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Theatre PREVIEWS<br />

Under Milk Wood<br />

The REP, Birmingham, Mon 2 - Sat 7 June<br />

Dylan Thomas’ Under Milk Wood started out<br />

as a 1954 radio drama, later being adapted<br />

for both stage and film. Widely considered to<br />

be a work of real genius, it provides its audience<br />

with the opportunity to share in the lives<br />

of a host of eccentric characters, all of whom<br />

reside in the small Welsh fishing village of<br />

Llareggub (the village name is ‘bugger all’<br />

written backwards). This new production,<br />

directed by Terry Hands, has been well<br />

received by theatre critics, and is touring to<br />

mark the centenary of Thomas’ birth in 1914<br />

and the sixtieth anniversary of the play’s<br />

British premiere.<br />

Horrible Histories:<br />

Barmy Britain<br />

Birmingham Town Hall,<br />

Weds 11 - Sun 15 June<br />

If you love the Horrible Histories series - and<br />

why the heck wouldn’t you?! - then Barmy<br />

Britain is a show well worth catching.<br />

Alongside providing answers to such searching<br />

questions as ‘what would happen if a<br />

Viking moved in next door?’ and ‘would you<br />

stand and deliver to dastardly Dick Turpin?’,<br />

the show also invites its audience to escape<br />

the clutches of Burke and Hare, move to the<br />

groove with the partying Queen Victoria and<br />

prepare to do battle in the First World War.<br />

In short, and as its publicity says, it’s ‘a truly<br />

horrible history of Britain - with all the nasty<br />

bits left in!’.<br />

The Duchess Of Malfi<br />

Old Rep Theatre, Birmingham,<br />

Thurs 26 - Sat 28 June<br />

This is a Birmingham School of Acting version<br />

of John Webster’s Jacobean masterpiece.<br />

An example of English renaissance<br />

drama at its finest, The Duchess Of Malfi<br />

starts as a romance but ends as a tragedy,<br />

along the way touching upon a wide range<br />

of themes, including the status of women<br />

and the misuse of power. When a recently<br />

Happy Days<br />

Wolverhampton Grand Theatre, Tues 10 - Sat 14 June<br />

Television viewers of a certain age will well remember Happy Days, the legendary US sitcom<br />

about Milwaukee-based family the Cunninghams, set in the rock’n’roll days of the 1950s. The<br />

show scored a massive hit with 1970s and ’80s telly-watchers, in the process making a star of<br />

Henry Winkler, the actor who immortalised the character of the self-styled King of Cool, Arthur<br />

‘The Fonz’ Fonzarelli. This brand new musical promises to reacquaint fans of the TV series<br />

with all their favourite characters, including Potsie, Ralph Malph, Joanie, Chachi and Pinky<br />

Tuscadero, the latter being played on this occasion by former Sugababes and Atomic Kitten<br />

star Heidi Range.<br />

widowed duchess marries a lowly steward<br />

and bears him three children, her two corrupt<br />

brothers decide to exact a terrible revenge...<br />

A Taste Of Honey<br />

Malvern Theatre, Tues 17 - Sat 21 June<br />

Shelagh Delaney was only eighteen when<br />

she wrote A Taste Of Honey. In so doing, she<br />

not only gave notice that a bright new talent<br />

had arrived on the scene but also established<br />

herself as a major player in the cultural<br />

movement that became known as ‘kitchen<br />

sink realism’. The movement was at its<br />

height during the late-1950s and early-1960s,<br />

and saw playwrights such as Delaney and,<br />

equally famously, John Osborne, exploring<br />

social and political issues by focusing on the<br />

domestic situations of the working-classes.<br />

At the centre of Delaney’s play is the character<br />

of seventeen-year-old Jo, whose attempts<br />

to break free from the shackles of her manhunting<br />

mother lead her into the arms of a<br />

black sailor, by whom she becomes pregnant.<br />

A touching tale of a young girl’s journey<br />

into adulthood in 1950s Salford, A Taste<br />

Of Honey here stars Shameless and Waterloo<br />

Road favourite Rebecca Ryan, and is<br />

helmed by Hull Truck Theatre’s new Artistic<br />

Director Mark Babych.<br />

Sizwe Banzi Is Dead<br />

mac - Midlands Arts Centre, Birmingham,<br />

Thurs 5 - Sat 7 June<br />

This thought-provoking revival has enjoyed<br />

plenty of critical acclaim since opening last<br />

summer, with actors Sibusiso Mamba and<br />

Tonderai Munyevu garnering great praise for<br />

their terrific performances. Helmed by Genesis<br />

Future Directors Award-winner Matthew<br />

Xia, the play is set in apartheid-era South<br />

Africa, and was written in 1972 by white<br />

South African playwright Athol Fugard and<br />

black actors John Kani and Winston Ntshon.<br />

Sizwe Banzi’s looking for work, but his passbook<br />

has expired and deportation seems<br />

inevitable. So when he stumbles across a<br />

dead body with a passbook, Sizwe has a<br />

choice to make - either to accept the fact<br />

that he can’t get work to support his family,<br />

or to pretend that he’s met with a tragic end<br />

and instead adopt the identity of the dead<br />

man... Eclipse Theatre and the Young Vic are<br />

the organisations behind this Tony-nominated<br />

exploration of life under a brutal regime.<br />

3 Summers<br />

Library of Birmingham, Tues 17 - Sat 21 June<br />

A national tour follows for this production -<br />

after it’s become the first full-scale musical to<br />

be staged in the Library of Birmingham’s Studio<br />

Theatre, that is. Set in the psychedelic<br />

’60s, the show follows the efforts of four<br />

young girls seeking fame and fortune. When<br />

Pen, Maz, Heff and Princess rent rooms from<br />

the reclusive Freddie Savage, they soon<br />

realise they’ve found themselves a ‘mother<br />

hen’... Boasting a live band and backing<br />

singers, 3 Summers features sixteen Swinging<br />

’60s-inspired original numbers.<br />

www.whatsonlive.co.uk 31

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