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RSC SummeR SChool - Royal Shakespeare Company

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EVENT<br />

DETAILS<br />

The 63rd <strong>RSC</strong> Summer School is produced<br />

by the <strong>Royal</strong> <strong>Shakespeare</strong> <strong>Company</strong> with the<br />

<strong>Shakespeare</strong> Institute, University of Birmingham.<br />

Unless otherwise indicated, all events take place<br />

at the <strong>Shakespeare</strong> Institute on Church Street,<br />

Stratford-upon-Avon. As with all live theatre work,<br />

there may occasionally be unavoidable lastminute<br />

alterations to the programme, although<br />

naturally we do everything we can to avoid this.<br />

Monday 16 August<br />

How Cléopâtre became Cleopatra:<br />

the Evolution of a Renaissance Icon<br />

Pascale Aebischer, Senior Lecturer<br />

in Renaissance Studies, University of<br />

Exeter reveals the ways that the racial<br />

representation of Cleopatra evolved in the<br />

sixteenth century.<br />

Antony and Cleopatra photograph by Ellie Kurttz<br />

<strong>Shakespeare</strong>: As Seen By…<br />

A performance history of <strong>Shakespeare</strong>’s<br />

Antony and Cleopatra in images and<br />

conversation led by Theatre Practitioner<br />

Mary Johnson.<br />

wednesday 18 August<br />

The Director Talks<br />

Gregory Doran, <strong>RSC</strong> Chief Associate Director,<br />

discusses the process of creating his<br />

production of Malory’s Morte d’Arthur.<br />

Adapting Arthur<br />

The adaptor of this season’s production of<br />

Malory’s Morte d’Arthur, Mike Poulton<br />

gives an insight into his process and the<br />

challenges of the transforming the text from<br />

page to stage.<br />

Morte d’Arthur photograph by Ellie Kurttz<br />

Arthur Revived: The Undying Attractions<br />

of the Arthurian Legend<br />

Ananya Kabir, Senior Lecturer in<br />

Commonwealth and Postcolonial Literatures<br />

at the University of Leeds, explores the ways<br />

that the Arthurian Legends is re-animated in<br />

different cultural contexts.<br />

The Performability of King Lear<br />

Fellow of the <strong>Shakespeare</strong> Institute,<br />

Catherine Alexander considers the<br />

performance history of King Lear and its<br />

adaptations and the compact it creates with<br />

its audience.<br />

friday 20 August<br />

Playing Lear<br />

<strong>RSC</strong> actor Greg Hicks discusses his portrayal<br />

of King Lear in David Farr’s production for the<br />

<strong>RSC</strong> this year.<br />

The Season with Stanley Wells and<br />

Michael Billington<br />

Theatre critic Michael Billington and<br />

<strong>Shakespeare</strong> expert Stanley Wells give their<br />

views on this season’s productions.<br />

Hamlet photograph by Hugo Glendinning<br />

Young People’s <strong>Shakespeare</strong><br />

<strong>RSC</strong> Director of Education Jacqui O’Hanlon<br />

and members of the Ensemble talk about the<br />

evolution of the Young People’s <strong>Shakespeare</strong><br />

performances which toured to schools,<br />

and can be seen in The Courtyard Theatre<br />

this year.<br />

tuesday 17 August<br />

An Actor’s Approach<br />

<strong>RSC</strong> Actor Noma Dumezweni talks about her<br />

role as the Nurse in this season’s production<br />

of Romeo and Juliet, offering an insight into<br />

her rehearsal process and life as part of the<br />

long Ensemble.<br />

The Life of an <strong>RSC</strong> Assistant Director<br />

<strong>RSC</strong> Assistant Directors Justin Audibert,<br />

Michael Fentiman, Helen Leblique and<br />

Vik Sivalingam, speak about their<br />

experiences over the last 2 years and<br />

what the future holds for them.<br />

Playing Romeo<br />

<strong>RSC</strong> Actor Sam Troughton, Romeo in this<br />

season’s production of Romeo and Juliet,<br />

discusses his experience of working with<br />

Rupert Goold and how he has approached<br />

playing one of <strong>Shakespeare</strong>’s most famous<br />

characters.<br />

Love and Idolatry in Romeo and Juliet<br />

Alison Shell, Lecturer in the Department<br />

of English Studies at the University of<br />

Durham, talks about <strong>Shakespeare</strong>’s<br />

connection between love and religion in<br />

Romeo and Juliet.<br />

thursday 19 August<br />

Where is Life?<br />

Fellow of Brasenose College Oxford,<br />

Simon Palfrey, examines the implications for<br />

actors and readers in treating the characters’<br />

experiences as ‘real’ in King Lear and<br />

Antony and Cleopatra.<br />

King Lear photograph by Manuel Harlan

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