The_Poppy_March_2012.pdf - The Western Front Association
The_Poppy_March_2012.pdf - The Western Front Association
The_Poppy_March_2012.pdf - The Western Front Association
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‘A Madame la Duchesse de Sutherland, Homage respectueux et très<br />
reconnaissant d’un simple soldat,’ by Victor Tardieu<br />
‘Bourbourg, 1915’ by Victor Tardieu<br />
suddenly to become an insistent duty, perfectly easy to<br />
carry out.’<br />
She also found herself seeking the men’s rosaries from<br />
the purses in which they carried them because they wanted<br />
to hold them in their hands. <strong>The</strong>ir small hospital had to take<br />
all the wounded who were brought to them because there<br />
were already 700 in the military hospital and the smaller Red<br />
Cross ambulances were full. She is full of praise for the nuns<br />
and her staff:<br />
What a blessing our ambulance was to Namur,’ she writes;<br />
‘no one until these awful things happen can conceive of the<br />
untold value of fully trained and disciplined British nurses.<br />
<strong>The</strong> nuns were of great use to us, for they helped in every<br />
possible tender way, and provided food for the wounded.<br />
<strong>The</strong> hospital was disestablished after the German<br />
Occupation of Belgium but it would be re-established in<br />
November 1914 at the Hotel Belle Vue at Malo-les-Bains,<br />
Dunkirk, as an evacuation hospital with the capability of<br />
providing 70-100 beds for sick or wounded. No.9 Red Cross<br />
hospital became a Tent Unit at Bourbourg in July 1915 and<br />
was known as ‘<strong>The</strong> Camp in the Oatfield,’ immortalised in<br />
the vivid paintings of Victor Tardieu, a French soldier who<br />
had fought in the trenches. He painted canvasses ‘en plein<br />
air,’ depicting life in the tented camp at Bourbourg in bright,<br />
vivid colours.<br />
Many of these paintings were dedicated to the Duchess<br />
by Tardieu: ‘A Madame la Duchesse de Sutherland, Homage<br />
respectueux et très reconnaissant d’un simple soldat,’ is the<br />
dedication for one of the paintings.<br />
Later that year, No.9 Red Cross Hospital closed in<br />
preparation for a move to Calais where it opened on 12th<br />
January 1916 as a hospital for British wounded initially for<br />
one hundred beds but later increased to one hundred and<br />
twenty.<br />
<strong>The</strong> Visitors’ Book for No.9 Red Cross Hospital contains<br />
the signatures of a huge variety of prestigious visitors<br />
including the Prime Minister, Herbert Asquith, the President<br />
of the Canadian Red Cross Society and by personnel from<br />
the international Ambulance Units from America and<br />
Australia. On 14th July 1917 King George V, accompanied<br />
by Queen Mary and Prince Edward visited the hospital and<br />
signed the Visitor’s Book.<br />
In 1915/16 Lady Randolph Churchill wrote an article<br />
‘Amongst the Wounded’ in a series entitled ‘Our Women<br />
Heroes’ which was about women working for the Red Cross<br />
at home and overseas. She praises the Duchess of Sutherland<br />
for her work as ‘Directress in station to all matters of supplies<br />
and pecuniary import in her hospital.’<br />
In <strong>March</strong> 1918 No.9 Red Cross Hospital moved to<br />
Longueness, near St Omer, followed by another move in<br />
September 1918 to 20th November 1918.<br />
<strong>The</strong> constant change of locations of the hospitals was<br />
recorded by a nurse who was an avid post-card collector<br />
and managed to acquire a postcard of every place in which<br />
she worked. Her name was Uma Tomlin Hunter who came<br />
from a military family in Northumberland. She was born in<br />
Newcastle-Upon-Tyne in 1886 and in April 1915 she enrolled<br />
as a VAD in Northumberland and was sent to France to serve<br />
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