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New Zealand’s Bio and Musical diversity celebrated<br />
in California<br />
It is a little known fact that the largest collection of New Zealand<br />
plants outside of this country is to be found in the Ed Landels<br />
New Zealand Garden of the Arboretum at the University of<br />
California, Santa Cruz, USA.<br />
May 15 was declared ‘New Zealand Day’ there and in a<br />
collaboration between NZ composer Jack Body, the New Music<br />
Works performance ensemble from the USA and the Arboretum<br />
at UCSC a celebration of the ‘Culture, Music, & Botanical Diversity<br />
of New Zealand’ was held. Throughout the afternoon and evening<br />
visitors wandering in the NZ Garden heard recordings of New<br />
Zealand birdsong as well as Glass Music (Douglas Lilburn) and<br />
Aeolian Harp Sounds (Chris Cree Brown) among the plantings.<br />
Richard Nunns informed visitors of the use of indigenous plants<br />
for medicine and food before joining the Arboretum Choir, New<br />
Music Works, Hera Black-Taute and Mareta Taute in a performance<br />
entitled Encounters with Indigenous Aotearoa! The programme<br />
included a karanga and waiata, and works by David Farquhar,<br />
Gillian Whitehead, Philip Brownlee and Jack Body, several<br />
involving Richard Nunns on taonga püoro. Following a hangi and<br />
New Zealand wine, patrons experienced a concert of film and<br />
electro-acoustic work called Confronting Inscapes / Landscapes.<br />
Works included The Return by Douglas Lilburn, City Respirations<br />
by Matthew Lambourn, Mosaic (Water) by Ross Harris, Soundscape<br />
with Lake and River by Douglas Lilburn, Say, by John Cousins, a<br />
finalist in the 2004 SOUNZ Contemporary Award, and Generation,<br />
David Downes’ award-winning experimental film.<br />
Voices of taonga püoro gathering in strength<br />
After decades of being barely audible the voices of taonga püoro<br />
are gathering in strength and resonance. Richard Nunns together<br />
with instrument maker Brian Flintoff and the late Hirini Melbourne<br />
spent much of the last 30 years travelling the length of New Zealand<br />
talking to elders about traditional ways of Maori music making.<br />
Through expert craftsmanship and musicianship they gave breath<br />
to over 90 voices that hadn’t been heard for generations, and<br />
dispelled the notion that there were few if any traditional Maori<br />
instruments. Richard’s involvement in the Santa Cruz NZ Day was<br />
part of a ‘world tour’ for taonga püoro! During May he also visited<br />
several major centres in Germany and included a visit to Poland<br />
as the guest of the Polish Institute of Ethnology. In November /<br />
December he will join the New Zealand String Quartet on one of<br />
their North American tours which will also include performances<br />
of Hine-pü-te-hue by Gillian Whitehead for taonga püoro and<br />
string quartet.<br />
Here in New Zealand, a ten day conference - Kei Kona Te Ha<br />
Me Te Wairua - There the Breath with the Spirit - was held in<br />
Rotorua in March and Concert FM has also launched a new radio<br />
series called He Ara Püoro (A Pathway of Song) comprising a<br />
series of audio portraits of taonga püoro, each about eight minutes<br />
long. The series is being broadcast nation-wide on weekdays just<br />
after the news at midday and at 5:00 pm.<br />
New Zealand Music Month<br />
New Zealand Music Month 2005 has come and gone. The SOUNZ<br />
website listed some 45 events in ‘contemporary classical’ music<br />
for May - many of them with multiple performances and including<br />
18 world premieres! The month really started with a kick with six<br />
premieres in the first week.<br />
Sneaking in on the eve of NZ Music Month, Maria Grenfell’s<br />
Hutia te rito o te harakeke helped officially launch MENZA (Music<br />
Education New Zealand Aotearoa). On the following day the New<br />
Zealand String Quartet gave the world premiere of John Psathas’<br />
new work, Kartsigar. A commission from the Wellington Chamber<br />
Music Society in honour of their 60th Anniversary year the piece<br />
is based on transcriptions of traditional improvisation-based Greek<br />
music and incorporates a<br />
wonderful and exciting blend of<br />
Greek traditional, jazz and<br />
contemporary classical elements.<br />
On the same day, southward in<br />
Wanaka, the inaugural Festival of<br />
Colour wound up with concerts<br />
in the afternoon and evening.<br />
1<br />
Pianist Michael Houstoun<br />
presented a ‘Home’ concert<br />
playing works by Douglas Lilburn,<br />
Michael Norris, John Psathas and<br />
the premiere of Kenneth Young’s<br />
Five Pieces for piano. In the<br />
evening, a concert by the Central<br />
Otago Regional Choir and Central<br />
2<br />
Otago Regional Orchestra<br />
presented the world premiere of<br />
Rachel Clement’s Taking Off. This<br />
work was a SOUNZ Community<br />
Commission, an annual project<br />
managed through SOUNZ, in<br />
which professional composers and<br />
community groups are brought<br />
together. Wanaka’s own Hannah<br />
Curwood also had a world<br />
premiere at the concert with a<br />
choral work called High Country.<br />
3<br />
The celebration of New Zealand<br />
music exemplified in NZ Music<br />
Month was also expressed superbly in an extraordinary concert<br />
in Wellington on Friday 6 May. The NZSO performed a Made in<br />
NZ programme to a highly appreciative and diverse audience in<br />
the Wellington Town Hall. The programme comprised of Vulcan<br />
by John Rimmer, Maria Grenfell’s flute concerto Maui Tikitiki A<br />
Taranga (played with considerable authority by Bridget Douglas),<br />
the iconic Harbour Nocturne by Larry Pruden, Michael Norris’<br />
2004 Lilburn Prize-winning piece Rays of the Sun, Shards of the<br />
Moon and the self-conducted premiere performance of Kenneth<br />
Young’s Second Symphony. By turns these works revealed not<br />
only what fine musicians and composers this country is nurturing,<br />
but also just how far NZ music has come in the last few decades.<br />
Centre for NZ Music (trading as SOUNZ)<br />
PO Box 10042, Wellington, NZ.<br />
Street address: Level 1, 39 Cambridge Terrace<br />
Phone: 64-4-801 8602, Fax: 64-4-801 8604<br />
Email: info@sounz.org.nz Website: www.sounz.org.nz<br />
1 THE NEW ZEALAND STRING QUARTET, (FROM LEFT, STANDING) HELENE POHL, DOUGLAS BEILMAN, GILLIAN<br />
ANSELL (OBSCURED) AND ROLF GJELSTEN INVITED COMPOSER JOHN PSATHAS TO INTRODUCE HIS NEW<br />
WORK KARTSIGAR. THE WORK, COMMISSIONED BY THE WELLINGTON CHAMBER MUSIC SOCIETY IN CELEBRATION<br />
OF THEIR 60TH ANNIVERSARY YEAR, WAS ONE OF FIVE WORLD PREMIERES OF NEW ZEALAND MUSIC HELD<br />
IN JUST THE FIRST WEEKEND OF NEW ZEALAND MUSIC MONTH <strong>2005.</strong> 2 NZ COMPOSERS IN A NZ GARDEN<br />
IN THE USA! NZ DAY IN SANTA CRUZ. 3 RICHARD NUNNS – PERFORMER AND PROTAGONIST FOR TAONGA<br />
PÜORO. CREATED IN NZ, HEARD AROUND THE WORLD!<br />
<strong>APRAP</strong> <strong>June</strong> 2005<br />
13