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PRISON NATION -Gallery Guide

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Prison Nation—Posters on the prison Industrial Complex<br />

BARS & STRIPES<br />

The posters introducing Prison Nation<br />

make powerful statements about the<br />

contradictions that claim that U.S.<br />

leads the world in democracy and freedom,<br />

while it actually leads the world<br />

in mass incarceration. Each of the<br />

artists uses the U.S. flag to focus their<br />

protest often transforming the stripes<br />

into prison bars.<br />

1. America<br />

Cedomir Kostovic<br />

Offset, 2004<br />

Springfield, MO<br />

2. Detrás Rejas<br />

Leslie Dwyer<br />

Digital Print, 2012<br />

Los Angeles, CA<br />

Translation: Behind Bars We’re<br />

Number One, World Leader in<br />

Locking Up People<br />

4. Attica<br />

Ernest Pignon Ernest<br />

Offset, 1974<br />

Paris, France<br />

On September 9, 1971, inmates rioted<br />

at the Attica Correctional Facility, a<br />

maximum-security prison in upstate<br />

New York. The underlying causes were<br />

overcrowding, poor food, inadequate<br />

medical care, rigid censorship and<br />

minimal visiting rights. Four days after<br />

inmates seized control of an exercise<br />

yard and took guards as hostages, New<br />

York’s Republican governor, Nelson<br />

Rockefeller, ordered state troopers<br />

to attack. Forty-three people died at<br />

Attica during a six minute assault.<br />

Nearly all were killed—inmates and<br />

hostages alike—when state troopers<br />

stormed the prison and fired indiscriminately<br />

through a thick haze of tear gas.<br />

Subsequently, the troopers and Attica<br />

guards lied about what had happened<br />

and resorted to brutal reprisals, beating<br />

and torturing inmates. In January,<br />

2000, a federal judge in Rochester, NY<br />

awarded $8 million to inmates who<br />

were beaten and tortured, as well as $4<br />

million for lawyers’ fees.<br />

5. Made by Prisoners<br />

Sheila Pinkel<br />

Digital Print, 2000<br />

Los Angeles, CA<br />

6. XIIIth Amendment<br />

of the U.S. Constitution<br />

Rodolfo "Rudy" Cuellar, Louie<br />

"the Foot" Gonzalez<br />

Royal Chicano Air Force;<br />

Committee to Abolish<br />

Prison Slavery<br />

Silkscreen, 1977<br />

Sacramento, CA<br />

7. Prisons: Slave Ships on Dry Land<br />

Andalusia Knoll<br />

Silkscreen, 2004<br />

Pittsburgh, PA<br />

Knoll superimposes an 18th century<br />

diagram of a slave ship onto a contemporary<br />

prison floor plan. The diagram,<br />

from a 1789 British abolitionist<br />

pamphlet, “Description of a Slave<br />

Ship,” illustrates how African slaves<br />

were transported in overcrowded and<br />

inhumane conditions during the trip<br />

across the Atlantic Ocean also known<br />

as the Middle Passage. The infamous<br />

Middle Passage was the second stage<br />

in the slave trade triangle. The triangle<br />

began with slave traders in Europe who<br />

went to Africa to collect slaves who<br />

were then exchanged for goods in the<br />

Americas. From the Americas, the traders<br />

returned to Europe with their profits<br />

and the slave triangle continued.<br />

9. No More Cotton-Pickin Prisons<br />

Artist Unknown<br />

Offset, circa 1970s<br />

Austin, TX<br />

1967/68 Photo by Danny Lyon<br />

One of the most prominent and influential<br />

photojournalists of the late twentieth<br />

century, Danny Lyon began documenting<br />

the civil rights movement in 1964<br />

as a member of the Student Nonviolent<br />

Coordinating Committee (SNCC). In<br />

1967/68, a time when photographers<br />

were rarely allowed in prisons, Lyon<br />

photographed seven prisons in Texas<br />

and published them in "Conversations<br />

With the Dead" (1971), including the<br />

photograph used here. The photo was<br />

used in this poster without Lyon’s<br />

knowledge and his name was misspelled.<br />

Six years after "Conversations<br />

with the Dead" was published, it was<br />

used by the U.S. Department of Justice<br />

in a massive lawsuit against the Texas<br />

prison system. Lyon testified and the<br />

pictures were introduced as evidence.<br />

The prisoners won the suit and the prison<br />

system was temporarily improved.<br />

Thirty years later, in a 1995 interview<br />

by Nan Goldin, (Artforum, 9/95),<br />

Lyon said, "Actually it's supposed to be<br />

worse now. Since then, the demographics<br />

of prisons have just gone the other<br />

way; the prison population has quadrupled<br />

since I photographed in Texas<br />

a generation ago. Still, my photographs<br />

were used by people who meant well to<br />

try to change prison conditions and for<br />

a while prison conditions were forced<br />

to change.”<br />

CRIMINALIZATION OF RACE,<br />

CLASS & GENDER<br />

LEGALIZED SLAVERY<br />

3. USA - Hüter der Menschenrechte?<br />

Amnesty International<br />

Offset, circa 1998<br />

Germany<br />

Translation: USA–Guardian of<br />

Human Rights?<br />

Police Brutality, Death Penalty, Abusing<br />

Prisoners, Racism<br />

The first significant expansion to the<br />

U.S. prison system and the hiring<br />

out of prison labor to private business<br />

happened after the abolition of<br />

slavery in order to re-enslave thousands<br />

of African-Americans. In fact,<br />

the Thirteenth Amendment to the<br />

Constitution stated, “Neither slavery<br />

nor involuntary servitude, except as<br />

a punishment for crime whereof the<br />

party shall have been duly convicted,<br />

shall exist within the United States,<br />

or any place subject to their jurisdiction.”<br />

Today, prisoners are regularly<br />

paid as little as 30 cents per hour, and<br />

work for hundreds of U.S. corporations<br />

including interests as diverse as telephone<br />

companies, airlines and clothing<br />

manufacturer<br />

8. Slavery Still Exists<br />

Willie Worley Jr.<br />

Photocopy, 2012<br />

Polkton, NC<br />

Willey Worley Jr. is a political cartoonist<br />

who is currently incarcerated<br />

in Brown Creek Correctional<br />

Institute in North Carolina. Worley’s<br />

work has been featured on The Real<br />

Cost of Prisons Project website,<br />

www.realcostofprisons.org.<br />

Willie Worley Jr.<br />

#0453523<br />

B.C.C.I #3510<br />

PO Box 310<br />

Polkton, NC 28135<br />

10. Missing: 2.3 Million Americans<br />

Nicolas Lampert<br />

Justseeds<br />

Silkscreen, 2008<br />

Milwaukee, WI<br />

4.<br />

11. We Don't Lynch Them Anymore<br />

Scott Boylston<br />

Digital Print, 2006<br />

Savannah, GA

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