RSC SummeR SChool - Royal Shakespeare Company
RSC SummeR SChool - Royal Shakespeare Company
RSC SummeR SChool - Royal Shakespeare Company
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EVENT<br />
DETAILS<br />
The 63rd <strong>RSC</strong> Summer School is produced<br />
by the <strong>Royal</strong> <strong>Shakespeare</strong> <strong>Company</strong> with the<br />
<strong>Shakespeare</strong> Institute, University of Birmingham.<br />
Unless otherwise indicated, all events take place<br />
at the <strong>Shakespeare</strong> Institute on Church Street,<br />
Stratford-upon-Avon. As with all live theatre work,<br />
there may occasionally be unavoidable lastminute<br />
alterations to the programme, although<br />
naturally we do everything we can to avoid this.<br />
Monday 16 August<br />
How Cléopâtre became Cleopatra:<br />
the Evolution of a Renaissance Icon<br />
Pascale Aebischer, Senior Lecturer<br />
in Renaissance Studies, University of<br />
Exeter reveals the ways that the racial<br />
representation of Cleopatra evolved in the<br />
sixteenth century.<br />
Antony and Cleopatra photograph by Ellie Kurttz<br />
<strong>Shakespeare</strong>: As Seen By…<br />
A performance history of <strong>Shakespeare</strong>’s<br />
Antony and Cleopatra in images and<br />
conversation led by Theatre Practitioner<br />
Mary Johnson.<br />
wednesday 18 August<br />
The Director Talks<br />
Gregory Doran, <strong>RSC</strong> Chief Associate Director,<br />
discusses the process of creating his<br />
production of Malory’s Morte d’Arthur.<br />
Adapting Arthur<br />
The adaptor of this season’s production of<br />
Malory’s Morte d’Arthur, Mike Poulton<br />
gives an insight into his process and the<br />
challenges of the transforming the text from<br />
page to stage.<br />
Morte d’Arthur photograph by Ellie Kurttz<br />
Arthur Revived: The Undying Attractions<br />
of the Arthurian Legend<br />
Ananya Kabir, Senior Lecturer in<br />
Commonwealth and Postcolonial Literatures<br />
at the University of Leeds, explores the ways<br />
that the Arthurian Legends is re-animated in<br />
different cultural contexts.<br />
The Performability of King Lear<br />
Fellow of the <strong>Shakespeare</strong> Institute,<br />
Catherine Alexander considers the<br />
performance history of King Lear and its<br />
adaptations and the compact it creates with<br />
its audience.<br />
friday 20 August<br />
Playing Lear<br />
<strong>RSC</strong> actor Greg Hicks discusses his portrayal<br />
of King Lear in David Farr’s production for the<br />
<strong>RSC</strong> this year.<br />
The Season with Stanley Wells and<br />
Michael Billington<br />
Theatre critic Michael Billington and<br />
<strong>Shakespeare</strong> expert Stanley Wells give their<br />
views on this season’s productions.<br />
Hamlet photograph by Hugo Glendinning<br />
Young People’s <strong>Shakespeare</strong><br />
<strong>RSC</strong> Director of Education Jacqui O’Hanlon<br />
and members of the Ensemble talk about the<br />
evolution of the Young People’s <strong>Shakespeare</strong><br />
performances which toured to schools,<br />
and can be seen in The Courtyard Theatre<br />
this year.<br />
tuesday 17 August<br />
An Actor’s Approach<br />
<strong>RSC</strong> Actor Noma Dumezweni talks about her<br />
role as the Nurse in this season’s production<br />
of Romeo and Juliet, offering an insight into<br />
her rehearsal process and life as part of the<br />
long Ensemble.<br />
The Life of an <strong>RSC</strong> Assistant Director<br />
<strong>RSC</strong> Assistant Directors Justin Audibert,<br />
Michael Fentiman, Helen Leblique and<br />
Vik Sivalingam, speak about their<br />
experiences over the last 2 years and<br />
what the future holds for them.<br />
Playing Romeo<br />
<strong>RSC</strong> Actor Sam Troughton, Romeo in this<br />
season’s production of Romeo and Juliet,<br />
discusses his experience of working with<br />
Rupert Goold and how he has approached<br />
playing one of <strong>Shakespeare</strong>’s most famous<br />
characters.<br />
Love and Idolatry in Romeo and Juliet<br />
Alison Shell, Lecturer in the Department<br />
of English Studies at the University of<br />
Durham, talks about <strong>Shakespeare</strong>’s<br />
connection between love and religion in<br />
Romeo and Juliet.<br />
thursday 19 August<br />
Where is Life?<br />
Fellow of Brasenose College Oxford,<br />
Simon Palfrey, examines the implications for<br />
actors and readers in treating the characters’<br />
experiences as ‘real’ in King Lear and<br />
Antony and Cleopatra.<br />
King Lear photograph by Manuel Harlan