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Writers and Social Thought in Africa

Writers and Social Thought in Africa

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<strong>Africa</strong>n writers have captured, <strong>and</strong> cont<strong>in</strong>ue to capture, important aspects of<br />

the totality of <strong>Africa</strong>ns’ experience of the world. This is evident <strong>in</strong> Achebe’s<br />

Th<strong>in</strong>gs Fall Apart, a discourse of the clash of ‘culture’ <strong>and</strong> colonialism, stability<br />

<strong>and</strong> change, as well as <strong>in</strong> Camara Laye’s ambivalent reflections on colonialism<br />

<strong>in</strong> <strong>Africa</strong>n social history <strong>in</strong> A Dream of <strong>Africa</strong>. It is also manifest <strong>in</strong> Sony Labou<br />

Tansi’s The Anti-People, a harangue aga<strong>in</strong>st postcolonial governmentality <strong>and</strong><br />

disorder, as well as <strong>in</strong> Dennis Brutus’ Sirens, Knuckes, Boots (1963), a collection<br />

of poems dependent, to use the words of Niklas Luhmann (2001: 16) ‘upon a<br />

reference to a pre-given “be<strong>in</strong>gness”’.<br />

This special issue of the Journal of Contemporary <strong>Africa</strong>n Studies is<br />

dedicated to exam<strong>in</strong><strong>in</strong>g social thought/social theory <strong>in</strong> the works of <strong>Africa</strong>n<br />

writers – <strong>in</strong> all genres. Questions to be considered by contributors <strong>in</strong>clude – but<br />

can also go beyond:<br />

• the relationship between literature <strong>and</strong> social theoriz<strong>in</strong>g <strong>in</strong> <strong>and</strong> about<br />

<strong>Africa</strong>;<br />

• the role of literature <strong>in</strong> the articulation or illum<strong>in</strong>ation of social thought;<br />

• the evolution of social thought <strong>in</strong> <strong>Africa</strong>n fiction;<br />

• the subject <strong>and</strong> context of social thought as reflected <strong>in</strong>, <strong>and</strong> reflexive<br />

through, literature;<br />

• the aesthetics of social thought <strong>in</strong> <strong>Africa</strong>;<br />

• <strong>Africa</strong>n writers’ conceptions of, <strong>and</strong> disputations about, power, authority,<br />

legitimacy, agency, history, gender, sexuality, culture, ontology,<br />

epistemology, modernity, globalization, etc.<br />

We expect contributions which engage with social theory <strong>and</strong> the social thought<br />

of <strong>Africa</strong>n writers, as well as those that challenge the assumptions (patriarchal,<br />

racist, ethnic, religious, traditional, modernist, etc.) that undergird the works of<br />

<strong>Africa</strong>n writers.<br />

Abstracts should be sent to Wale Adebanwi (anadebanwi@ucdavis.edu) by<br />

August 30, 2013. Full papers by those whose abstracts are accepted must be<br />

submitted by December 15, 2013.<br />

References<br />

Diamond, Larry. 1989. ‘Fiction as Political <strong>Thought</strong>’ (Review Essay). <strong>Africa</strong>n Affairs, 88,<br />

352: 435-445.<br />

Luhmann, Nilas. 2001. ‘Notes on the Project “Poetry <strong>and</strong> <strong>Social</strong> Theory”’, Theory, Culture<br />

<strong>and</strong> Society, Vol. 18, No. 1: 15-27.<br />

Ngugi wa Thiong’o. 2012. Globaletics: Theory <strong>and</strong> the Politics of Know<strong>in</strong>g. New York:<br />

Columbia University Press.<br />

Quayson, Ato. 2003. Calibrations: Read<strong>in</strong>g for the <strong>Social</strong>. M<strong>in</strong>neapolis, MN: The University<br />

of M<strong>in</strong>nesota Press.<br />

www.t<strong>and</strong>fonl<strong>in</strong>e.com/cjca

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