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OXANA JAD

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...I must admit that I do like to take<br />

a voyeuristic view-point.<br />

Your photography seemingly stimulates the<br />

viewer’s psyche on both a conscious and a<br />

subconscious level. How did you decide to<br />

focus on this form of photography?<br />

OJ: Psychology has been my passion for a very<br />

long time and the world of emotions is an incredibly<br />

exciting field. To transfer this to a photograph<br />

is not an easy task but I love this challange<br />

and try to make use of all avaible means to make<br />

visible that which lies „behind the facade“. If my<br />

intention is successful, the viewer can hopefully<br />

be trandferred to respective emotional state.<br />

The five images you submitted to Level 25 Artjournal<br />

make me feel as if I’m the proverbial<br />

“fly on the wall,” voyeuristically peeking at the<br />

hidden life of a family. At times I am thrilled;<br />

at other times I feel guilty, like a sort of voyeur<br />

As a photographer, do you ever wish that you<br />

could sneak into people’s homes and capture<br />

their lives without their knowledge?<br />

OJ: The primary focus of my work is the act of<br />

story-telling. I feel like a writer who describes characters<br />

and situations. He / she grants an insight<br />

into the psyche of another person and transports<br />

us to the places to which we would not come by<br />

otherwise. Only the writer does it through words<br />

and I use the language of the image.<br />

I would of course not want to intrude upon the<br />

privacy of other people like a paparazzi…although<br />

I must admit that I do like to take a voyeuristic<br />

view-point.<br />

Oxana Jad: „La Chatte“<br />

2013, photography

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