George Taylor is scheduled (tentatively) for production<br />

in September 2009<br />

• <strong>The</strong> Greater Good by Rebecca Gorman will be produced by Next Stage<br />

in October 2009.<br />

• Room at the Inn by Barbara Lindsey at the following theatres:<br />

Eclectic <strong>The</strong>ater Co, North Hollywood, CA 2005<br />

Black Door <strong>The</strong>ater Co, NY 2006<br />

Emerging Artists <strong>The</strong>ater Co, NY 2006<br />

<strong>The</strong>ater Limina, MN 2008<br />

Short & Sweet Festival, Sydney, Australia 2008<br />

10<br />

From the 2007 reading of<br />

<strong>The</strong> M Word

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