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Francis of Assisi and the Feminine - Franciscan Institute Publications

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14 FRANCIS OF ASSISI AND THE FEMININE<br />

<strong>Francis</strong> comes after Robert, <strong>and</strong> not Robert before <strong>Francis</strong>.<br />

The holy women who lived between <strong>the</strong> 13th <strong>and</strong> 14th<br />

centuries were, on <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, part <strong>of</strong> <strong>the</strong> movement<br />

led by <strong>Francis</strong>. It cannot be denied that, regardless <strong>of</strong> <strong>the</strong><br />

institutions to which <strong>the</strong>y belonged or even if <strong>the</strong>y were<br />

not affiliated to any, <strong>the</strong>ir spirituality reflects many elements<br />

inherited as a result <strong>of</strong> <strong>the</strong> enormous impact <strong>of</strong> <strong>the</strong> man<br />

from <strong>Assisi</strong>. Were <strong>the</strong>y his heiresses, or had <strong>the</strong>y inherited a<br />

later representation <strong>of</strong> him manufactured during decades <strong>of</strong><br />

hagiography <strong>and</strong> pastoral activity? However that may be, it<br />

is simply stating <strong>the</strong> obvious to note that <strong>the</strong>y are undeniably<br />

post <strong>Francis</strong>can. Post hoc, propter hoc?<br />

The causal chain is uncertain – but we are not so much<br />

looking for causes as at relationships. Situated half way between<br />

<strong>the</strong>se two significant developments, does <strong>Francis</strong>, as a<br />

consequence, play a role in <strong>the</strong> respective evolution <strong>of</strong> <strong>the</strong><br />

two genders in regard to religion <strong>and</strong> hence <strong>the</strong> relationship<br />

<strong>of</strong> <strong>the</strong> genders with one ano<strong>the</strong>r? Does he in some way express<br />

<strong>the</strong> change or is he himself <strong>the</strong> channel?<br />

We have believed this to be so <strong>and</strong> have also wanted to<br />

believe that he is <strong>the</strong> essential channel for so many changes:<br />

<strong>the</strong> blossoming <strong>of</strong> art which is realistic <strong>and</strong> accessible to <strong>the</strong><br />

senses, <strong>the</strong> sowing <strong>of</strong> <strong>the</strong> seeds <strong>of</strong> <strong>the</strong> Renaissance, 5 <strong>the</strong> affirmation<br />

<strong>of</strong> individual conscience in <strong>the</strong> face <strong>of</strong> <strong>the</strong> institutional<br />

church, <strong>the</strong> preference for devotion to <strong>the</strong> suffering<br />

ra<strong>the</strong>r than <strong>the</strong> triumphal Christ. In its artistic expression,<br />

<strong>the</strong>se transformations are exactly paralleled in <strong>the</strong> sinuous<br />

<strong>and</strong> languorous feminization <strong>of</strong> <strong>the</strong> figure nailed to <strong>the</strong><br />

wood <strong>of</strong> <strong>the</strong> cross. The book that Chiara Frugoni has just<br />

dedicated to <strong>the</strong> phenomenon <strong>of</strong> <strong>the</strong> stigmata tries to dispel<br />

our last illusions; it puts <strong>the</strong>m into perspective. This essay<br />

does not <strong>the</strong>refore propose to find in <strong>Francis</strong> <strong>the</strong> only key to<br />

two centuries in <strong>the</strong> evolution <strong>of</strong> history. It sets out ra<strong>the</strong>r<br />

to detect, in his writings <strong>and</strong> <strong>the</strong> legends, traces <strong>of</strong> a movement<br />

that could not have failed to involve him, <strong>of</strong> all people.<br />

However famous a person he was, it is not a matter <strong>of</strong><br />

claiming that a priori, one single person alone was <strong>the</strong> guiding<br />

light in <strong>the</strong> transition to a religion made female from

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