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Theatre PREVIEWS<br />
Under Milk Wood<br />
The REP, Birmingham, Mon 2 - Sat 7 June<br />
Dylan Thomas’ Under Milk Wood started out<br />
as a 1954 radio drama, later being adapted<br />
for both stage and film. Widely considered to<br />
be a work of real genius, it provides its audience<br />
with the opportunity to share in the lives<br />
of a host of eccentric characters, all of whom<br />
reside in the small Welsh fishing village of<br />
Llareggub (the village name is ‘bugger all’<br />
written backwards). This new production,<br />
directed by Terry Hands, has been well<br />
received by theatre critics, and is touring to<br />
mark the centenary of Thomas’ birth in 1914<br />
and the sixtieth anniversary of the play’s<br />
British premiere.<br />
Horrible Histories:<br />
Barmy Britain<br />
Birmingham Town Hall,<br />
Weds 11 - Sun 15 June<br />
If you love the Horrible Histories series - and<br />
why the heck wouldn’t you?! - then Barmy<br />
Britain is a show well worth catching.<br />
Alongside providing answers to such searching<br />
questions as ‘what would happen if a<br />
Viking moved in next door?’ and ‘would you<br />
stand and deliver to dastardly Dick Turpin?’,<br />
the show also invites its audience to escape<br />
the clutches of Burke and Hare, move to the<br />
groove with the partying Queen Victoria and<br />
prepare to do battle in the First World War.<br />
In short, and as its publicity says, it’s ‘a truly<br />
horrible history of Britain - with all the nasty<br />
bits left in!’.<br />
The Duchess Of Malfi<br />
Old Rep Theatre, Birmingham,<br />
Thurs 26 - Sat 28 June<br />
This is a Birmingham School of Acting version<br />
of John Webster’s Jacobean masterpiece.<br />
An example of English renaissance<br />
drama at its finest, The Duchess Of Malfi<br />
starts as a romance but ends as a tragedy,<br />
along the way touching upon a wide range<br />
of themes, including the status of women<br />
and the misuse of power. When a recently<br />
Happy Days<br />
Wolverhampton Grand Theatre, Tues 10 - Sat 14 June<br />
Television viewers of a certain age will well remember Happy Days, the legendary US sitcom<br />
about Milwaukee-based family the Cunninghams, set in the rock’n’roll days of the 1950s. The<br />
show scored a massive hit with 1970s and ’80s telly-watchers, in the process making a star of<br />
Henry Winkler, the actor who immortalised the character of the self-styled King of Cool, Arthur<br />
‘The Fonz’ Fonzarelli. This brand new musical promises to reacquaint fans of the TV series<br />
with all their favourite characters, including Potsie, Ralph Malph, Joanie, Chachi and Pinky<br />
Tuscadero, the latter being played on this occasion by former Sugababes and Atomic Kitten<br />
star Heidi Range.<br />
widowed duchess marries a lowly steward<br />
and bears him three children, her two corrupt<br />
brothers decide to exact a terrible revenge...<br />
A Taste Of Honey<br />
Malvern Theatre, Tues 17 - Sat 21 June<br />
Shelagh Delaney was only eighteen when<br />
she wrote A Taste Of Honey. In so doing, she<br />
not only gave notice that a bright new talent<br />
had arrived on the scene but also established<br />
herself as a major player in the cultural<br />
movement that became known as ‘kitchen<br />
sink realism’. The movement was at its<br />
height during the late-1950s and early-1960s,<br />
and saw playwrights such as Delaney and,<br />
equally famously, John Osborne, exploring<br />
social and political issues by focusing on the<br />
domestic situations of the working-classes.<br />
At the centre of Delaney’s play is the character<br />
of seventeen-year-old Jo, whose attempts<br />
to break free from the shackles of her manhunting<br />
mother lead her into the arms of a<br />
black sailor, by whom she becomes pregnant.<br />
A touching tale of a young girl’s journey<br />
into adulthood in 1950s Salford, A Taste<br />
Of Honey here stars Shameless and Waterloo<br />
Road favourite Rebecca Ryan, and is<br />
helmed by Hull Truck Theatre’s new Artistic<br />
Director Mark Babych.<br />
Sizwe Banzi Is Dead<br />
mac - Midlands Arts Centre, Birmingham,<br />
Thurs 5 - Sat 7 June<br />
This thought-provoking revival has enjoyed<br />
plenty of critical acclaim since opening last<br />
summer, with actors Sibusiso Mamba and<br />
Tonderai Munyevu garnering great praise for<br />
their terrific performances. Helmed by Genesis<br />
Future Directors Award-winner Matthew<br />
Xia, the play is set in apartheid-era South<br />
Africa, and was written in 1972 by white<br />
South African playwright Athol Fugard and<br />
black actors John Kani and Winston Ntshon.<br />
Sizwe Banzi’s looking for work, but his passbook<br />
has expired and deportation seems<br />
inevitable. So when he stumbles across a<br />
dead body with a passbook, Sizwe has a<br />
choice to make - either to accept the fact<br />
that he can’t get work to support his family,<br />
or to pretend that he’s met with a tragic end<br />
and instead adopt the identity of the dead<br />
man... Eclipse Theatre and the Young Vic are<br />
the organisations behind this Tony-nominated<br />
exploration of life under a brutal regime.<br />
3 Summers<br />
Library of Birmingham, Tues 17 - Sat 21 June<br />
A national tour follows for this production -<br />
after it’s become the first full-scale musical to<br />
be staged in the Library of Birmingham’s Studio<br />
Theatre, that is. Set in the psychedelic<br />
’60s, the show follows the efforts of four<br />
young girls seeking fame and fortune. When<br />
Pen, Maz, Heff and Princess rent rooms from<br />
the reclusive Freddie Savage, they soon<br />
realise they’ve found themselves a ‘mother<br />
hen’... Boasting a live band and backing<br />
singers, 3 Summers features sixteen Swinging<br />
’60s-inspired original numbers.<br />
www.whatsonlive.co.uk 31