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CeLeBRATING 25 YEARS Of THe APRA MUSIC AWARDS

CeLeBRATING 25 YEARS Of THe APRA MUSIC AWARDS

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Colin Hay. Photo > Kane Hibbard<br />

> David Albert, John Watson,<br />

Michael McMartin, John Woodruff. Photo > Tony Mott<br />

> Renee Geyer and Marianna Annas.<br />

Photo > Tony Mott<br />

> Shannon Noll and Adam Reily.<br />

Photo > Tony Mott<br />

> Damian Trotter, Augie March and<br />

Clare Bowditch. Photo > Tony Mott<br />

> Eskimo Joe. Photo > Kane Hibbard<br />

> Peter Garrett, Shadow Minister for Climate<br />

Change, Environment & Heritage, Arts.<br />

Photo > Kane Hibbard<br />

> Auntie Joy Murphy. Photo > Kane Hibbard<br />

> Katie Noonan. Photo > Kane Hibbard > Phrase.<br />

Photo > Kane Hibbard<br />

> Senator, The Honourable George Brandis SC,<br />

Minister for The Arts and Sport.<br />

Photo > Kane Hibbard<br />

> Eddie Jacobsen.<br />

Photo > Tony Mott<br />

2007 <strong>APRA</strong> <strong>MUSIC</strong> AWARD WINNERS<br />

Most Performed Australian Work<br />

Title: Lift<br />

Artist: Shannon Noll<br />

Writers: Adam Reily* / Bryon Jones /<br />

Shannon Noll^ / Andrew Roachford (PRS)#<br />

Publishers: BMG Music Publishing Australia* /<br />

eMI Music Publishing Australia Pty Ltd^ /<br />

Mushroom Music Pty Ltd #<br />

Most Performed Foreign Work<br />

Title: Feel Better<br />

Artist: Santana featuring Steven Tyler<br />

Writers: Burleigh Johnson (ASCAP) /<br />

damon Johnson (ASCAP) /<br />

James Scoggin (ASCAP)*<br />

Publishers: Peermusic Pty Ltd / EMI Music<br />

Publishing Australia Pty Ltd*<br />

Most Performed Australian Work Overseas<br />

Title: Are You Gonna Be My Girl<br />

Artist: Jet<br />

Writers: Nicholas Cester / Cameron Muncey<br />

Publishers: BMG Music International / Famous Music<br />

on behalf of Get Jet Music. Inc<br />

Most Performed Dance Work<br />

Title: Flaunt It<br />

Artist: TV Rock featuring Seany B<br />

WriterS: Sean Berchik / Ivan Gough / Grant Smillie<br />

Publisher: Sony / ATV Music Publishing Australia Pty Ltd<br />

Most Performed Urban Work<br />

Title:<br />

Artist:<br />

Writer:<br />

> Jonathan Biggins.<br />

Photo > Kane Hibbard<br />

Get Up Outta The Dirt<br />

Butterfingers<br />

eddie Jacobson<br />

Most Performed Country Work<br />

Title: Nothing At All<br />

Artist: Kasey Chambers<br />

Writer: Kasey Chambers<br />

Publisher: Sony/ATV Music Publishing Australia Pty Ltd<br />

Most Performed Blues and Roots Work<br />

Title: Songbird<br />

Artist: Bernard Fanning<br />

Writer: Bernard Fanning<br />

Publisher: BMG Music Publishing Australia Pty Ltd<br />

Most Performed Jazz Work<br />

Title: Love Me For The Cool<br />

Artist: Mark Sholtez<br />

Writer: Mark Sholtez<br />

Publisher: EMI Music Publishing Australia Pty Ltd<br />

Song of The Year<br />

Title: One Crowded Hour<br />

Artist: Augie March<br />

Writer: Glenn Richards<br />

Publisher: Sony/ATV Music Publishing Australia Pty Ltd<br />

Breakthrough Songwriter<br />

Glenn Richards<br />

Songwriter of the Year<br />

Myles Heskett / Christopher Ross /<br />

Andrew Stockdale (Wolfmother)<br />

Ted Albert Award For Outstanding Services<br />

to Australian Music<br />

Michael McMartin<br />

the view from the stage<br />

By Jonathan Biggins<br />

The 2007 <strong>APRA</strong> Awards, this year celebrating <strong>25</strong> years of rewarding excellence in<br />

Australian songwriting, was a curiously restrained affair. Maybe the audience was<br />

over-awed by the opulence of the venue, Melbourne’s magnificent Town Hall with its<br />

pendulous chandeliers and vast pipe organ dominating the stage. Mind you, always<br />

good to be at a music awards where the biggest organ on display doesn’t belong to<br />

one of the nominees.<br />

Even most of the live performances, after a rousing start from Eskimo Joe performing<br />

their Song-of-the-Year nomination, Black Fingernails Red Wine, took on an introspective<br />

flavour. I think we can safely say Phrase’s urban work Hold On is on this side of melancholy<br />

but while Katie Noonan’s exquisite cover of Bernard Fanning’s Watch Over Me was never going to wander into<br />

toe-tapping territory, TV Rock with Seany B (not to be confused with Humphrey B) certainly did. Colin Hay returned in<br />

solo acoustic mode to reprise Who Can it Be Now, the first hit from Men at Work’s legendary Business as Usual, which<br />

in 1982 (the first year of the <strong>APRA</strong> awards) was the highest selling album in the world. You could understand every word he<br />

sang - probably because we all knew every word. And funny to think that even now, after twenty-five years, we still<br />

have no idea who it could’ve been now.<br />

<strong>APRA</strong>P July 2007 > 08<br />

Things brightened up with the simultaneous appearance of Tex Perkins and Tim Rogers. Obviously workshopping<br />

some material for their future careers as new-wave stand-up comedians, rock’s senior enfants terribles took us<br />

briefly to an edgier universe, although it’s hard to pump the ‘tude when you’re working through the nominations list<br />

for Most-Performed Jazz Work. Maybe they should’ve torn up the winner’s envelope in a frenzy as some sort of<br />

post-modern tribute to the guitar-trashing antics of The Who and every other pale imitation since.<br />

> Tex Perkins, Bernard Fanning and Tim<br />

Rogers. Photo > Tony Mott<br />

Federal Arts minister Senator George Brandis did an admirable job reading out the nominations for most-performed<br />

Australian work overseas. Later, Midnight Oil frontman and Shadow Minister for the Arts, Peter Garrett, recognised the<br />

40th anniversary of the 1967 referendum on Aboriginal rights and introduced Kev Carmody, Paul Kelly and Missy Higgins,<br />

who navigated their way through Droving Woman, a reflective story-telling epic that ran for a good nine minutes. And Songof-the-Year<br />

winners Augie March (wrapping up proceedings with a solid live performance of One Crowded Hour) have all<br />

but cornered the introspection market with their tweed coats, leather elbow patches and Edwardian facial hair - if they<br />

were any more contemplatively laid-back they’d be carpet tiles.<br />

> TV Rock<br />

- Sean Berchik,<br />

Ivan Gough and<br />

Grant Smillie.<br />

Photo > Tony Mott<br />

> David Faulkner and David<br />

HirSchfelder. Photo > Tony Mott<br />

Still, I did manage a rock-and-roll moment at the after-show party which was held in a small phone-booth masquerading<br />

as a pub in Bourke Street. I was accosted by an inebriated woman, apparently romantically attached to an unspecified<br />

nominee, who seemed to specifically blame me for their failure to take out the award. She fixed me with eyes struggling<br />

to focus and slurred repeatedly “I wanna kick your arse”. Thankfully, she didn’t. Or, more accurately, couldn’t - it was<br />

all she could do to remain upright. Roll on next year!

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