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APRAP WEB June 2005..

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New Zealand’s Bio and Musical diversity celebrated<br />

in California<br />

It is a little known fact that the largest collection of New Zealand<br />

plants outside of this country is to be found in the Ed Landels<br />

New Zealand Garden of the Arboretum at the University of<br />

California, Santa Cruz, USA.<br />

May 15 was declared ‘New Zealand Day’ there and in a<br />

collaboration between NZ composer Jack Body, the New Music<br />

Works performance ensemble from the USA and the Arboretum<br />

at UCSC a celebration of the ‘Culture, Music, & Botanical Diversity<br />

of New Zealand’ was held. Throughout the afternoon and evening<br />

visitors wandering in the NZ Garden heard recordings of New<br />

Zealand birdsong as well as Glass Music (Douglas Lilburn) and<br />

Aeolian Harp Sounds (Chris Cree Brown) among the plantings.<br />

Richard Nunns informed visitors of the use of indigenous plants<br />

for medicine and food before joining the Arboretum Choir, New<br />

Music Works, Hera Black-Taute and Mareta Taute in a performance<br />

entitled Encounters with Indigenous Aotearoa! The programme<br />

included a karanga and waiata, and works by David Farquhar,<br />

Gillian Whitehead, Philip Brownlee and Jack Body, several<br />

involving Richard Nunns on taonga püoro. Following a hangi and<br />

New Zealand wine, patrons experienced a concert of film and<br />

electro-acoustic work called Confronting Inscapes / Landscapes.<br />

Works included The Return by Douglas Lilburn, City Respirations<br />

by Matthew Lambourn, Mosaic (Water) by Ross Harris, Soundscape<br />

with Lake and River by Douglas Lilburn, Say, by John Cousins, a<br />

finalist in the 2004 SOUNZ Contemporary Award, and Generation,<br />

David Downes’ award-winning experimental film.<br />

Voices of taonga püoro gathering in strength<br />

After decades of being barely audible the voices of taonga püoro<br />

are gathering in strength and resonance. Richard Nunns together<br />

with instrument maker Brian Flintoff and the late Hirini Melbourne<br />

spent much of the last 30 years travelling the length of New Zealand<br />

talking to elders about traditional ways of Maori music making.<br />

Through expert craftsmanship and musicianship they gave breath<br />

to over 90 voices that hadn’t been heard for generations, and<br />

dispelled the notion that there were few if any traditional Maori<br />

instruments. Richard’s involvement in the Santa Cruz NZ Day was<br />

part of a ‘world tour’ for taonga püoro! During May he also visited<br />

several major centres in Germany and included a visit to Poland<br />

as the guest of the Polish Institute of Ethnology. In November /<br />

December he will join the New Zealand String Quartet on one of<br />

their North American tours which will also include performances<br />

of Hine-pü-te-hue by Gillian Whitehead for taonga püoro and<br />

string quartet.<br />

Here in New Zealand, a ten day conference - Kei Kona Te Ha<br />

Me Te Wairua - There the Breath with the Spirit - was held in<br />

Rotorua in March and Concert FM has also launched a new radio<br />

series called He Ara Püoro (A Pathway of Song) comprising a<br />

series of audio portraits of taonga püoro, each about eight minutes<br />

long. The series is being broadcast nation-wide on weekdays just<br />

after the news at midday and at 5:00 pm.<br />

New Zealand Music Month<br />

New Zealand Music Month 2005 has come and gone. The SOUNZ<br />

website listed some 45 events in ‘contemporary classical’ music<br />

for May - many of them with multiple performances and including<br />

18 world premieres! The month really started with a kick with six<br />

premieres in the first week.<br />

Sneaking in on the eve of NZ Music Month, Maria Grenfell’s<br />

Hutia te rito o te harakeke helped officially launch MENZA (Music<br />

Education New Zealand Aotearoa). On the following day the New<br />

Zealand String Quartet gave the world premiere of John Psathas’<br />

new work, Kartsigar. A commission from the Wellington Chamber<br />

Music Society in honour of their 60th Anniversary year the piece<br />

is based on transcriptions of traditional improvisation-based Greek<br />

music and incorporates a<br />

wonderful and exciting blend of<br />

Greek traditional, jazz and<br />

contemporary classical elements.<br />

On the same day, southward in<br />

Wanaka, the inaugural Festival of<br />

Colour wound up with concerts<br />

in the afternoon and evening.<br />

1<br />

Pianist Michael Houstoun<br />

presented a ‘Home’ concert<br />

playing works by Douglas Lilburn,<br />

Michael Norris, John Psathas and<br />

the premiere of Kenneth Young’s<br />

Five Pieces for piano. In the<br />

evening, a concert by the Central<br />

Otago Regional Choir and Central<br />

2<br />

Otago Regional Orchestra<br />

presented the world premiere of<br />

Rachel Clement’s Taking Off. This<br />

work was a SOUNZ Community<br />

Commission, an annual project<br />

managed through SOUNZ, in<br />

which professional composers and<br />

community groups are brought<br />

together. Wanaka’s own Hannah<br />

Curwood also had a world<br />

premiere at the concert with a<br />

choral work called High Country.<br />

3<br />

The celebration of New Zealand<br />

music exemplified in NZ Music<br />

Month was also expressed superbly in an extraordinary concert<br />

in Wellington on Friday 6 May. The NZSO performed a Made in<br />

NZ programme to a highly appreciative and diverse audience in<br />

the Wellington Town Hall. The programme comprised of Vulcan<br />

by John Rimmer, Maria Grenfell’s flute concerto Maui Tikitiki A<br />

Taranga (played with considerable authority by Bridget Douglas),<br />

the iconic Harbour Nocturne by Larry Pruden, Michael Norris’<br />

2004 Lilburn Prize-winning piece Rays of the Sun, Shards of the<br />

Moon and the self-conducted premiere performance of Kenneth<br />

Young’s Second Symphony. By turns these works revealed not<br />

only what fine musicians and composers this country is nurturing,<br />

but also just how far NZ music has come in the last few decades.<br />

Centre for NZ Music (trading as SOUNZ)<br />

PO Box 10042, Wellington, NZ.<br />

Street address: Level 1, 39 Cambridge Terrace<br />

Phone: 64-4-801 8602, Fax: 64-4-801 8604<br />

Email: info@sounz.org.nz Website: www.sounz.org.nz<br />

1 THE NEW ZEALAND STRING QUARTET, (FROM LEFT, STANDING) HELENE POHL, DOUGLAS BEILMAN, GILLIAN<br />

ANSELL (OBSCURED) AND ROLF GJELSTEN INVITED COMPOSER JOHN PSATHAS TO INTRODUCE HIS NEW<br />

WORK KARTSIGAR. THE WORK, COMMISSIONED BY THE WELLINGTON CHAMBER MUSIC SOCIETY IN CELEBRATION<br />

OF THEIR 60TH ANNIVERSARY YEAR, WAS ONE OF FIVE WORLD PREMIERES OF NEW ZEALAND MUSIC HELD<br />

IN JUST THE FIRST WEEKEND OF NEW ZEALAND MUSIC MONTH <strong>2005.</strong> 2 NZ COMPOSERS IN A NZ GARDEN<br />

IN THE USA! NZ DAY IN SANTA CRUZ. 3 RICHARD NUNNS – PERFORMER AND PROTAGONIST FOR TAONGA<br />

PÜORO. CREATED IN NZ, HEARD AROUND THE WORLD!<br />

<strong>APRAP</strong> <strong>June</strong> 2005<br />

13

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