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FiNE ART - Rapid River Magazine

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R A P I D R I V E R A R T S & C U L T U R E M A G A Z I N E<br />

COVER STORY<br />

Swannanoa Chamber Music Festival Presents<br />

the Degas String Quartet<br />

The Swannanoa Chamber Music<br />

Festival is happy to announce<br />

the return of the Degas String<br />

Quartet for the 2008 season. The<br />

“Degas” made an immediate connection<br />

to the audiences both on<br />

and off the stage last summer.<br />

This year they will be bringing two<br />

new and permanent violinists with them.<br />

Emily Popham and Timothy Peters are<br />

both well-known in musician circles.<br />

People who have heard the Quartet<br />

recently say that this new configuration is<br />

a great matchup. Simon Ertz, the Quartet<br />

violist says “It is good to be returning to<br />

this unique festival, the audiences are<br />

enthusiastic, the camaraderie between the<br />

musicians is great, and the mountains are<br />

beautiful. I am looking forward to seeing<br />

many of the people I met last summer.”<br />

Inessa Zaretsky, a prize winning<br />

pianist and composer will join the Festival<br />

again for her tenth season. Inessa has become<br />

an audience favorite over the years<br />

for her strong, effortless performances,<br />

and also her compositions that have been<br />

performed at the Festival. She teaches at<br />

the Mannes School of Music and maintains<br />

a busy performing schedule in NYC.<br />

Inessa says “What a wonderful place to<br />

make music! Warren Wilson College has<br />

such a beautiful campus, and making music<br />

with these musicians who gather here<br />

year after year is a treat.” Everyone feels<br />

the same about Inessa.<br />

The Festival runs for five weeks,<br />

beginning on June 22. Concerts will<br />

be in Waynesville, Hendersonville and<br />

at Warren Wilson College. Frank Ell,<br />

Director, selects pieces for each program<br />

that complement each other and allow<br />

you to hear each of them in a new light.<br />

Each piece has a different instrumentation<br />

and comes from a different musical<br />

period. Various combinations of strings,<br />

woodwinds and piano are used to bring<br />

a variety of musical colors to each concert.<br />

People who don’t usually enjoy an<br />

entire evening of piano trios or string<br />

quartets particularly enjoy the variety of<br />

these concerts.<br />

This Season’s Repertoire<br />

Program I<br />

Quartet in D minor, Mozart<br />

Trio in Bb Major, Beethoven<br />

Piano Quintet in A, Dvorak<br />

• Sunday, June 22, 7:30 p.m.,<br />

Performing Arts Center<br />

• Monday, June 23, 8:00 p.m.,<br />

Patton Auditorium<br />

• Tuesday, June 24, 8:00 p.m.<br />

Kittredge Theatre<br />

What better way to start the season<br />

than with a Mozart String Quartet.<br />

This is one of the finest string quartets<br />

he wrote and the Degas String Quartet<br />

promises to give us a great reading.<br />

Next we have a young Beethoven piece<br />

for clarinet, cello and piano. Already<br />

you hear the rambunctious, rhythmical<br />

Beethovn leaving the influence of<br />

Mozart. The concert ends with the rich,<br />

melodic Piano Quintet by Dvorak. You<br />

will be singing the melodies in your head<br />

for days.<br />

Program II<br />

Fantaisie for Flute and Piano, Faure<br />

Sextet for Piano and Winds, Poulenc<br />

Quartet No. 2, Opus 17, Bartok<br />

• Sunday, June 29, 7:30 p.m.,<br />

Performing Arts Center<br />

• Monday, June 30, 8:00 p.m.,<br />

Patton Auditorium<br />

• Tuesday, July 1, 8:00 p.m.<br />

Kittredge Theatre<br />

The program begins with a virtuoso<br />

flute piece performed by our new flutist<br />

George Pope. It is a romantic tour de<br />

force. The Poulenc sextet is witty and<br />

urbane, a reaction to the excesses of the<br />

romantic period. Poulenc is at his best<br />

here. Last we have a Bartok String Quartet.<br />

In this, his most accessible, we hear<br />

the Hungarian folk tunes, rhythms and<br />

visceral quality of the mountain music.<br />

Exciting is the word.<br />

Program III<br />

Notturno Concertante, Dussek<br />

Kleine Kammermusik, Hindemith<br />

Piano Quartet No. 3, Brahms<br />

• Sunday, July 6, 7:30 p.m.,<br />

Performing Arts Center<br />

• Monday, July 7, 8:00 p.m.,<br />

Patton Auditorium<br />

• Tuesday, July 8, 8:00 p.m.<br />

Kittredge Theatre<br />

Notturno Concertante is for violin,<br />

horn and piano. This “night” piece is the<br />

first time we have performed Dussek<br />

at the Festival. Hindemith has written<br />

a masterful woodwind quintet, “a little<br />

chamber music”. Hindemith’s writing is<br />

very clear, with a strong sense of musical<br />

direction. It is a perfect foil to the<br />

Brahms. Little has to be said of Brahms.<br />

His Piano Quartet has a thoughtful richness<br />

that is incomparable.<br />

Program IV<br />

Konzert in D Minor, Telemann<br />

World Premiere, Newman<br />

Quartet in G Minor, Debussy<br />

• Sunday, July 13, 7:30 p.m.,<br />

Performing Arts Center<br />

• Monday, July 14, 8:00 p.m.,<br />

Patton Auditorium<br />

• Tuesday, July 15, 8:00 p.m.<br />

Kittredge Theatre<br />

Richard Illman, trumpet virtuoso<br />

joins us for this concert. The Telemann<br />

features a piccolo trumpet. How high can<br />

a trumpet play? Next composer Ronald<br />

Newman brings piece written especially<br />

for the Festival. Look for something<br />

original, with a jazz element, and enjoyable<br />

to listen to. After the Newman<br />

your attention will be drawn to the jazz<br />

elements in the incomparable Debussy<br />

String Quartet.<br />

Program V<br />

Serenata in Vano, Nielsen<br />

Octet in F Major, Schubert<br />

• Sunday, July 21, 7:30 p.m.,<br />

Performing Arts Center<br />

• Monday, July 22, 8:00 p.m.,<br />

Patton Auditorium<br />

• Tuesday, July 23, 8:00 p.m.<br />

Kittredge Theatre<br />

We close the season with two pieces<br />

that we have not presented for a number<br />

of years. Nielsen’s “Serenade in Vain” is<br />

program music about a group of musicians<br />

who help out a friend by serenading<br />

his amour. The title tells the whole story.<br />

The Schubert Octet is perhaps one of the<br />

greatest works written for a combination<br />

of strings and winds. This is great way to<br />

bring the 2008 season to a close.<br />

For those of you who’d like to know<br />

more about the music being performed,<br />

and get to know the musicians better,<br />

there will be a series of Lecture/Demonstrations<br />

each Thursday night at 7:30<br />

in the Music Building at Warren Wilson<br />

College. The players bring the composers<br />

and their pieces alive, talking about<br />

and playing important aspects of each<br />

composition. Lectures will be held on the<br />

following Thursday nights this summer:<br />

June 19 and 26; July 3, 10 and 17. They<br />

are free and open to the public.<br />

If you go<br />

Locations: Performing Arts Center,<br />

Waynesville, (828) 452-0593<br />

Patton Auditorium, Blue Ridge<br />

Community College, Hendersonville<br />

(828) 890-4411<br />

Kittredge Theatre, Warren Wilson<br />

College, Asheville-Buncombe County<br />

(828) 771-3050<br />

Ticket Information:<br />

Series Tickets: $70 for all 5 performances<br />

Single Tickets: $19 each<br />

Students age 25 and younger admitted<br />

free. All tickets are on sale at the box office<br />

Vol. 11, No. 10 — <strong>Rapid</strong> <strong>River</strong> ArtS & CULTURE <strong>Magazine</strong> — June 2008

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