Paul van Dyk Biography - Stark Profiles PR
Paul van Dyk Biography - Stark Profiles PR
Paul van Dyk Biography - Stark Profiles PR
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un inside the ranks of the world’s Top 100, has twice reached the no.1 position and<br />
spun under every major tent-pole on the planet.<br />
Drawing on this wealth of DJ experience and ability in an entirely new fashion, <strong>Paul</strong><br />
put his deck time to unique effect for ‘Evolution’. Throughout the 10 months<br />
leading up to its completion, he brought each track in turn to dancefloors in order to<br />
test run them. Using a portable, customized, hybrid production/DJ set-up, he<br />
introduced new harmonies, melodies, note arrangements, bass and FX on each.<br />
Trialling them on the fly and literally evolving the tracks real-time, this method gave<br />
him invaluable, first-hand floor-feedback. This inventive ‘club-becomes-a-studio’<br />
technique has helped him craft what is without doubt the most dancefloor-orientated<br />
album of his career.<br />
The evolution will be realized. With a next-level album in motion, <strong>van</strong> <strong>Dyk</strong> pushed<br />
its range further through an increasingly favoured studio method. Seeing the<br />
collaboration as a natural bridge for a positive exchange of influences, his early<br />
years gave rise to many landmarks. These included ‘Flaming June’ and ‘Namistai’<br />
(with BT), the embryonic ‘Visions of Shiva’, as well as vocal collabs such as ‘Tell Me<br />
Why’ with Saint Etienne and ‘Fall With Me’, with Talking Head, David Byrne. For<br />
‘Evolution’ though he pushes this co-production dogma into supernova. On<br />
‘Eternity’, with Owl City’s Adam Young and ‘If You Want My Love’ featuring Swedish<br />
alternative-rockers Caligola (from Mando Diao), he blurs the boundaries of the<br />
electronic and non-electronic music. Working together with Contemporary Christian<br />
music doyen Plumb, they created the brooding, emotive sear of ‘If I Don’t Deserve<br />
You’. It also sees <strong>Paul</strong> resume his already productive Berlin/Miami connection with<br />
Austin Leeds and, likewise, create two tracks with Russian wunderkind Arty. He’s<br />
also back working with regular kindred musical spirit, Giuseppe Ottaviani and coproducing<br />
for the first time with techno/tech-trance don Ummet Ozcan.<br />
In solo mode meanwhile, on ‘Rock This’, PvD pointedly (and thoroughly) subverts<br />
the rules of the EDM sub-genre. A truly maverick track, it sees him experiment with<br />
several electronic dance styles, all inside the confines of a single piece of music.<br />
With this mass of new PvD music now in hand, the time has now finally come to<br />
take the finished tracks to clubs, arenas and festivals around the world. There, <strong>Paul</strong><br />
will personally introduce them to fans old and new, as part of the mammoth 50 date<br />
Evolution World Tour.<br />
With production complete, additionally it allows <strong>Paul</strong> time to rededicate to his other<br />
projects. Among them is his work towards social justice that includes his<br />
Rückenwind (Tailwind) charity, which seeks to maintain a thirst for knowledge in<br />
underprivileged children. It’ll also provide him with more time to engage in his<br />
longstanding political involvements, specifically his work with anti-war movements<br />
and organizations.<br />
You can obtain more information on all of <strong>Paul</strong> <strong>van</strong> <strong>Dyk</strong>’s musical and non-musical<br />
activities through the links below…<br />
paul<strong>van</strong>dyk.com // facebook.com/paul<strong>van</strong>dyk // twitter.com/paul<strong>van</strong>dyk<br />
Prepared By <strong>Stark</strong> <strong>Profiles</strong> <strong>PR</strong>