OXANA JAD
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...I must admit that I do like to take<br />
a voyeuristic view-point.<br />
Your photography seemingly stimulates the<br />
viewer’s psyche on both a conscious and a<br />
subconscious level. How did you decide to<br />
focus on this form of photography?<br />
OJ: Psychology has been my passion for a very<br />
long time and the world of emotions is an incredibly<br />
exciting field. To transfer this to a photograph<br />
is not an easy task but I love this challange<br />
and try to make use of all avaible means to make<br />
visible that which lies „behind the facade“. If my<br />
intention is successful, the viewer can hopefully<br />
be trandferred to respective emotional state.<br />
The five images you submitted to Level 25 Artjournal<br />
make me feel as if I’m the proverbial<br />
“fly on the wall,” voyeuristically peeking at the<br />
hidden life of a family. At times I am thrilled;<br />
at other times I feel guilty, like a sort of voyeur<br />
As a photographer, do you ever wish that you<br />
could sneak into people’s homes and capture<br />
their lives without their knowledge?<br />
OJ: The primary focus of my work is the act of<br />
story-telling. I feel like a writer who describes characters<br />
and situations. He / she grants an insight<br />
into the psyche of another person and transports<br />
us to the places to which we would not come by<br />
otherwise. Only the writer does it through words<br />
and I use the language of the image.<br />
I would of course not want to intrude upon the<br />
privacy of other people like a paparazzi…although<br />
I must admit that I do like to take a voyeuristic<br />
view-point.<br />
Oxana Jad: „La Chatte“<br />
2013, photography