The 4th Playwrights Showcase - Red Rocks Community College
The 4th Playwrights Showcase - Red Rocks Community College
The 4th Playwrights Showcase - Red Rocks Community College
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Testimonials and <strong>Showcase</strong> Success Stories<br />
Playwright Development:<br />
“My short play Nocturne, Sort Of (<strong>Showcase</strong> ‘07) had a run this past summer at <strong>The</strong><br />
Stagecrafters New Play Festival at <strong>The</strong> Baldwin <strong>The</strong>atre in Royal Oak, Michigan. You<br />
know what's intriguing about that? I really don't know how they even found out about<br />
this play, unless it was through the showcase...<br />
Maybe more significantly, following the reading of “Nocturne" (which was helped<br />
immeasurably by the direction of Rick Bernstein and the pitch-perfect performances<br />
by actors Bernie Cardell and Mari Geasair), one of the luminaries who'd watched it,<br />
Richard Dresser, approached me and encouraged me to develop the piece into a fulllength<br />
play. It's taken me the better part of a year, and it was one of the more challenging<br />
projects I've undertaken, but I now have a full-length version of this piece.” -Scott<br />
Gibson, Denver, CO<br />
From the staged reading of<br />
Sand Creek Casino - 2007<br />
Playwright and Producer<br />
Scott Gibson<br />
Quality Readings Quality Results:<br />
“For my own particularly reading the three most important elements were in<br />
place. Actors who had read and understood the script. A knowledgeable audience.<br />
And theatre professionals with both an understanding of theatre and of<br />
new work, to help the play along. With all these in place I was able to get a better<br />
idea of my script, and the ideas (and silences) and helped in the rewriting,<br />
which is still going on.<br />
...because I was able to hear my play read I was able to better craft a half<br />
hour version of the play which went on to win first place in the Hinton Battle<br />
Diverse Voices Playwriting Contest--as well as a $1000 prize.” - Stuart Boyce,<br />
Boulder, CO<br />
Valuable Feedback<br />
“<strong>The</strong> real benefit for me was hearing the talk back about the play. I have remembered the<br />
remarks and "listened" to them in my subsequent writing.” – Susan Hickey, Denver,<br />
CO<br />
photos by: Tyler Giebel<br />
Playwright Susan Hickey<br />
Based on comments I received in the post-show discussion, How To Avoid Bob (<strong>Showcase</strong><br />
‘05) was revised and later performed as a reading at Portland <strong>The</strong>atre Works on a double<br />
bill titled Wrestling With Charlotte. That double-bill went on to be a finalist in the 2006<br />
Oregon Book Awards for Drama. -Doug Baldwin, Portland, OR<br />
National and International Success:<br />
• <strong>The</strong> M Word by William Missouri Downs (<strong>Showcase</strong> ‘07) was produced by the University of Wyoming and<br />
was part of the 2008 Regional American <strong>College</strong> <strong>The</strong>atre Festival. In two<br />
weeks it opens at a small theatre in Pasco, Washington<br />
• Renaissance by George Taylor is scheduled (tentatively) for production<br />
in September 2009<br />
• <strong>The</strong> Greater Good by Rebecca Gorman will be produced by Next Stage<br />
in October 2009.<br />
• Room at the Inn by Barbara Lindsey at the following theatres:<br />
Eclectic <strong>The</strong>ater Co, North Hollywood, CA 2005<br />
Black Door <strong>The</strong>ater Co, NY 2006<br />
Emerging Artists <strong>The</strong>ater Co, NY 2006<br />
<strong>The</strong>ater Limina, MN 2008<br />
Short & Sweet Festival, Sydney, Australia 2008<br />
10<br />
From the 2007 reading of<br />
<strong>The</strong> M Word