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BLOODLETTING INSTRUMENTS - Smithsonian Institution Libraries

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NUMBER 41<br />

protective mechanism to aid blood clotting. If the<br />

volume of blood lost does not exceed 30 to 40<br />

percent, systolic, disastolic, and pulse pressures rise<br />

again after approximately 30 minutes as a result<br />

of various compensatory mechanisms.^^<br />

If larger volumes than this are removed, the organism<br />

is usually unable to survive unless the loss is<br />

promptly replaced. Repeated smaller bleedings may<br />

produce a state of chronic anemia when the total<br />

amount of blood and hemoglobin removed is in<br />

excess of the natural recuperative powers.<br />

When to Bleed<br />

Selecting a time for bleeding usually depended on<br />

the nature of the disease and the patient's ability<br />

to withstand the process. Galen's scheme, in contrast<br />

to the Hippocratic doctrine, recommended<br />

no specific days.^* Hippocrates worked out an elaborate<br />

schedule, based on the onset and type of<br />

disease, to which the physician was instructed to<br />

adhere regardless of the patient's condition.<br />

Natural events outside the body served as indicators<br />

for selecting the time, site, and frequency<br />

of bloodletting during the Middle Ages when astrological<br />

influences dominated diagnostic and<br />

therapeutic thought. This is illustrated by the fact<br />

that the earliest printed document relating to medicine<br />

was the "Calendar for Bloodletting" issued<br />

in Mainz in 1457. This type of calendar, also used<br />

for purgation, was known as an Aderlasskalender,<br />

and was printed in other German cities such as<br />

Augsburg, Nuremberg, Strassburg, and Leipzig.<br />

During the fifteenth century these calendars and<br />

Pestblatter, or plague warnings, were the most<br />

popular medical literature. Sir William Osier and<br />

Karl Sudhoff studied hundreds of these calendars.^s<br />

They consisted of a single sheet with some astronomical<br />

figures and a diagram of a man (Aderlassmann)<br />

depicting the influence of the stars and the<br />

signs of the zodiac on each part of the body, as well<br />

as the parts of the anatomy suitable for bleeding.<br />

These charts illustrated the veins and arteries that<br />

should be incised to let blood for specific ailments<br />

and usually included brief instructions in the margin.<br />

The annotated bloodletting figure was one of<br />

the earliest subjects of woodcuts. One early and<br />

well known Aderlassmann was prepared by Johann<br />

Regiomontanus (Johannes Miiller) in 1473. It contained<br />

a dozen proper bleeding points, each suited<br />

for use under a sign of the zodiac. Other Aderlassmanner<br />

illustrated specific veins to be bled. The<br />

woodcut produced by the sixteenth-century mathematician,<br />

Johannes Stoeffer, illustrated 53 points<br />

where the lancet might be inserted.^^<br />

"Medicina astrologica" exerted a great influence<br />

on bloodletting. Determining the best time to bleed<br />

reached a high degree of perfection in the late<br />

fourteenth and fifteenth centuries with the use of<br />

volvella or calculating devices adopted from astronomy<br />

and navigation. These were carried on a<br />

belt worn around the waist for easy consultation.<br />

Used in conjunction with a table and a vein-man<br />

drawing, the volvella contained movable circular<br />

calculators for determining the accuracy, time,<br />

amount, and site to bleed for an illness. The dangers<br />

of bloodletting elicited both civic and national<br />

concern and control. Statutes were enacted that<br />

required every physician to consult these tables<br />

before opening a vein to minimize the chance of<br />

bleeding improperly and unnecessarily. Consultation<br />

of the volvella and vein-man was more important<br />

than an examination of the patient.^^ (Figure<br />

3.)<br />

For several centuries, almanacs were consulted to<br />

determine the propitious time for bleeding. The<br />

"woodcut anatomy" became a characteristic illustration<br />

of the colonial American almanac. John<br />

Foster introduced the "Man of Signs," as it was<br />

called, into the American almanac tradition in his<br />

almanac for 1678, printed in Boston. Other examples<br />

of early American almanacs featuring illustrations<br />

of bleeding include Daniel Leed's almanac<br />

for 1693, printed in Philadelphia, and John Clapp's<br />

almanac for 1697, printed in New York.<br />

As in many of the medieval illustrations, the<br />

woodcut anatomy in the American almanac consisted<br />

of a naked man surrounded by the twelve<br />

signs of the zodiac, each associated with a particular<br />

part of the body (the head and face with Aries,<br />

the neck with Taurus, the arms with Gemini, etc.).<br />

The directions that often accompanied the figure<br />

instructed the user to find the day of the month in<br />

the almanac chart, note the sign or place of the<br />

moon associated with that day, and then look for<br />

the sign in the woodcut anatomy to discover what<br />

part of the body is governed by that sign. Bloodletting<br />

was usually not specifically mentioned, but<br />

it is likely that some colonials still used the "Man

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