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Bridging the Digital

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and Analog Worlds<br />

5Consistent performance<br />

across all sample<br />

rates.<br />

Filters should scale with sampling frequency. Period. If you are<br />

using low sample rates, like 8KHz or 16KHz, non-scaling filters<br />

place extra noise in <strong>the</strong> audio spectrum. This reduces performance<br />

or requires <strong>the</strong> designer to switch between external filters. All<br />

AKM DACs and ADCs feature switched-capacitor technology,<br />

allowing <strong>the</strong> on-chip analog filters to scale with sample rate. This<br />

reduces external circuitry and ensures superior sound.<br />

6Look past 20KHz<br />

response when<br />

evaluating sample rates.<br />

What’s <strong>the</strong> point of supporting high sample rates if you are only<br />

looking at energy from 20Hz to 20KHz. Instruments like cymbals<br />

and horns have harmonic content well past 20KHz. When you test<br />

audio parts at high sample rates, get rid of AES17 and A-weighted<br />

filters and see what is now happening “in-band”. The lack of noise<br />

in this extended audio band will provide a complete picture of<br />

AKM’s audio excellence!<br />

8Does your ADC<br />

go to 11?<br />

Well, ours do (sort of). You see, when you saturate <strong>the</strong> inputs on<br />

any of our A/D converters, <strong>the</strong> digital output is “pegged” at<br />

maximum value, no mater how much you exceed <strong>the</strong> input<br />

maximums. Some parts “wrap around” to negative full-scale<br />

(ouch!) and begin re-incrementing. This forces a system designer<br />

to have to compensate for this wrap around ei<strong>the</strong>r with an<br />

expensive input circuit or through DSP/CPU programming. AKM’s<br />

approach is simple, valid and predicable in its behavior.)<br />

9Silence is golden,<br />

get rid of <strong>the</strong> noise.<br />

Spurious noises. Sparkle codes. Spikes. Non-linearity. Periodic<br />

aberattions. Call it what you will. Whe<strong>the</strong>r a converter is<br />

converting or not, unwanted tones are unacceptable. With AKM,<br />

<strong>the</strong> only time you’ll see (or hear) <strong>the</strong>se objectionable signals is,<br />

well, never. Instead you’ll see a truly random noise floor without<br />

specific tones or spikes. This is <strong>the</strong> result of superior technology<br />

and careful design. With AKM, you’ll crank up <strong>the</strong> signal and cut<br />

out <strong>the</strong> noise.<br />

A 16K sine wave was sent to <strong>the</strong> device under test using an Audio Precision System 2<br />

Cascade. The digital output of <strong>the</strong> board was connected to an AES digital input on a<br />

PC sound card. For five minutes, <strong>the</strong> AES digital input was recorded using CoolEdit<br />

Pro. After <strong>the</strong> data was collected, a digital FFT filter or digital notch filter at 16kHz<br />

was applied. The resultant spikes in <strong>the</strong> graph show non-linearity or sparkle codes<br />

caused by <strong>the</strong> errant data.<br />

7Watch Your Power<br />

10<br />

Use AKM for all of<br />

Supply.<br />

your audio designs.<br />

Noise is a performance killer. Make sure that your power supply is<br />

clean and strong. This will improve audio performance throughout<br />

your system. If possible, use high-quality dedicated regulators Sample-rate converters. Class D amplifiers. Performance. Value.<br />

D/A converters. A/D converters. S/PDIF. Codecs. AES-EBU.<br />

with low ESR (converters need fast access to current) and high When it comes to audio, make AKM your first stop. No one offers<br />

PSRR (Power Supply Rejection Ratio). Your ears will be happier if <strong>the</strong> breadth of products, <strong>the</strong> integration, or <strong>the</strong> support that AKM<br />

you do, and your product’s performance will be at its best.<br />

offers.<br />

Page 5

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