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Troy, Kasey, Beccy and Melinda explain good songs don't ... - APRA

Troy, Kasey, Beccy and Melinda explain good songs don't ... - APRA

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Melissa Raser<br />

>> Trash Ivory<br />

our culture <strong>and</strong> who Bininj people<br />

are. If we can underst<strong>and</strong> Bal<strong>and</strong>a <strong>and</strong><br />

they underst<strong>and</strong> us then our worlds<br />

can change <strong>and</strong> we can work together<br />

better with less misunderst<strong>and</strong>ing<br />

between us.<br />

“Through music I am learning to manage<br />

the b<strong>and</strong>’s business, to plan ahead,<br />

keep accounts. This is important to us<br />

<strong>and</strong> our community because we want to<br />

be free of always relying on ATSIC or<br />

government for things. We want to be<br />

able to build our own houses with our<br />

own money one day. This will happen<br />

<strong>and</strong> when it does it will be a big change<br />

in our world; it will really mean that we<br />

will be in charge of our community, not<br />

the government.<br />

“The last way that music has changed<br />

our world is with computers, we live<br />

in the middle of Arnheml<strong>and</strong> <strong>and</strong> we<br />

have got Pro-tools so we can record<br />

our <strong>songs</strong> <strong>and</strong> do rough mixes of them<br />

at home. We don’t have to travel 600km<br />

to get to Darwin to do demos. We can<br />

stay with our families <strong>and</strong> in our<br />

country. Music helps to keep<br />

our community together. It<br />

helps stop our kids from<br />

getting bored <strong>and</strong> moving<br />

to a bigger community<br />

where they are likely to<br />

get into trouble.”<br />

*as told to Joshua Muirhead<br />

at Skinnyfish Music, Darwin.<br />

STEVE TOWSON<br />

has been challenging<br />

audiences since his<br />

first gigs in 2001. Now<br />

on the verge of his<br />

fourth release his voice<br />

is raised louder than ever,<br />

tackling head-on the issues of<br />

racism, selfish gain at the expense<br />

of others, <strong>and</strong> an unrepresentative<br />

government, advocating a more just<br />

<strong>and</strong> compassionate society.<br />

“Like many people, I’ve always been<br />

intensely moved by music - the sounds,<br />

rhythms <strong>and</strong> lyrics. My early role<br />

models revolved almost entirely around<br />

musicians, particularly The Clash, Billy<br />

Bragg, Bob Dylan, Bob Marley, the<br />

Dead Kennedys <strong>and</strong> others whose<br />

music symbolised change <strong>and</strong> a call<br />

for justice. I’ve seen first h<strong>and</strong> the real<br />

effect that music that’s connected with<br />

belief can have.<br />

“[With] the Rock Against Howard<br />

compilation <strong>and</strong> gigs in the leadup to<br />

the federal election … [they had] that<br />

mix of music plus human rights <strong>and</strong><br />

civil liberties. Average people who were<br />

sick of feeling helpless about politics<br />

came out to listen to music <strong>and</strong> rally<br />

for the cause. Musicians who wanted<br />

to make a difference played music to<br />

express their valid opinions.<br />

“There are examples throughout history<br />

of governments fearing this kind of<br />

experience. Regimes like those of Pol Pot,<br />

Stalin, Hitler <strong>and</strong> the current Burmese<br />

junta are examples - their treatment<br />

of musicians <strong>and</strong> the censorship <strong>and</strong><br />

control they attempted to exercise on<br />

music <strong>and</strong> art indicate their fear of<br />

its potential as a catalyst for change.<br />

Likewise back in the Banana Republic<br />

days under Sir Joh’s reign here in<br />

Queensl<strong>and</strong>. Music reflects, reacts <strong>and</strong><br />

inspires, it has for millennia <strong>and</strong> will<br />

continue to do so.”<br />

MELISSA RASER is a performer,<br />

composer, teacher, dancer, therapeutic<br />

<strong>and</strong> musical masseuse. She performed<br />

<strong>and</strong> toured nationally with Fiddlers<br />

Green Bush B<strong>and</strong> <strong>and</strong> the Fiddler’s<br />

Heaven Bush B<strong>and</strong> in Perth <strong>and</strong> WA. She<br />

supported Sarita, as part of the WAM<br />

showcase tour in Albany in March.<br />

“Music touches people’s minds, hearts,<br />

values, their spirit or maybe even just a<br />

toe as it taps in a magnetic rhythm <strong>and</strong><br />

gives them a smile they can’t <strong>explain</strong>.<br />

Sometimes it can relieve stress by a<br />

funny statement <strong>and</strong> a giggle escapes.<br />

Some tones touch undefinable spaces<br />

in people’s lives. Some are moved to<br />

tears <strong>and</strong> inspired to look at their lives<br />

differently. Some can make a person<br />

question their environmental values <strong>and</strong><br />

contributions <strong>and</strong> yet another might<br />

touch on someone’s grief.”<br />

TRASH IVORY is Madeleine on<br />

guitar <strong>and</strong> vocals; sister Lady Caroline<br />

on bass; <strong>and</strong> Kato behind the leopard<br />

print drums.<br />

“If you look back only one hundred<br />

years you can see the influence music<br />

has had on the world. It was rare to<br />

ever really find a female b<strong>and</strong> member<br />

unless they were being used for back<br />

up vocals or go-go dancers. The 60s<br />

saw the birth of b<strong>and</strong>s like the Shangri<br />

Las, singing <strong>songs</strong> about the impact<br />

of war through to empowering <strong>songs</strong><br />

about women’s rights. In the last 20<br />

years or so, you can see that women<br />

aren’t afraid to be angry <strong>and</strong> loud<br />

anymore. With a growing number of<br />

girl b<strong>and</strong>s emerging from the closets,<br />

it’s clear that music has changed gender<br />

restrictions the world over.<br />

“We would like to think that we could<br />

inspire girls everywhere to do what<br />

they have passionately wanted to do,<br />

but reserved themselves due to social<br />

limitations. If there’s one girl who sees<br />

us play <strong>and</strong> goes home to pick up her<br />

drum sticks or her guitar, we would like<br />

to think we’ve done our part in keeping<br />

women musical!”<br />

www.apra.com.au GETS A FACELIFT<br />

1<strong>APRA</strong> now has a new-look website. 2What’s different about 3the new site?<br />

THREE THINGS:<br />

NAVIGATION >><br />

we’ve reorganised content to make it NEW FEATURES >><br />

LOOK AND FEEL >> easier to find. It starts from the Home a dedicated section for our <strong>APRA</strong><br />

we think it’s cleaner, smarter, page – you pick how you want to Awards, a bulletin board for<br />

better organised. browse (as a writer, a publisher or members, a dedicated section for<br />

a music user) <strong>and</strong> the content that music-users <strong>and</strong> licensees.<br />

appears is more tightly targeted to<br />

Choose your door <strong>and</strong> enter here.<br />

The site then presents info in a<br />

way that suits your special needs.<br />

You can enter through any door that<br />

suits, depending on the purpose of<br />

your visit.<br />

AWARDS CENTRAL:<br />

a dedicated<br />

Awards sub-site.<br />

Background <strong>and</strong><br />

up-to-date info on<br />

the Pop Awards,<br />

Classical Music<br />

Awards, Screen<br />

Music Awards<br />

<strong>and</strong> Professional<br />

Development<br />

Awards.<br />

INDUSTRY NEWS:<br />

the latest updates on<br />

festivals, releases,<br />

competitions, events <strong>and</strong><br />

developments in the music<br />

industry<br />

your needs. Basic information about<br />

<strong>APRA</strong>, who we are, what we do,<br />

appears in the st<strong>and</strong>ard menu bar<br />

across the bottom of every screen.<br />

<strong>APRA</strong> NEWS: Find out what’s happening at <strong>APRA</strong><br />

St<strong>and</strong>ard navigation bar that<br />

stays the same on every page<br />

within the site. Here you’ll find<br />

information about copyright<br />

<strong>and</strong> <strong>APRA</strong>, who we are, what<br />

we do, membership, licensing,<br />

distribution, our organisational<br />

structure, job opportunities,<br />

corporate documents, where you<br />

can get help <strong>and</strong> of course, our<br />

popular Awards programs.<br />

Our content’s also been<br />

“uncluttered” <strong>and</strong> updated – <strong>and</strong><br />

it will continue to be regularly<br />

cleaned up <strong>and</strong> updated.<br />

Of course, like anything new, it<br />

may take some time to get used<br />

to – especially if you’re a regular<br />

visitor to apra.com.au. But we hope<br />

that once you’ve had a <strong>good</strong> look<br />

around you’ll like what you find.<br />

QUICKLINKS:<br />

a short-cut to the<br />

most visited pages<br />

on apra.com.au<br />

A P R A P M A R C H 2 0 0 5 > > 1 0

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