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them for all ten of the albums songs for drum ambience and I've been
experimenting using them for electric guitars. I am not sure if I got the
best sensitivity model. I havn't had any problems overloading the mics and
there have been times I wished I could see quite a bit more level out of
them. Also, I still havn't used them to record into my mini-disc, I have
only used the mini to xlr adapter (which hasn't had any of the potential
noise problems you warned me it might have). All of the recording so far
has been through my Hardy Pre-Amps. I'll look forward to hearing from you
soon.
Cheers,
RUSS LONG
>>
Hello Russ,
Thank you for the welcome good news of how the mic system is working for you so far.
A 2 or 4 db higher gain DSM-6S/H or EH model might seem better for doing some work. The concern is with SPL handling and if the noise
level of the medium gain mic is getting in the way too much for some purposes. External mic preamplifier gains set at 20 or 30 db are usually
optimal, but most preamps seem to only provide 20 or 40 db selections
Gong through the Hardy preamps and into the DA-P1 line inputs would seem to eliminate any potential ground loop problems with DA-P1 mic
stages for sure.
If you need to try a higher gain model for any reason, please let me know.
Best Regards in Sound & Music Recording,
Leonard & Debbie Lombardo
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Subj: Ignacio from Uruguay.
Date: 9/9/01 7:23:03 PM Pacific Daylight Time
From: xxxx@guia-mercosur.com (Ignacio xxx)
To: GuySonic@aol.com
Hello Leonard,
I think you remember me, i´m Ignacio, from Montevideo, Uruguay, i bought
from you the DSM-6S/L to use with my Sony Minidisc MZ-R70.
Do you remember? i had a battery box from Sound Professionals and we didn´t
know if the mics worked fine with the 9 volt system.
So this e-mail is for telling you the info after tape some shows.