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cubism & character traits

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New York and making it the second-highest price ever paid for a painting at auction. An<br />

anonymous Russian [1] bidder present at the New York auction won the work with a final bid of<br />

US$95,216,000, well exceeding the pre-auction US$50 million estimates.<br />

Descriptions of painting<br />

Dora Maar au Chat presents the artist's most mysterious and challenging love interest regally<br />

posed three-quarter length in a large wooden chair with a small black cat perched behind her in<br />

both an amusing and menacing attitude. The faceted planes of her body and richly layered<br />

surface of brushstrokes impart a monumental and sculptural quality to this portrait.<br />

The painting is also remarkable for its brilliance of color and the complex and dense patterning<br />

of the model's dress. The powerful figure is set in a dramatic, yet simple setting composed of a<br />

vertiginously inclined plane of wooden floorboards and shallow interior space that is arranged<br />

in a manner reminiscent of Picasso’s earliest manipulations of space in a cubist manner.<br />

The luminous Dora Maar au Chat was painted in 1941, at the beginning of the Second World<br />

War in France , and is one of Picasso’s most valued depictions of his love interest and artistic<br />

companion. Their partnership had been one of intellectual exchange and intense passion—Dora<br />

was an artist, spoke Picasso’s native Spanish, and shared his political concerns. She was an<br />

intellectual force – a <strong>character</strong>istic that both stimulated and challenged Picasso and her<br />

influence on him resulted in some of his most powerful and daring por<strong>traits</strong> of his 75-year<br />

career.<br />

Maar was one of the most influential figures in Picasso’s life during their relationship and she<br />

also became his primary model. During the occupation of Paris by the Nazis, and as tension<br />

mounted in their relationship, the artist would express his frustration by furiously abstracting<br />

her image, often portraying her in tears. Picasso once likened Maar’s allure and temperament to<br />

that of an “Afghan cat”, and the cat in this picture is laden with significance. In the history of art,<br />

the pairing of cats and women was an allusion to feminine wiles.. It is also interesting to<br />

consider that the artist has paid particular attention to the sharp, talon-like nails on the long<br />

fingers of his model. In life Maar’s well-manicured hands were one of her most beautiful and<br />

distinctive features, and here they have taken on another, more violent <strong>character</strong>istic.<br />

In addition to being a rare, three-quarter length portrait of Dora Maar, the present work is also<br />

a generous and painterly composition with an extraordinary attention to detail. The artist used<br />

an extraordinarily vibrant palette in his rendering of the angles of the chair and the patterning<br />

of Maar’s dress. The most embellished and symbolic element of the sitter’s wardrobe in this<br />

picture is her hat, Maar’s most famous accessory and signifier of her involvement in the<br />

Surrealist movement. Ceremoniously placed atop her head like a crown, it is festooned with<br />

colourful plumes and outlined with a band of vibrant red. Larger than life, an impression<br />

enhanced by her vibrant body that cannot be confined by the boundaries of the chair, Maar<br />

looms in this picture like a pagan goddess seated on her throne.<br />

-from Wikipedia

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