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FRANKFURT 10-14TH October 2012 - Sandra Bruna Agencia Literaria

FRANKFURT 10-14TH October 2012 - Sandra Bruna Agencia Literaria

FRANKFURT 10-14TH October 2012 - Sandra Bruna Agencia Literaria

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BOOKLIST, on the author – “A storyteller of exquisite lyricism”<br />

OTHER WORLDS THAN THESE, ed. by John Joseph Adams<br />

(Barry Goldblatt Literary)<br />

What if you could not only travel any location in the world, but to any possible world? From The Wizard of Oz to<br />

The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a<br />

rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been<br />

collected in a single volume—until now.<br />

Rights sold to: US (Night Shade Books)<br />

PUBLISHER’S WEEKLY, starred review – “Readers will greatly enjoy this exploration of our world’s foremost and<br />

ascendant speculative authors.”<br />

QUARANTATRE, Elisabetta Severina<br />

(Nabu International Literary & Film Agency)<br />

A daughter and a mother, a relationship filtered by memory, two lives that communicate through time and distance.<br />

A novel in seven chapters where the protagonist speaks to her mother, who died over thirty years ago when she was<br />

still a child, and she tells her of her life, following specific moments in time. A long silent and strong dialogue,<br />

between a daughter and a mother who, even in this absence, continue to grow together.<br />

Rights sold to: Italy (Instar Libri), Germany (List)<br />

IL SOLE 24 ORE – “...it surfaces lightly and with restrained pain, the main trait of this brief novel, the simplicity, the elegance<br />

and the decorum of which should be acknowledged in all possible ways.”<br />

SALVAGE THE BONES, Jesmyn Ward<br />

(Jennifer Lyons Literary Agency)<br />

Winner of the 2011 The National Book Award and in a voice compared to Flannery O’Connor, Harper Lee and<br />

William Faulkner the story in Salvage the Bone isn’t really about Hurricane Katrina but about people facing<br />

challenges, and how they band together to overcome adversity.<br />

Rights sold in: world English (Bloomsbury), Sweden (Forum), France (Belfond), Spanish (Siruela), Denmark (Klim), China<br />

(Shanghai 99)<br />

KIRKUS REVIEWS starred review - “A superbly realized work of fiction that, while Southern to the bone, transcends its<br />

region to become universal.”<br />

PUBLISHERS WEEKLY starred review - “[A] poetic second novel. [main character] Esch traces in the minutiae of every<br />

moment of every scene of her life the thin lines between passion and violence, love and hate, life and death. Her voice [gives]<br />

its cast of small lives a huge resonance.”<br />

LIBRARY JOURNAL starred review - “It’s an eye-opening heartbreaker that ends in hope.”<br />

THE WASHINGTON POST - “I’m happy to eat my words. And my spinach. I’ve just read another one of the so-called<br />

obscure finalists, Salvage the Bones, the second book from Alabama writer Jesmyn Ward, and it’ll be a long time before its magic<br />

wears off...”<br />

THE HUFFINGTON POST - “The narrator's voice sparks with beauty as it urges the reader through this moving story set in<br />

the shadow of Katrina.”<br />

THE BOSTON GLOBE - “Lyrical… Ward’s writing is startling in its graphic clarity… talent like this shouts from every<br />

page.”<br />

O: THE OPRAH MAGAZINE - “The novel’s hugeness of heart and fierceness of family grip and hold on like Skeetah’s pit<br />

bull.”<br />

SECOND CHANCE, Sian James<br />

(Seren Books)<br />

This passionate story, told with skill and symphathy, tells of Kate Rivers, who has it all: London life, successful<br />

acting career and caring lover Paul. So why, when she is called back to her Welsh home, are her past and her present<br />

so hard to deal with? Where is Paul when she needs him? And is an affair with her handsome cousin Rhydian a<br />

second chance at happiness or just a dangerous infatuation?<br />

SUNDAY TIMES – “ A superb ear for dialogue and a marksman’s eye for revealing detail.”<br />

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