Artistic & Production Credits - San Francisco Ballet
Artistic & Production Credits - San Francisco Ballet
Artistic & Production Credits - San Francisco Ballet
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Fokine/Page 2<br />
others. The Fokines danced at galas, charities and toured movie houses. Later Vitale Fokine<br />
would call these “wasted years” for his father. In 1936 New York Times dance critic John Martin<br />
echoed this sentiment in describing Fokine’s activities in the United States, “It is as if Beethoven<br />
were giving piano lessons instead of composing.”<br />
By the mid 1930’s, due to lack of funding and his age, Fokine had given up the idea of founding a<br />
ballet school. During this time, he returned to Europe and created seven new ballets. A few years<br />
later he encountered Nazism. While rehearsing in Berlin, the theater manager told him to end<br />
the rehearsal because it was Hitler’s birthday. Fokine refused. He also rejected an invitation to<br />
meet Joseph Goebbels, the Nazi propaganda chief.<br />
On January 23, 1942 Fokine’s last ballet The Russian Soldier premiered at the Boston Opera<br />
House. That summer he went to Mexico City to stage Helen of Troy and injured his leg, causing<br />
him to return to New York. He was hospitalized and died on August 22, 1942. As a memorial to<br />
Fokine, seventeen ballet companies around the world performed one of his eighty-one ballets,<br />
Les Sylphides, simultaneously.<br />
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