Troy, Kasey, Beccy and Melinda explain good songs don't ... - APRA
Troy, Kasey, Beccy and Melinda explain good songs don't ... - APRA
Troy, Kasey, Beccy and Melinda explain good songs don't ... - APRA
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Melissa Raser<br />
>> Trash Ivory<br />
our culture <strong>and</strong> who Bininj people<br />
are. If we can underst<strong>and</strong> Bal<strong>and</strong>a <strong>and</strong><br />
they underst<strong>and</strong> us then our worlds<br />
can change <strong>and</strong> we can work together<br />
better with less misunderst<strong>and</strong>ing<br />
between us.<br />
“Through music I am learning to manage<br />
the b<strong>and</strong>’s business, to plan ahead,<br />
keep accounts. This is important to us<br />
<strong>and</strong> our community because we want to<br />
be free of always relying on ATSIC or<br />
government for things. We want to be<br />
able to build our own houses with our<br />
own money one day. This will happen<br />
<strong>and</strong> when it does it will be a big change<br />
in our world; it will really mean that we<br />
will be in charge of our community, not<br />
the government.<br />
“The last way that music has changed<br />
our world is with computers, we live<br />
in the middle of Arnheml<strong>and</strong> <strong>and</strong> we<br />
have got Pro-tools so we can record<br />
our <strong>songs</strong> <strong>and</strong> do rough mixes of them<br />
at home. We don’t have to travel 600km<br />
to get to Darwin to do demos. We can<br />
stay with our families <strong>and</strong> in our<br />
country. Music helps to keep<br />
our community together. It<br />
helps stop our kids from<br />
getting bored <strong>and</strong> moving<br />
to a bigger community<br />
where they are likely to<br />
get into trouble.”<br />
*as told to Joshua Muirhead<br />
at Skinnyfish Music, Darwin.<br />
STEVE TOWSON<br />
has been challenging<br />
audiences since his<br />
first gigs in 2001. Now<br />
on the verge of his<br />
fourth release his voice<br />
is raised louder than ever,<br />
tackling head-on the issues of<br />
racism, selfish gain at the expense<br />
of others, <strong>and</strong> an unrepresentative<br />
government, advocating a more just<br />
<strong>and</strong> compassionate society.<br />
“Like many people, I’ve always been<br />
intensely moved by music - the sounds,<br />
rhythms <strong>and</strong> lyrics. My early role<br />
models revolved almost entirely around<br />
musicians, particularly The Clash, Billy<br />
Bragg, Bob Dylan, Bob Marley, the<br />
Dead Kennedys <strong>and</strong> others whose<br />
music symbolised change <strong>and</strong> a call<br />
for justice. I’ve seen first h<strong>and</strong> the real<br />
effect that music that’s connected with<br />
belief can have.<br />
“[With] the Rock Against Howard<br />
compilation <strong>and</strong> gigs in the leadup to<br />
the federal election … [they had] that<br />
mix of music plus human rights <strong>and</strong><br />
civil liberties. Average people who were<br />
sick of feeling helpless about politics<br />
came out to listen to music <strong>and</strong> rally<br />
for the cause. Musicians who wanted<br />
to make a difference played music to<br />
express their valid opinions.<br />
“There are examples throughout history<br />
of governments fearing this kind of<br />
experience. Regimes like those of Pol Pot,<br />
Stalin, Hitler <strong>and</strong> the current Burmese<br />
junta are examples - their treatment<br />
of musicians <strong>and</strong> the censorship <strong>and</strong><br />
control they attempted to exercise on<br />
music <strong>and</strong> art indicate their fear of<br />
its potential as a catalyst for change.<br />
Likewise back in the Banana Republic<br />
days under Sir Joh’s reign here in<br />
Queensl<strong>and</strong>. Music reflects, reacts <strong>and</strong><br />
inspires, it has for millennia <strong>and</strong> will<br />
continue to do so.”<br />
MELISSA RASER is a performer,<br />
composer, teacher, dancer, therapeutic<br />
<strong>and</strong> musical masseuse. She performed<br />
<strong>and</strong> toured nationally with Fiddlers<br />
Green Bush B<strong>and</strong> <strong>and</strong> the Fiddler’s<br />
Heaven Bush B<strong>and</strong> in Perth <strong>and</strong> WA. She<br />
supported Sarita, as part of the WAM<br />
showcase tour in Albany in March.<br />
“Music touches people’s minds, hearts,<br />
values, their spirit or maybe even just a<br />
toe as it taps in a magnetic rhythm <strong>and</strong><br />
gives them a smile they can’t <strong>explain</strong>.<br />
Sometimes it can relieve stress by a<br />
funny statement <strong>and</strong> a giggle escapes.<br />
Some tones touch undefinable spaces<br />
in people’s lives. Some are moved to<br />
tears <strong>and</strong> inspired to look at their lives<br />
differently. Some can make a person<br />
question their environmental values <strong>and</strong><br />
contributions <strong>and</strong> yet another might<br />
touch on someone’s grief.”<br />
TRASH IVORY is Madeleine on<br />
guitar <strong>and</strong> vocals; sister Lady Caroline<br />
on bass; <strong>and</strong> Kato behind the leopard<br />
print drums.<br />
“If you look back only one hundred<br />
years you can see the influence music<br />
has had on the world. It was rare to<br />
ever really find a female b<strong>and</strong> member<br />
unless they were being used for back<br />
up vocals or go-go dancers. The 60s<br />
saw the birth of b<strong>and</strong>s like the Shangri<br />
Las, singing <strong>songs</strong> about the impact<br />
of war through to empowering <strong>songs</strong><br />
about women’s rights. In the last 20<br />
years or so, you can see that women<br />
aren’t afraid to be angry <strong>and</strong> loud<br />
anymore. With a growing number of<br />
girl b<strong>and</strong>s emerging from the closets,<br />
it’s clear that music has changed gender<br />
restrictions the world over.<br />
“We would like to think that we could<br />
inspire girls everywhere to do what<br />
they have passionately wanted to do,<br />
but reserved themselves due to social<br />
limitations. If there’s one girl who sees<br />
us play <strong>and</strong> goes home to pick up her<br />
drum sticks or her guitar, we would like<br />
to think we’ve done our part in keeping<br />
women musical!”<br />
www.apra.com.au GETS A FACELIFT<br />
1<strong>APRA</strong> now has a new-look website. 2What’s different about 3the new site?<br />
THREE THINGS:<br />
NAVIGATION >><br />
we’ve reorganised content to make it NEW FEATURES >><br />
LOOK AND FEEL >> easier to find. It starts from the Home a dedicated section for our <strong>APRA</strong><br />
we think it’s cleaner, smarter, page – you pick how you want to Awards, a bulletin board for<br />
better organised. browse (as a writer, a publisher or members, a dedicated section for<br />
a music user) <strong>and</strong> the content that music-users <strong>and</strong> licensees.<br />
appears is more tightly targeted to<br />
Choose your door <strong>and</strong> enter here.<br />
The site then presents info in a<br />
way that suits your special needs.<br />
You can enter through any door that<br />
suits, depending on the purpose of<br />
your visit.<br />
AWARDS CENTRAL:<br />
a dedicated<br />
Awards sub-site.<br />
Background <strong>and</strong><br />
up-to-date info on<br />
the Pop Awards,<br />
Classical Music<br />
Awards, Screen<br />
Music Awards<br />
<strong>and</strong> Professional<br />
Development<br />
Awards.<br />
INDUSTRY NEWS:<br />
the latest updates on<br />
festivals, releases,<br />
competitions, events <strong>and</strong><br />
developments in the music<br />
industry<br />
your needs. Basic information about<br />
<strong>APRA</strong>, who we are, what we do,<br />
appears in the st<strong>and</strong>ard menu bar<br />
across the bottom of every screen.<br />
<strong>APRA</strong> NEWS: Find out what’s happening at <strong>APRA</strong><br />
St<strong>and</strong>ard navigation bar that<br />
stays the same on every page<br />
within the site. Here you’ll find<br />
information about copyright<br />
<strong>and</strong> <strong>APRA</strong>, who we are, what<br />
we do, membership, licensing,<br />
distribution, our organisational<br />
structure, job opportunities,<br />
corporate documents, where you<br />
can get help <strong>and</strong> of course, our<br />
popular Awards programs.<br />
Our content’s also been<br />
“uncluttered” <strong>and</strong> updated – <strong>and</strong><br />
it will continue to be regularly<br />
cleaned up <strong>and</strong> updated.<br />
Of course, like anything new, it<br />
may take some time to get used<br />
to – especially if you’re a regular<br />
visitor to apra.com.au. But we hope<br />
that once you’ve had a <strong>good</strong> look<br />
around you’ll like what you find.<br />
QUICKLINKS:<br />
a short-cut to the<br />
most visited pages<br />
on apra.com.au<br />
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