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<strong>QUARTERLY</strong><br />

SUMMER 2011<br />

Athena Society Acquires Andrew Wyeth Watercolor for Permanent Collection<br />

(see page 5)


Contents:<br />

Executive Director’s Message ........................2<br />

Featured Exhibitions ........................................ 3<br />

Continuing Exhibition........................................ 4<br />

Upcoming Exhibition ........................................ 4<br />

Collection............................................................ 5<br />

Youth Programs ................................................ 6<br />

Community Engagement .................................. 7<br />

Public Programs................................................ 7<br />

Classes and Workshops .................................. 8<br />

Development...................................................... 9<br />

Membership .................................................... 10<br />

<strong>Museum</strong> Events .............................................. 11<br />

<strong>Museum</strong> Store ................................................ 12<br />

Information ...................................................... 12<br />

EXECUTIVE COMMITTEE<br />

Peter M. Thompson, Chairman<br />

D. Theodore Berghorst,<br />

Vice Chairman<br />

Bernard H. Kastory, Treasurer<br />

Alice S. Beckwith, Secretary<br />

William L. Frick, At Large<br />

Barbara Neubarth, At Large<br />

Sandra L. Rolf, At Large<br />

Judith P. Schneebeck, At Large<br />

Teryl T. Viner, At Large<br />

Georgia E. Welles, At Large<br />

BOARD MEMBERS<br />

Scott E. Alexander<br />

Kim C. Anderson<br />

Laura T. Buck<br />

Emma S. Christopher<br />

Carol Coxhead<br />

Dorothy Currie<br />

Robert P. Henderson<br />

George D. Higgs<br />

Janet H<strong>of</strong>fman<br />

Joan M. Lahey<br />

John C. McCord<br />

Robin M. MacTaggart<br />

Jacqueline Malloy<br />

Hanns A. Pielenz<br />

Henry G. Stifel<br />

Douglas T. Tansill<br />

Frederick B. Taylor<br />

CHAIRMAN EMERITUS<br />

George P. Armstrong<br />

(1908-1997)<br />

EX-OFFICIO<br />

INDIAN RIVER STATE COLLEGE<br />

Dr. David Sullivan, Provost<br />

FRIENDS COUNCIL<br />

Lyn Adams, Chair<br />

MUSEUM LEGAL COUNSEL<br />

Ralph Evans, Esq.<br />

VERO BEACH ART CLUB<br />

Rita Ziegler, President<br />

LIFE TRUSTEES<br />

Edward A. “Ted” Michael<br />

Immediate Past Chairman<br />

Paul A. Becker<br />

W. Kent Barclay (1921-2004)<br />

C. William Curtis, Jr.<br />

Carolyn K. Eggert (1934-1999)<br />

Robert R. Harris<br />

Edgar W. Holtz (1922-2003)<br />

Eleonora W. McCabe<br />

Richard G. McDermott, Jr.<br />

John K. Moore (1929-2001)<br />

Carl W. Nichols (1923-2010)<br />

Richard A. Stark<br />

ON THE COVER:<br />

Andrew Wyeth (American 1917-2009), The Wales Farm, 1967,<br />

watercolor on paper, 22 x 29 1/2 inches,<br />

<strong>Museum</strong> Purchase with funds provided by the Athena Society, 2011.2<br />

Executive Director’s Message<br />

The <strong>of</strong>ficial end <strong>of</strong> our fiscal year is June 30, and now is a good<br />

time to reflect on this past year and anticipate the next. We<br />

began the year last July with the start <strong>of</strong> our master plan<br />

expansion <strong>of</strong> our facility by creating the new Alice and Jim<br />

Beckwith North Plaza Park, and building the Peter and Pat<br />

Thompson Vestibule and the Laura and Bill Buck Atrium.<br />

These additions created a new face to the <strong>Museum</strong>’s front<br />

entrance and expanded the use <strong>of</strong> the Wahlstrom Sculpture<br />

Garden. Moreover, it has been a remarkable 25th anniversary<br />

year inclusive <strong>of</strong> wonderful exhibitions such as William Wegman: Fay, abstract works by<br />

Federico Uribe, Masterworks <strong>of</strong> American painting from the Butler Institute <strong>of</strong> American<br />

<strong>Art</strong>, the beautiful American Impressionist paintings from the Manoogian Collection and<br />

our own <strong>Vero</strong> Promises exhibition featuring promised gifts to the permanent collection<br />

from a number <strong>of</strong> generous benefactors. The 25th Anniversary Gala, An Evening with Patti<br />

LuPone and Mandy Patinkin was not only the largest event the <strong>Museum</strong> has produced, but<br />

its most successful raising a net <strong>of</strong> more than $360,000 for the <strong>Museum</strong>, thanks to our<br />

dynamic Chairs Debbie Weise and Anne Blatherwick and our generous patrons. We added<br />

a twist to the <strong>Art</strong> in Bloom display by hosting a very elegant and successful luncheon in<br />

conjunction with the exhibition <strong>of</strong> floral arrangements created in response to works <strong>of</strong> art<br />

in the <strong>Museum</strong>’s permanent collection.<br />

The Athena Society voted to purchase Andrew Wyeth’s The Wales Farm for the permanent<br />

collection which will be featured in our fall exhibition, In the Tradition <strong>of</strong> Wyeth:<br />

Contemporary Watercolor Masters. Our Humanities <strong>of</strong>ferings, Community Engagement<br />

Programs, and the <strong>Museum</strong> <strong>Art</strong> School continue to provide significant art and cultural<br />

experiences to our community.<br />

We are pleased to add to the staff roster our new Curator <strong>of</strong> Collections and Exhibitions<br />

Jay Williams, and look forward to working with Jay in the years ahead. He comes with a<br />

wealth <strong>of</strong> experience and I know will make a significant contribution to the <strong>Museum</strong>.<br />

This summer, once again we will be under construction, but the <strong>Museum</strong> will remain open<br />

during the building process. The majority <strong>of</strong> the activity will be at the southwest corner <strong>of</strong><br />

the <strong>Museum</strong> where a new two-story wing will be added that will include an exhibition<br />

preparation area and workshop, storage, and covered loading dock on the first level, and a<br />

vault to store the permanent collection on the second. We will also be changing from our<br />

current air conditioning system to a cleaner and more efficient chilled-water system which<br />

gives us greater control over temperature and humidity. This is an exciting time for the<br />

<strong>Museum</strong> as we further our commitment to the best pr<strong>of</strong>essional practices in the<br />

<strong>Museum</strong> field and continue to serve our community with engaging visual arts and<br />

humanities programs. We look forward to a wonderful and productive summer here in<br />

<strong>Vero</strong> <strong>Beach</strong> and wish everyone good health and well-being in the months ahead.<br />

Lucinda H. Gedeon, Ph.D.<br />

Executive Director/CEO<br />

2<br />

<strong>Vero</strong> <strong>Beach</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>’s Leadership/Board <strong>of</strong> Trustees at the VBMA Annual Meeting on April 14, 2011: (SITTING L-R) Rita Ziegler, President, <strong>Vero</strong> <strong>Beach</strong> <strong>Art</strong> Club, Ex Officio<br />

Trustee; Dorothy Currie, Trustee; Deborah Weise, Retiring Secretary; Teryl Viner, At Large; Lois Appleby, Retiring Trustee; Jacqueline Malloy, Trustee; Georgia Welles, At Large; Robin MacTaggart,<br />

Trustee; Joan Lahey, Trustee; Emma Christopher, Trustee; Janet H<strong>of</strong>fman, Trustee; Barbara Neubarth, At Large; and Marie Stiefel, Trustee. (STANDING/BACK ROW L-R) Lyn Adams, Chair, Friends<br />

Council, Ex Officio Trustee; Sandra Rolf, At Large; Carol Coxhead, Trustee; Story John, Retiring Trustee; Judith Schneebeck, At Large; Henry Stifel, Trustee; Edward A. Michael, Immediate Past Board<br />

Chairman; George D. Higgs, Trustee; Kim C. Anderson, Trustee; Robert F. Ritter, Retiring At Large; Lucinda H. Gedeon, Ph.D., Executive Director/CEO; Peter M. Thompson, Chairman <strong>of</strong> the Board;<br />

D. Theodore Berghorst, Vice Chairman; Ralph Evans, Esq., Legal Counsel/Ex Officio Trustee; Bernard H. Kastory, Treasurer; Frederick B. Taylor, Trustee; Scott E. Alexander, Trustee; Douglas T. Tansill,<br />

Trustee; Hanns A. Pielenz, Trustee; John C. McCord, Trustee; and Laura T. Buck, Trustee. (NOT PICTURED) Alice S. Beckwith, Trustee; William L. Frick, At Large; Todd D. Heckman, Retiring Trustee;<br />

Robert P. Henderson, Trustee; and Dr. David Sullivan, Provost, Indian River State College, Ex Officio Trustee.


Featured Exhibitions<br />

INSPIRED BY NATURE:<br />

Celebrating the Beauty<br />

and Complexity <strong>of</strong> Trees<br />

August 27, 2011 to January 8, 2012<br />

STARK GALLERY<br />

A time-honored subject in the visual arts, tree images<br />

have been painted and sculpted for centuries. Regardless<br />

<strong>of</strong> changes in medium and style during the twentieth and<br />

twenty-first centuries, artists have continued to find inspiration<br />

in trees. Visitors to Inspired by Nature, a new exhibition<br />

opening August 27 in the <strong>Museum</strong>’s Stark Gallery, will enjoy<br />

the beauty and complexity <strong>of</strong> arboreal forms in the work <strong>of</strong><br />

Jennifer Steinkamp, James Balog, and Charles Burchfield,<br />

among others.<br />

Steinkamp’s video installation, curiously entitled Fly to Mars 5<br />

(2005), is a computer-generated video projection <strong>of</strong> a maple<br />

tree that cycles through four seasons—flowering in spring,<br />

leafing out in lush greenery in summer, morphing into the<br />

rusty reds <strong>of</strong> fall, and finally becoming bare in winter.<br />

Utilizing special s<strong>of</strong>tware, Steinkamp reveals the playful<br />

possibilities in contemporary technology.<br />

Balog’s Giant Sequoia was produced as part <strong>of</strong> his series<br />

depicting champion trees, painstakingly captured in nearly<br />

500 separate frames as he rappelled down a neighboring<br />

tree. As he created his various images, Balog developed an<br />

intense appreciation for each magnificent specimen.<br />

Through the imaginative works <strong>of</strong> Steinkamp, Balog, and<br />

other contemporary artists, <strong>Museum</strong> visitors will see the<br />

trees in their own back yards with equally fresh eyes.<br />

Circle image above: Jon Davis, Lover (detail), 2006, mixed<br />

media, 23 x 25 1/4 x 9 inches, <strong>Museum</strong> Purchase, 2008.006<br />

(from the exhibition What’s the Story? )<br />

James Balog, Giant Sequoia, “Stagg,” 2001, digital multiple<br />

exposure photograph, 94 1/2 x 36 1/8 inches, <strong>Museum</strong> Purchase<br />

with funds provided by Mr. and Mrs. James Balog, 2005.001<br />

Jennifer Steinkamp, Fly to Mars 5, 2005, video installation,<br />

edition <strong>of</strong> 1, AP 1/1, <strong>Museum</strong> Purchase with funds provided<br />

by the John K. Moore Memorial Fund, 2006.003<br />

WHAT’S THE STORY?<br />

Continues through September 25, 2011<br />

SCHUMANN GALLERY<br />

What’s the Story? will delight—and perhaps mystify—visitors who<br />

will be invited to guess the meanings <strong>of</strong> a thought-provoking selection<br />

<strong>of</strong> paintings, prints, and sculpture. Drawn from the <strong>Museum</strong>’s permanent<br />

collection, most <strong>of</strong> these works <strong>of</strong> art have never been on<br />

public exhibition. They have been specially selected to pique visitors’<br />

curiosity and encourage them to look more deeply at the subject<br />

matter and style <strong>of</strong> each<br />

piece. Some <strong>of</strong> the paintings,<br />

prints, and sculptural works<br />

give viewers just enough<br />

visual information to excite<br />

their interest and invite<br />

speculation; others tell stories<br />

that are easier to<br />

unravel. Even when they deal<br />

with weighty subjects, the<br />

twelve works <strong>of</strong> art included<br />

in What’s the Story? are<br />

never preachy or didactic.<br />

<strong>Art</strong>uro Rodriguez, Broken Journey, 1990, oil on canvas,<br />

72 x 102 inches, Gift <strong>of</strong> CDS Gallery, 1993.014<br />

All <strong>of</strong> the works <strong>of</strong> art in the exhibition were created after the mid-<br />

1970s, when some artists moved away from a formalist approach to<br />

making art—centering primarily on color and form. Those who<br />

began to work with human and animal figures <strong>of</strong>ten found themselves<br />

telling stories using visual language. However, their stories<br />

were not like the narrative paintings <strong>of</strong> old; the stories told by these<br />

contemporary works <strong>of</strong> art <strong>of</strong>ten tantalized viewers with just<br />

enough information to create a sense <strong>of</strong> curiosity and wonder.<br />

Because <strong>of</strong> the open-ended nature <strong>of</strong> the stories told by these<br />

works <strong>of</strong> art, the exhibition will engage a wide range <strong>of</strong> visitors.<br />

Romare Bearden, Jazz II Deluxe (detail), 1980, serigraph on paper, AP 6/12,<br />

ed. 200, 26 3/4 x 37 1/2 inches, Gift <strong>of</strong> Mr. and Mrs. James E. Gibson, 1987.018<br />

3


Continuing Exhibition<br />

CELEBRATING 25 YEARS: Sculpture from the Permanent Collection<br />

Patron Sponsor: Mrs. James S. Beckwith III<br />

Continues through December, 2011<br />

ALICE AND JIM BECKWITH SCULPTURE PARK<br />

Visitors are invited to explore an engaging and focused look at the<br />

<strong>Museum</strong>’s growing outdoor sculpture collection. The works explore a<br />

variety <strong>of</strong> styles and aesthetics, and include welded sculpture by John<br />

Henry and David Hayes, kinetic sculpture by Jerome Kirk, and<br />

bronze work by Thomas Ostenberg, among others. The exhibition<br />

features the newly conserved piece by Lee Tribe, as well as the<br />

<strong>Museum</strong>’s most recent sculpture acquisition, Hanneke Beaumont’s<br />

Bronze #56, purchased for the <strong>Museum</strong> by the Athena Society.<br />

Upcoming Exhibition<br />

IN THE TRADITION OF WYETH:<br />

Contemporary Watercolor Masters<br />

October 1, 2011 to January 15, 2012<br />

HOLMES GALLERY<br />

Our fall exhibition in the Holmes Gallery will be built around the<br />

<strong>Museum</strong>’s newly acquired painting by Andrew Wyeth, The Wales<br />

Farm (1967). The majority <strong>of</strong> the watercolors in the show will be<br />

the work <strong>of</strong> living artists such as Kathy Caudill, Ray Ellis, William<br />

Matthews, Dean Mitchell, Alan Shuptrine, and Stephen Scott<br />

Young. While these masters <strong>of</strong> watercolor are great technicians,<br />

they embrace Andrew Wyeth’s sentiment that “to be interested<br />

solely in technique would be a very superficial thing . . . .” Without<br />

exception, they express great feeling in their work, while exploring<br />

the pr<strong>of</strong>ound relationships between human beings and the world<br />

<strong>of</strong> the senses through their chosen medium.<br />

Few artists in the history <strong>of</strong> American art have had more influence<br />

on the appreciation <strong>of</strong> watercolor than Andrew Wyeth. His ability<br />

to work with watercolor in a variety <strong>of</strong> ways, from “drybrush” to<br />

layered washes, and his flair for subtly dramatic composition<br />

gained new respect for watercolor as a serious medium. Many<br />

pr<strong>of</strong>essional watercolorists working today owe Wyeth a debt,<br />

whether they were directly inspired by his masterworks or more<br />

generally by his larger-than-life presence in the art world.<br />

Dean Mitchell, Rustic Plains, 2010, watercolor, 15 x 20 inches, Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

Ray Ellis, Cecil Payne’s Bait Shop, 1982, watercolor, 16 x 29 inches,<br />

Collection <strong>of</strong> Mr. and Mrs. Edward B. McLaughlin<br />

Chairman’s Club reception October 13, 2011<br />

Members’ reception October 14, 2011<br />

Stephen Scott Young, Bayfront Eleuthera, 1992, watercolor, 9 1/2 x 19 inches, Private Collection<br />

4<br />

Alan Shuptrine, Cherry Winter, 2008, watercolor, 21 x 29 inches, Courtesy <strong>of</strong> the <strong>Art</strong>ist<br />

Kathy Caudill, Time Passage II, 2011, drybrush watercolor, 14 x 38 inches, Courtesy <strong>of</strong> the <strong>Art</strong>ist


New Acquisition<br />

ANDREW WYETH (American 1917-2009)<br />

The Wales Farm, 1967, watercolor on paper, 22 x 29 1/2 inches<br />

<strong>Museum</strong> Purchase with funds provided by the Athena Society, 2011.2<br />

The collection <strong>of</strong> the<br />

<strong>Vero</strong> <strong>Beach</strong> <strong>Museum</strong><br />

<strong>of</strong> <strong>Art</strong> can now boast<br />

the addition <strong>of</strong> a<br />

painting by one <strong>of</strong><br />

America’s most wellknown<br />

artists, Andrew<br />

Wyeth. The Wales<br />

Farm, 1967, watercolor<br />

on paper, is a<br />

classic Wyeth landscape view <strong>of</strong> a Maine farm, prominently featuring<br />

a wooden gate and clapboard house in the foreground, the track <strong>of</strong> a<br />

farm road and line <strong>of</strong> uneven fence posts leading into the middleground,<br />

with a dark mass <strong>of</strong> trees separating a grassy pasture from the<br />

lighter sky. The mid-toned wall <strong>of</strong> the house and gabled ro<strong>of</strong> cut<br />

through the line <strong>of</strong> trees as a unifying, and probably symbolic ele-<br />

ment. A fence or<br />

gate is a frequent<br />

motif in Wyeth’s<br />

work, perhaps signifying<br />

a relationship<br />

between neighbors. The<br />

fence and tracks <strong>of</strong> the road<br />

also provide way <strong>of</strong> organizing<br />

the space <strong>of</strong> the composition.<br />

Wyeth developed his mature style around<br />

1950, finding his enduring subjects within a mile or two <strong>of</strong> the<br />

two towns in which he lived—Chadd’s Ford, Pennsylvania, and<br />

(in summer) Cushing, Maine, the setting for our painting. He<br />

routinely focused on a few farms, workers, and residents—all <strong>of</strong><br />

whom have become well-known to Wyeth’s admirers.<br />

ATHENA SOCIETY<br />

The Athena Society’s mission is to support the enhancement <strong>of</strong> the <strong>Museum</strong>’s<br />

permanent collection through the purchase <strong>of</strong> major works <strong>of</strong> art.<br />

The Athena Society, established in 2003, funds and selects significant<br />

art acquisitions for the <strong>Museum</strong>’s permanent collection. <strong>Museum</strong><br />

membership at the Chairman’s Club level or higher is required. For<br />

more information about joining the Athena Society, please call the<br />

<strong>Museum</strong>’s Director <strong>of</strong> Development Robyn Orzel at (772) 231-0707<br />

ext. 106 or Executive Director/CEO Lucinda H. Gedeon, Ph.D. at<br />

(772) 231-0707 ext. 113.<br />

Athena Society Dinner<br />

On Wednesday, April 13, 2011, members <strong>of</strong> the Athena Society attended a dinner at the <strong>Museum</strong><br />

where they socialized, dined, and voted on the work <strong>of</strong> art that they would acquire for the <strong>Museum</strong>’s<br />

permanent collection this year. There were five significant works presented for consideration, from<br />

which they selected the Andrew Wyeth painting The Wales Farm featured on this page and this<br />

issue’s cover image.<br />

Mr. and Mrs. Edward V. Lahey, Jr.<br />

Mr. and Mrs. Randy Rolf and Mr. and Mrs. William C. Stutt<br />

Mr. and Mrs. Hercules Segalas<br />

Mr. and Mrs. Henry G. Stifel<br />

Athena Society Members—Off to <strong>Art</strong> Basel Miami <strong>Beach</strong>!<br />

Athena Society members are invited to join Curator Jay Williams for<br />

this year’s <strong>Art</strong> Basel Miami <strong>Beach</strong>. Travelers will spend two nights,<br />

December 1 and 2, and return to <strong>Vero</strong> <strong>Beach</strong> on December 3, 2010.<br />

<strong>Art</strong> Basel Miami <strong>Beach</strong> takes place December 1 – 4, 2011. It is the<br />

most important art show in the United States, a cultural and social<br />

highlight for the Americas. As the sister event <strong>of</strong> Switzerland’s <strong>Art</strong><br />

Basel, the most prestigious art show worldwide for the past 41 years,<br />

<strong>Art</strong> Basel Miami <strong>Beach</strong> combines an international selection <strong>of</strong> top<br />

galleries with an exciting program <strong>of</strong> special exhibitions, parties and<br />

crossover events featuring music, film, architecture and design.<br />

Exhibition sites are located in the city’s beautiful <strong>Art</strong> Deco District,<br />

within walking distance <strong>of</strong> the beach and many hotels. An exclusive<br />

selection <strong>of</strong> more than 250 leading art galleries from North America,<br />

Latin America, Europe, Asia, and Africa will exhibit 20th and 21st<br />

century artworks by over 2,000 artists. The show will be a vital source<br />

for art lovers, allowing them to both discover new developments in<br />

contemporary art and experience rare museum-calibre artworks.<br />

Space is limited, so please make your reservations now by contacting<br />

<strong>Museum</strong> Events Coordinator Jody Zwergel at (772) 231-0707 ext. 111.<br />

5


6<br />

Summer <strong>Art</strong> Camp<br />

With Support from the Circle <strong>of</strong> Friends, <strong>Vero</strong> <strong>Beach</strong> <strong>Art</strong> Club,<br />

and Reasel McGuire<br />

Through August 5, 2011<br />

The <strong>Vero</strong> <strong>Beach</strong> <strong>Museum</strong><br />

<strong>of</strong> <strong>Art</strong> Summer <strong>Art</strong> Camp<br />

for children ages 4 – 15 is<br />

designed to <strong>of</strong>fer a creative,<br />

child-centered environment<br />

for young artists to<br />

explore new ideas, develop<br />

skills, and build selfesteem<br />

through making<br />

Young artists enjoying last year’s Summer <strong>Art</strong> Camp<br />

and learning about art. There are weekly sessions in the visual arts<br />

in a creative and safe environment, with loads <strong>of</strong> interesting handson<br />

activities that are project-based as well as skills-based. Taught by<br />

an engaging and expert faculty, have your kids explore a variety <strong>of</strong><br />

art-making materials including painting in watercolor and tempera,<br />

drawing, collage, mixed media, and so much more. Detailed descriptions<br />

<strong>of</strong> all the <strong>of</strong>ferings will also be available on-line and at the visitor<br />

information desk.<br />

Children can sign up for mornings or afternoons, or full day with<br />

supervised break. Early supervised drop <strong>of</strong>f is also available,<br />

beginning at 8:30 a.m. Morning sessions are 9:30 a.m. – 12:30<br />

p.m., and afternoon sessions are 1:30 – 4:30 p.m. Visit our website,<br />

www.verobeachmuseum.org to download registration forms, or<br />

call to have the schedule and forms mailed to you. Completed<br />

and signed forms should be mailed, dropped <strong>of</strong>f, or faxed to<br />

(772) 231-0938. Don’t miss out!<br />

2011 Indian River County Student<br />

Juried Exhibition Winners<br />

Presenting Sponsor: Jim and Alvina Balog<br />

The Indian River County Student Juried Exhibition is an<br />

annual presentation designed to showcase the exciting<br />

work that comes from the county’s middle and high<br />

school art education programs at the <strong>Vero</strong> <strong>Beach</strong><br />

<strong>Museum</strong> <strong>of</strong> <strong>Art</strong>. Each art teacher is allowed to submit the<br />

works <strong>of</strong> four different students, encouraging them to<br />

submit only the best examples and to present a broad<br />

range <strong>of</strong> talented work. The juried exhibition is open to<br />

the students <strong>of</strong> all art educators teaching middle and<br />

high school visual arts in public, charter, independent and home<br />

school settings within the county. In 2011 there were a total <strong>of</strong> 64<br />

entries from 12 participating middle and high schools in the competition.<br />

Participation in this exhibition is free.<br />

The awards ceremony took place on Saturday, April 30, honoring<br />

every student featured in the exhibition. The 2011 judge <strong>of</strong> the<br />

competition was Linda Waugaman, Visual <strong>Art</strong>s Director at Indian<br />

River State College. Special thanks to Frank's Hang-Up for providing<br />

framing materials and services for this exhibition.<br />

MIDDLE SCHOOL DIVISION AWARD WINNERS<br />

BEST OF SHOW FOR MIDDLE SCHOOL:<br />

Morgan Benson, St. Edward’s Middle School, Purple Orchid<br />

PAINTING: First Place Alexis Paul, St. Edward’s Middle School, Sea<br />

Turtle; Second Place Tommy Hammond, St. Edwards Middle School,<br />

The Lonely Tree; Third Place Montana Doolittle, Oslo Middle School,<br />

Morning Wave<br />

DRAWING / MIXED MEDIA: First Place Makayla Jade Sposato,<br />

Oslo Middle School, Hot and Cold; Second Place Olivia Kinkelaar, St.<br />

Edwards Middle School, Puppy Love; Third Place Devan Brann,<br />

Sebastian River Middle School, Shells<br />

3-DIMENSIONAL: First Place Brett Hill, Storm Grove Middle<br />

School, Sublime is What I Got; Second Place Jenna Gurklis, Imagine<br />

Schools <strong>of</strong> <strong>Vero</strong> <strong>Beach</strong>, Rainbow Fish; Third Place Abigail Harris,<br />

Imagine Schools <strong>of</strong> <strong>Vero</strong> <strong>Beach</strong>, Spirit <strong>of</strong> Life<br />

HIGH SCHOOL DIVISION AWARD WINNERS<br />

BEST OF SHOW FOR HIGH SCHOOL:<br />

Jared M.Thomas, Indian River Charter High School, Anarchy Evolution<br />

PAINTING: First Place Maximiliano Padilla, <strong>Vero</strong> <strong>Beach</strong> High<br />

School, Contemplatio; Second Place Brittany Harwood, Sebastian<br />

River High School, Mother and Child; Third Place Austin Machado,<br />

St. Edwards Upper School, Voltage<br />

DRAWING / MIXED MEDIA: First Place Coral Pearce, Sebastian<br />

River High School, Blister in the Sun; Second Place Julia Zoda, <strong>Vero</strong><br />

<strong>Beach</strong> High School, Drowning in the Sea <strong>of</strong> Sadness; Third Place Nora<br />

Kane, <strong>Vero</strong> <strong>Beach</strong> High School, Broken In<br />

PHOTOGRAPHY/DIGITAL MEDIA: First Place Lane Peterson,<br />

<strong>Vero</strong> <strong>Beach</strong> High School, A Lack <strong>of</strong> Color; Second Place Jamari<br />

Williams, St. Edwards Upper School, Otana (Dreaming); Third Place<br />

Anastasia-Eva Gabor, <strong>Vero</strong> <strong>Beach</strong> High School, Mad World<br />

3-DIMENSIONAL: First Place Steffanie Espat, Sebastian River High<br />

School, The World <strong>of</strong> Beauty; Second Place Emily Perry, <strong>Vero</strong> <strong>Beach</strong><br />

High School, Peduncle; Third Place Garrett Abernathy, <strong>Vero</strong> <strong>Beach</strong><br />

High School, Earthquake<br />

Best <strong>of</strong> Show/Middle School:<br />

Purple Orchid by Morgan Benson,<br />

St. Edward’s Middle School (Grade 8)<br />

Best <strong>of</strong> Show/High School:<br />

Anarchy Evolution by Jared M. Thomas,<br />

Indian River Charter High School (Grade 12)


International Lecture Series 2012<br />

Supporting Sponsor: The Nichols Foundation<br />

– Mr. and Mrs. Peter Coxhead<br />

Patron Sponsors: Barbara and David McKenna, Kenneth W. Cunningham,<br />

Jr. Endowment Fund, and Virginia H. Van Wormer Lecture Fund<br />

For 2012, the celebrated International Lecture Series will<br />

continue with two presentations by each speaker, one at<br />

4 pm and the second at 6 pm, except where noted. These<br />

celebrated presentations <strong>of</strong> the finest speakers in the <strong>Art</strong>s<br />

and Humanities will again be presented in the intimate<br />

and comfortable 240-seat Leonhardt Auditorium. A wine reception<br />

with an opportunity to meet the speaker will bridge both presentations<br />

beginning at 5 pm. VBMA members will be notified in July<br />

about Advance Registration for this series.<br />

Jeffrey Hollander<br />

Monday, February 6, 2012<br />

Internationally acclaimed pianist Jeffrey Hollander has performed his praised concert<br />

series at the Milwaukee <strong>Art</strong> <strong>Museum</strong> for 24 years, and will present and perform a<br />

wide-ranging program from Beethoven to Liszt, Erroll Garner to George Shearing,<br />

and beyond.<br />

David McCandless<br />

Monday, February 20, 2012<br />

British author, journalist, and designer David McCandless explores the connected<br />

information <strong>of</strong> modern life by using an artist’s eye to render facts and statistics visually,<br />

discovering the hidden links and relationships in politics, entertainment, and ourselves.<br />

James Balog<br />

Monday, March 5, 2012<br />

Photographer, adventurer, author and scientist James Balog leads an inspiring,<br />

creative quest to visually document the amazing beauty <strong>of</strong> the world we all share,<br />

and sounds the alarm about the tenuous relationship between humans and nature.<br />

Victoria Wyeth<br />

Monday, March 26, 2012<br />

Victoria Wyeth explores the subject matter, technique and inside stories surrounding<br />

the major works <strong>of</strong> her late grandfather, Andrew Wyeth —from his first watercolor<br />

at age six to his final tempera painted on Benner Island, Maine in October 2009.<br />

Film Studies<br />

The Genius <strong>of</strong> Louis Malle:<br />

A Second Look at His French Films<br />

Presenting Sponsor: Anita Stafford<br />

Supporting Sponsor: The Petersmeyer Family Foundation<br />

Patron Sponsors: Dr. and Mrs. George A. Barkett,<br />

Mr. and Mrs. George Marshall, and Mr. and Mrs. Richard G. Unruh, Jr.<br />

Additional Support: Mr. and Mrs. Charles W. Thomas<br />

Begins October 4 – Ends November 1, 2011<br />

Sections meet each Tuesday at 1:30 and 7 pm<br />

Tuition: $50 per person for <strong>Museum</strong> Members ($60 non-members)<br />

By the age <strong>of</strong> 25, Louis Malle was<br />

already one <strong>of</strong> France’s most successful<br />

and famous filmmakers. A pioneer <strong>of</strong><br />

the French New Wave, he went on to<br />

create a body <strong>of</strong> work noted for its<br />

great breadth and variety, consciously<br />

Louis Malle 1964<br />

avoiding the temptation to repeat<br />

himself. His films tended to be very<br />

personal, yet they shed light on an<br />

entire generation and opened doors in<br />

French consciousness that had<br />

been considered shut tight forever.<br />

This five-part course will Louis Malle 1985<br />

review a sample <strong>of</strong> his body<br />

<strong>of</strong> work, one <strong>of</strong> international<br />

cinema’s great legacies.<br />

Jeffrey Hollander<br />

David McCandless<br />

James Balog<br />

Victoria Wyeth<br />

Louis Malle 1993<br />

Helen Ecclestone Stone Library – Your Film Resource<br />

In addition to over 5,000 art-related books and periodicals, the<br />

Helen Ecclestone Stone Library at the <strong>Museum</strong> provides for the<br />

enrichment and enjoyment <strong>of</strong> members. The library also provides a<br />

rich and varied collection <strong>of</strong> more than 2,000 notable classic, foreign,<br />

and art house films drawn from the many years <strong>of</strong> the<br />

<strong>Museum</strong>’s popular Film Studies program.<br />

This summer, the <strong>Museum</strong> will begin actively protecting this<br />

growing film resource to ensure that it will remain available for the<br />

future. An electronic security system (similar to those used in public<br />

libraries and book stores) will be installed to prevent the attrition<br />

that the popularity <strong>of</strong> this resource has suffered. Also, as a secured<br />

convenience, a new drop box outside <strong>of</strong> the Library’s entrance will<br />

soon be available for members making returns when the Library is<br />

closed but when the <strong>Museum</strong> may be otherwise open for classes,<br />

programs, or in the early or late parts <strong>of</strong> the day.<br />

In reviewing and making these upgrades, beginning July 1 the<br />

<strong>Museum</strong> has created the “Film Society,” a new auxiliary level <strong>of</strong><br />

membership with the exclusive benefit <strong>of</strong> borrowing these DVD<br />

treasures from the library. Your $25 membership (in addition to<br />

your general <strong>Museum</strong> membership) will allow you to access and<br />

enjoy these exclusive cinema resources for a full year.<br />

To sign up for the Film Society, please contact Development Assistant<br />

Julie Chapman at jchapman@verobeachmuseum.org or (772) 231-0707<br />

ext. 123. We look forward to sharing this growing repository <strong>of</strong> fine<br />

films with you as an enhanced membership benefit.<br />

7


Watercolor teacher Joel Johnson provides one-on-one instruction to a <strong>Museum</strong> <strong>Art</strong> School student<br />

MUSEUM ART SCHOOL<br />

FALL 2011 CLASS REGISTRATION<br />

Fall Term begins October 3, 2011<br />

Fall Term: October 3 – December 9, 2011<br />

Fall Schedule mailing date is August 16, 2011<br />

<strong>Museum</strong> <strong>Art</strong> School Studio<br />

Gallery Exhibitions<br />

VBMA Community Engagement Programs<br />

Saturday, June 11 – Sunday, August 21<br />

<strong>Vero</strong> <strong>Beach</strong> <strong>Art</strong> Club Members Invitational (Part 1)<br />

Saturday, September 17 – Sunday, October 16<br />

Registration opens Monday, August 22, in person and on-line<br />

Registration continues until courses begin or fill<br />

Drop/Add week October 3 – 7, 9 am – 5 pm<br />

Visit www.verobeachmuseum.org and click on <strong>Museum</strong> <strong>Art</strong> School,<br />

or call (772) 231-0707 ext. 116 to reserve your space today!<br />

New in the <strong>Museum</strong> <strong>Art</strong> School<br />

There have been many recent changes in the <strong>Museum</strong> <strong>Art</strong> School in<br />

the past months that will benefit current and future students:<br />

New Kiln: The <strong>Museum</strong> <strong>Art</strong> School was pleased to receive a special<br />

gift <strong>of</strong> a new factory-built Bailey Downdraft Gas Kiln by <strong>Museum</strong><br />

supporter and student JoAnn Becker. This special piece <strong>of</strong> equipment,<br />

designed for controlled and efficient firings <strong>of</strong> pottery, sculpture,<br />

and other ceramic objects, is an addition to the two existing highfire<br />

gas kilns.<br />

Glass Gift: The <strong>Museum</strong> <strong>Art</strong> School was honored to have a substantial<br />

gift designated by Gary & Cathy Fox. The Foxes made<br />

available to the <strong>Museum</strong> several crates <strong>of</strong> specialty art glass and a<br />

30 x 60 Denver Industries Glass Kiln. This gift <strong>of</strong> material and<br />

equipment will greatly enhance the <strong>Museum</strong> <strong>Art</strong> School’s capability<br />

to teach glass fusing and slumping. Our thanks and appreciation are<br />

extended to these generous donors.<br />

Small But Important: The Karl Heinz Eggert Outdoor Studio’s<br />

overhead fluorescent lights have been upgraded to 6,500K<br />

Daylight bulbs that provide a more “white,” color-neutral cast<br />

ideal for students and artists making subtle decisions and judgments<br />

in the development <strong>of</strong> their creative works. Evaluating the<br />

exciting nuances <strong>of</strong> glazes, noting encaustic wax color variations,<br />

and viewing dynamic fused glass from the kiln has just gotten<br />

easier and better!<br />

Come grow with us and discover your inner artist!<br />

Advanced ceramics student Maria Sparsis at the wheel<br />

Painting teacher Dawn Mill provides classroom demo<br />

8


<strong>Museum</strong> Education Program<br />

Receives Generous Gift<br />

from “Circle <strong>of</strong> Friends”<br />

The <strong>Vero</strong> <strong>Beach</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> is pleased to announce that its giving<br />

circle, Circle <strong>of</strong> Friends, held its final meeting <strong>of</strong> the season on Tuesday,<br />

April 12, 2011. At the meeting, the Circle voted to contribute their<br />

gift <strong>of</strong> $21,750 to completely fund the <strong>Museum</strong>’s <strong>Art</strong>ist in the Schools<br />

community engagement program for 2011-2012, and utilize the<br />

balance to provide a number <strong>of</strong> Summer <strong>Art</strong> Camp scholarships for<br />

under-served youth in the community.<br />

2011 Circle <strong>of</strong> Friends: (l-r) Pat Marquis; Diane Wilhelm; Margaret Goembel; Lucinda H. Gedeon,<br />

Ph.D., Executive Director/CEO; Jacqueline Farrell; Maya Petersen; J. Marshall Adams, Director<br />

<strong>of</strong> Education; Lyn Adams; and Shanti Sanchez, Youth and School Programs Manager<br />

The <strong>Museum</strong>’s Circle <strong>of</strong> Friends is presently comprised <strong>of</strong> 87 philanthropic<br />

women who contribute $250 each with the goal that the total<br />

amount be gifted annually, by vote, to a <strong>Museum</strong> education program<br />

<strong>of</strong> their collective majority choice. Three education programs were<br />

presented to the group for funding consideration.<br />

“As a member <strong>of</strong> the Circle <strong>of</strong> Friends for two years and as co-chairman<br />

this year, I continue to be impressed by the quality <strong>of</strong> Community<br />

Engagement Programs that the <strong>Museum</strong> <strong>of</strong>fers to those in Indian River<br />

County. These programs are free to the participants and are a testament<br />

to the commitment the <strong>Museum</strong> has to <strong>of</strong>fer visual arts to many<br />

youth and families that may not otherwise be able to enjoy them. In<br />

light <strong>of</strong> the current possibility <strong>of</strong> financial cuts to the art programs in<br />

our schools, I feel that it is more important than ever to support the<br />

<strong>Museum</strong>’s programs,” stated Diane Wilhelm Circle <strong>of</strong> Friends cochairman<br />

for 2011.<br />

New Tax Rules<br />

Attention members and patrons:<br />

New IRS rules state that gifts made to a charity from Donor Advised<br />

Funds, Trusts, and Foundations may not be applied to membership or<br />

event tickets where more than insubstantial personal benefit is received.<br />

If you choose to make a gift in this manner for membership in the<br />

Chairman’s Club, Circle or Council, or for event tickets, you are<br />

required to waive your benefits in order for it to be accepted. If the<br />

<strong>Museum</strong> were to accept such gifts, a significant tax penalty would be<br />

imposed on the <strong>Museum</strong> as well as the donor. When applying for such<br />

gifts, including many matching gifts, please read the paperwork carefully<br />

to determine whether or not your intention meets their criteria.<br />

Your membership and support <strong>of</strong> the <strong>Museum</strong> is <strong>of</strong> tremendous value<br />

to us, and we continue to be grateful for your commitment to the visual<br />

arts and art education in our community.<br />

This past year, the<br />

Circle <strong>of</strong> Friends group<br />

was co-chaired by Diane<br />

Wilhelm and Margaret Goembel.<br />

Committee members were Lyn Adams, Lee Albro,<br />

Leigh Bennett, Jackie Farrell, Pat Marquis, and Maya Peterson.<br />

To find out more or to join the Circle <strong>of</strong> Friends for the 2011–2012<br />

season, call Director <strong>of</strong> Development Robyn Orzel at (772) 231-<br />

0707 ext. 106 or e-mail her at roborzel@verobeachmuseum.org.<br />

Sponsorship Opportunities<br />

Our schedule <strong>of</strong> exciting exhibitions, fabulous special events, and<br />

community programs will help make this a fantastic season in<br />

<strong>Vero</strong> <strong>Beach</strong>. Our friends’ and members’ generosity is critical to our<br />

success, especially in this challenging year. Please consider joining<br />

us as a sponsor for one <strong>of</strong> these programs that will be <strong>of</strong>fered<br />

during the upcoming season:<br />

UPCOMING EXHIBITIONS:<br />

Fall 2011<br />

IN THE TRADITION OF WYETH:<br />

Contemporary Watercolor Masters<br />

Winter 2012<br />

MATTHEW GELLAR: Woozy Blossom<br />

CYCLE OF LIFE: Tom Nakashima’s Treepile Paintings<br />

STEPHEN KNAPP: Lightpaintings<br />

BEYOND REALITY: Hyperrealism and American Culture<br />

Antiques Show & Sale<br />

The Treasure Coast’s premier antiques show will be celebrating its<br />

20th year!<br />

Education School and Outreach Programs<br />

Youth and young adult programs that help to foster critical<br />

thinking, creativity, respect, and an awareness <strong>of</strong> art’s relationship<br />

to the world around us.<br />

Film Studies<br />

The new season features five sessions <strong>of</strong> five-films each, which<br />

will expand each adult student’s world vision through the ideas<br />

expressed in international and classic films.<br />

In order to continue to be successful in raising the standard <strong>of</strong><br />

our programs and services, we need your financial support.<br />

Sponsorships for programs and exhibitions, starting at $5,000,<br />

are now needed and may be paid in installments through June<br />

2012. If you would like to learn more about these and other<br />

sponsorship opportunities and the associated benefits and<br />

recognition, please call Director <strong>of</strong> Development Robyn Orzel at<br />

(772) 231-0707 ext. 106.<br />

9


Donor Pr<strong>of</strong>ile<br />

LYN ADAMS<br />

Growing up in Rhode Island, Lyn Adams<br />

liked music, math, and making mud pies. “I<br />

liked to take things apart, see how they<br />

worked, and then put them together to<br />

make something else.” She shared her<br />

family’s interest in the performing arts.<br />

“Everyone in my family seemed to play an<br />

instrument, sing-along at the piano or roll<br />

up the rug and dance. Visits to our NYC<br />

cousins also meant concerts and Saturday<br />

afternoon opera.” But it was only after an<br />

Lyn Adams<br />

orientation visit to the National Gallery <strong>of</strong><br />

<strong>Art</strong> as a Trinity College freshman that she was immediately hooked on<br />

art. “I haunted DC galleries, museums (and jazz clubs) as a balance to<br />

all that physics and math in class…it all came together.” Fresh with her<br />

physics degree from Trinity, Lyn lived in Oxford as a research fellow at<br />

the UK Atomic Energy Establishment’s high energy physics lab. Her<br />

eyes were opened to old and new art and architecture as she cycled<br />

through ancient streets.<br />

Physics had to wait for several years while Lyn lived in Japan as a Navy<br />

spouse where the Eastern aesthetic revealed itself. After returning to the<br />

US, Lyn earned a Rutgers University MS in particle physics, then joined<br />

AT&T’s Western Electric where she managed the development <strong>of</strong> new<br />

technologies as they migrated from Bell Labs into manufactured products.<br />

“Being part <strong>of</strong> a superb team taught me that great things never<br />

happen solo. Different styles and viewpoints strengthen any project, as<br />

long as there is a clear goal.” In the late 1980s, Lyn left AT&T to found<br />

her own technology development company in Paris. Following the fall<br />

<strong>of</strong> the Berlin wall and her move to Geneva, her company focused on<br />

identifying and transferring technologies from newly available resources<br />

in eastern Europe and the former USSR. In 1996, a collaboration<br />

between Lyn’s company and the National High Magnetic Field Lab<br />

brought her to Tallahassee.<br />

During frequent visits to Florida, Lyn and her husband, John Cusick,<br />

discovered <strong>Vero</strong> <strong>Beach</strong>. “<strong>Vero</strong> had the live oak charm <strong>of</strong> old Florida,<br />

but the open ocean that a Rhode Islander craves.” They began wintering<br />

here in 2001. On a bike ride to the (then) Center for the <strong>Art</strong>s,<br />

they liked the neo-classical building and really liked what they found<br />

inside. Neighbors soon persuaded them to join the Chairman’s Club<br />

and chair the upcoming season’s Beaux <strong>Art</strong>s Ball. “John and I thought<br />

it would be an amazing way to meet people…and we were right!”<br />

She’s been a Friends board member ever since, including two terms as<br />

President. “I can’t tell you the pleasure I’ve received from volunteering<br />

with such bright and creative women.” John and Lyn continue to volunteer<br />

at the Children’s <strong>Art</strong> Festival and other community events, their<br />

favorite assignments. “Our <strong>Museum</strong> opens a window into the wide<br />

world to anyone who walks through its doors,” Lyn says. “We want every<br />

one <strong>of</strong> our neighbors to feel welcome here.”<br />

Lyn Adams has just been named Chair <strong>of</strong> the new Friends Council,<br />

organized to bring years <strong>of</strong> the Friends best practices to all VBMA volunteers.<br />

“Everyone knows that our <strong>Museum</strong> could not function as fully<br />

as it does without its volunteers. As the VBMA improves the excellence<br />

<strong>of</strong> its collections, facility, pr<strong>of</strong>essional staff and programming, we must<br />

also continue to raise our standards <strong>of</strong> excellence as volunteers.” Lyn and<br />

her new Friends Council team want to ensure that the entire <strong>Museum</strong><br />

community is aware <strong>of</strong> the many volunteer opportunities open to them<br />

and how much insight, experience and camaraderie is available to all<br />

volunteers who want to be part <strong>of</strong> Friends.<br />

When the economic downturn threatened VBMA’s signature Community<br />

Engagement programs, Lyn helped spearhead formation <strong>of</strong> the<br />

Circle <strong>of</strong> Friends to bolster support. “Our outreach programs for all ages<br />

are high-impact experiences for our entire community. Circle members<br />

encounter first-hand the effect on the lives <strong>of</strong> program participants<br />

through program site visits. When donors see that look <strong>of</strong> magical<br />

awakening in the faces <strong>of</strong> children so engrossed, they realize how art can<br />

transform lives.”<br />

10<br />

Welcome New Members and Upgrades<br />

(from 2/4/11 – 5/4/11) *for Benefactor and above categories only<br />

Chairman’s Club<br />

Mr. and Mrs. Jerry Babicka<br />

Mr. and Mrs. S. Vanzandt Schreiber<br />

Mr. and Mrs. Orin Smith<br />

Chairman's Circle<br />

Mr. and Mrs. Edward V. Lahey Jr.<br />

Chairman's Club<br />

Mrs. Mary Ellen Brophy<br />

Dr. and Mrs. Robert P. Christopher<br />

Mr. and Mrs. Jim Cotter<br />

Mr. and Mrs. Richard Devos<br />

Mr. and Mrs. Luke Fichthorn III<br />

Ms. Kristine L. Green<br />

Mr. and Mrs. Peter M. Mortimer<br />

Mr. and Mrs. Bruce G. Murphy<br />

Mr. and Mrs. Paul F. Nezi<br />

Mr. and Mrs. George Phillips<br />

Mr. and Mrs. H.C. Bowen Smith<br />

Mr. and Mrs. Harvey Struthers<br />

Ms. Pamela B. Stuart<br />

Mr. Rollin D. Weary Jr.<br />

Patron<br />

Mr. and Mrs. Herbert F. Aspbury<br />

Mrs. Elaine Heile<br />

Mr. and Mrs. William E. Macdonald III<br />

Mr. and Mrs. Hans Van Zonneveld<br />

Donor<br />

Ms. Samantha J. Baita<br />

Mrs. Odessa Bourne<br />

and William P. Bourne<br />

Mr. and Mrs. Peter W. Bridgford<br />

Dr. and Mrs. M. <strong>Art</strong>hur Budden<br />

Mr. and Mrs. E. Eugene Cooke<br />

Mr. and Mrs. Dennis J. Duckett<br />

Mr. and Mrs. John N. Fix<br />

Mr. and Mrs. George Kausler<br />

Mr. and Mrs. William J. Kealy<br />

Priscilla J. Lamond<br />

Sally Mitchell and Crispin Spencer<br />

Mrs. Mariana Nowinski<br />

Mr. and Mrs. Robert D. Reisman<br />

Mr. and Mrs. C. G. Rogers<br />

Mr. and Mrs. David J. Strupp<br />

Benefactor<br />

Mrs. Katherine Ader<br />

Mr. and Mrs. Roland Anderson<br />

Mr. and Mrs. Ben F. Bailey III<br />

Dr. Rick Baker and Dr. Nancy Baker<br />

Mr. and Mrs. Richard R. Bradley<br />

Galen and Hathaway Brewster<br />

Mr. Dana R. Burns<br />

Mr. and Mrs. <strong>Art</strong>hur H. Burton Jr.<br />

Mr. and Mrs. James Byrnes<br />

Mrs. Patricia M. Callahan<br />

Mr. and Mrs. Loring Catlin<br />

Barbara B. Clemson<br />

Mr. and Mrs. James W. Dodds<br />

Martha Downes and Peter Conley<br />

Mr. and Mrs. Robert W. Emmons Jr.<br />

Mr. and Mrs. Stanford Erickson<br />

Mr. and Mrs. Gary Fox<br />

Mr. Stuart Goldsmith<br />

Mr. and Mrs. Dudley C. Gray<br />

Mr. and Mrs. Albert Grover<br />

Joanna and John Hamby<br />

Mr. and Mrs. Dale Hamilton<br />

Dr. and Mrs. Morton Harshman<br />

Mrs. Sandy Herman<br />

Mrs. Grace S. Hinkley<br />

Pam Hogen and Murray Vande Velde<br />

W. P. Hypes<br />

Mr. and Mrs. Dale Jacobs<br />

Mr. and Mrs. R. A. Jacobus III<br />

Mr. and Mrs. John Jaeger<br />

Mr. and Mrs. Joseph R. Kane Jr.<br />

Mrs. Jessie Latter<br />

Mr. and Mrs. Dan J. Lautenbach<br />

Mr. and Mrs. Thomas A. Lewis Jr.<br />

Mrs. Marcia P. Lunka<br />

Ms. Jana Maher and Mr. Kevin Maher<br />

Mrs. Garnet P. Martinez<br />

Mr. and Mrs. Richard D. Mercer<br />

Mr. and Mrs. Socrates H. Mihalakos<br />

Dr. and Mrs. Richard Milsten<br />

Mr. M.J. Morell<br />

Mr. Carroll F. Palmer<br />

Mr. and Mrs. Vernon W. Petty<br />

Mr. and Mrs. Lewis T. Polk Jr.<br />

Mrs. Shirley H. Reid<br />

Mr. and Mrs. John Rhodes<br />

Mrs. Janet F. Riley<br />

Mr. and Mrs. Byron Roth<br />

Mr. and Mrs. Thomas J. Rowe<br />

Ms. Kay T. Ruma<br />

Mr. and Mrs. John G. Rutenis<br />

Mr. and Mrs. Warren Schauer<br />

Mr. and Mrs. William C. Schrader<br />

Mr. and Mrs. Richard Schulman<br />

Mr. and Mrs. Roger A. Schwartz<br />

Susan and Ron Shelby<br />

Mr. and Mrs. Thomas F. Siebert<br />

Mr. and Mrs. David P. Smith Jr.<br />

Mickey and Robert Stein<br />

Mr. Bud L. Sterling<br />

and Ms. Susi Gardner<br />

Mr. and Mrs. Bradley R. Thayer<br />

Mr. and Mrs. Charles W. Thorne<br />

Mrs. Helene P. Victor<br />

Ms. Roma R. Wehde<br />

Mr. and Mrs. Jack Weisbaum<br />

Mr. Lester V. Whiddon Jr.<br />

Mr. and Mrs. Wayne Wiltshire<br />

Ms. Nancy G. Winter<br />

Mr. and Mrs. Ron Zunk<br />

Business Patron<br />

Moulton Layne Architects, P.L.<br />

Business Benefactor<br />

The Admiralty Gallery<br />

Treasure Coast Sotheby's<br />

International Realty<br />

MEMORIALS<br />

(from 2/4/11 – 5/4/11)<br />

Joan Dalton<br />

Gift to the Jean Johnson Endowment<br />

for Docent Programs<br />

Martha and Arland Phelps<br />

Virginia Damerow<br />

Joan and Allen Edwards<br />

Sandy Freshour<br />

Gift to the Jean Johnson Endowment<br />

for Docent Programs<br />

Pat Gabaldon<br />

Matthew J. Hennessey<br />

Mrs. Lois W. Appleby<br />

Lucinda H. Gedeon<br />

and Francis Sprout<br />

Grace R. Post<br />

Gift <strong>of</strong> Memorial Bench in Beckwith<br />

North Plaza Park<br />

Jackie Farrell<br />

Willie Quade<br />

Martha and Richard Pine<br />

Dana Warren<br />

Lucinda H. Gedeon<br />

and Francis Sprout<br />

Leonor Lobo de Gonzalez<br />

TRIBUTES<br />

(from 2/4/11 – 5/4/11)<br />

Jean Armstrong Warren<br />

Gift to the Armstrong Endowment Fund<br />

Martha Breeden<br />

* The <strong>Museum</strong> does everything it can to ensure the accuracy <strong>of</strong> its membership list. Please call Development Assistant Julie Chapman at (772) 231-0707, ext.123 about any inaccuracies so we may correct our records. Thank you for your understanding.


BEACH BLANKET BINGO<br />

Summer Costume Dance Party<br />

August 13, 2011, 6:30 – 10 pm<br />

Patron Sponsors: Blondies on Ocean; Blue Ribbon Pet Grooming & Boarding; Daniel Hardee,<br />

Realtor, Laurel Agency; Kemp’s Shoe Salon & Boutique; Maya Peterson; Stewart, Evans,<br />

Stewart & Emmons, P.A.; and Willis<br />

Don’t miss the Fun, Fun, Fun at the <strong>Vero</strong><br />

<strong>Beach</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>’s summer costume<br />

dance party BEACH BLANKET BINGO<br />

on Saturday, August 13, 2011 from 6:30 to<br />

10 pm at the <strong>Museum</strong>.<br />

This year’s themed musical fundraiser<br />

celebrates the 60s beach party genre ála<br />

Frankie and Annette with live music that<br />

will treat your ears and feet to a <strong>Beach</strong><br />

Boys Tribute with additional songs by Jan<br />

and Dean, Dick Dale & the Deltones, Surfaris, and many more<br />

artists performed by south Florida’s 60s retro-band Shindig.<br />

<strong>Beach</strong> Blanket Bingo Committee (l-r) Cathie Callery, Jackie Farrell,<br />

Susan Smith, Pat Marquis, Diane Wilhelm, and Marcia Loewinger<br />

Guests are invited to come dressed in pedal-pushers, Hawaiian shirts,<br />

baby-doll dresses, vintage beach garb, straw hats, retro sunglasses, or<br />

let your imagination go wild. Attendees will enter through the<br />

<strong>Museum</strong>’s surf shack, partake in libations from the beach bar (wine<br />

and beer complimentary, cash bar), feast on beach-style hors d’oeuvres,<br />

and place a bid at the Surf Shop Silent Auction tables.<br />

The cost <strong>of</strong> the event is $50 per person. For reservations call<br />

<strong>Museum</strong> Events Coordinator Jody Zwergel at (772) 231-0707 ext.<br />

111 or e-mail her at jodyz@verobeachmuseum.org.<br />

Chaired by Susan Smith, the event committee includes, Diane<br />

Wilhelm, Cathie Callery, Pat Marquis, Jackie Farrell, Marcia<br />

Loewinger, Mary Schenkel, and Linda Teetz.<br />

Proceeds from <strong>Beach</strong> Blanket Bingo will benefit the <strong>Museum</strong>’s educational programs.<br />

CONCERTS IN THE PARK<br />

September 29, 2011<br />

October 27, 2011<br />

February 16, 2012<br />

March 22, 2012<br />

May 3, 2012<br />

5 – 7 pm<br />

ALICE AND JIM BECKWITH<br />

SCULPTURE PARK<br />

Jazz lovers flocked to the Sculpture Park in 2011<br />

Due to popularity <strong>of</strong> last season’s three Warm Nights—Cool Jazz<br />

in the Park events, the <strong>Museum</strong> will <strong>of</strong>fer five special live musical<br />

happenings in the 2011 – 2012 season. Guests are invited to enjoy<br />

the beautiful outdoor setting and atmosphere <strong>of</strong> the <strong>Museum</strong>’s<br />

Alice and Jim Beckwith Sculpture Park while listening to a cadre<br />

<strong>of</strong> talented regional musicians perform at each event. This past<br />

season, guests enjoyed Smooth Jazz, Latin Jazz, and Dixieland.<br />

Celebrated saxophonist James Archer, who also serves as the<br />

booking agent for these <strong>Museum</strong> events, is looking forward to<br />

another great season <strong>of</strong> first-class musicians and exposing the<br />

audience to a variety <strong>of</strong> contemporary and classic music styles.<br />

The event is open to the public and costs only $10 per person.<br />

Complimentary hors d’oeuvres are served. Wine and beer is available<br />

for $3; and mixed drinks are $5. Guests are invited to bring<br />

their own lawn chairs or a blanket to sit on the grass. If you have<br />

not attended one <strong>of</strong> these events, you owe it to yourself not to<br />

miss the exhilarating experience <strong>of</strong> listening to great music amid<br />

a landscape <strong>of</strong> large-scale sculpture and beautiful flora. These<br />

events are open to the public as well as to <strong>Museum</strong> members.<br />

Guests are asked not to bring their own food, alcohol or s<strong>of</strong>t<br />

drinks to the event.<br />

SAVE THE DATE<br />

MARK YOUR CALENDAR FOR THESE UPCOMING EVENTS<br />

• BEACH BLANKET BINGO<br />

– August 13, 2011<br />

• HAPPY HOLIDAYS AT THE MUSEUM<br />

– December 4, 2011<br />

• ANTIQUES SHOW AND SALE<br />

– preview party: January 12, 2012<br />

– show & sale: January 13 – 15, 2012<br />

• D’ART FOR ART GALA<br />

– February 4, 2012<br />

• ART IN BLOOM LUNCHEON<br />

– February 24, 2012<br />

• ART OF DINING<br />

– December 2011 through March 2012<br />

Antiques Show & Sale 2011<br />

<strong>Art</strong> in Bloom Luncheon 2011 (pictured) Best<br />

in Show by Ann Jones and Ann Weber <strong>of</strong><br />

the John’s Island Garden Club<br />

11


NON-PROFIT ORG.<br />

U.S. POSTAGE<br />

PAID<br />

VERO BEACH, FL<br />

PERMIT No. 257<br />

3001 Riverside Park Drive<br />

<strong>Vero</strong> <strong>Beach</strong>, FL 32963-1874<br />

SAVE THE DATE FOR THE POPULAR<br />

D’ART FOR ART<br />

Saturday, February 4, 2012<br />

The fundraiser where “Everyone Wins!”<br />

MUSEUM SUMMER HOURS THROUGH LABOR DAY<br />

Closed Mondays<br />

Tues. to Sat. 10 am – 4:30 pm<br />

Sun. 1 pm – 4:30 pm<br />

FOR THE LATEST MUSEUM INFORMATION<br />

VISIT: www.verobeachmuseum.org<br />

Directions<br />

The <strong>Museum</strong> is located in Riverside Park,<br />

<strong>Vero</strong> <strong>Beach</strong>. From I-95 (Exit 147) and US 1,<br />

take State Road 60 east to beachside, cross<br />

Merrill Barber Bridge, turn right at first<br />

traffic light into park.<br />

Regular Hours (Summer)<br />

Galleries<br />

Tuesday - Saturday ....10 am to 4:30 pm<br />

Sunday ..........................1 pm to 4:30 pm<br />

<strong>Museum</strong> Store<br />

Tuesday - Friday .........10 am to 4:30 pm<br />

Saturday...........................10 am to 4 pm<br />

Sunday ...............................1 pm to 4 pm<br />

Chelsea’s @ the <strong>Museum</strong> Cafe<br />

Closed for the summer<br />

Administrative Offices<br />

Monday - Friday ................9 am to 5 pm<br />

The <strong>Museum</strong> is closed New Years Day,<br />

Memorial Day, Independence Day, Labor Day,<br />

Thanksgiving, Christmas, and Easter.<br />

Summer Hours<br />

Galleries, <strong>Museum</strong> Store & Library<br />

Closed Mondays, Memorial Day<br />

through Labor Day.<br />

Communications<br />

phone (772) 231-0707<br />

fax (772) 231-0938<br />

e-mail info@verobeachmuseum.org<br />

web site www.verobeachmuseum.org<br />

Gallery Admission<br />

The <strong>Museum</strong> is open to the public.<br />

Admission to general exhibitions and education<br />

wing exhibitions is free. For some<br />

special exhibitions, a variable admission<br />

fee will apply. Donations are welcome.<br />

Gallery Tours<br />

Docent-guided tours <strong>of</strong> <strong>Museum</strong> exhibitions<br />

are available for community groups,<br />

schools, and special audiences by advance<br />

appointment. For tour information or reservations<br />

for any type <strong>of</strong> tour, please call the<br />

Education Department at (772) 231-0707,<br />

ext. 117.<br />

Library<br />

The Helen Ecclestone Stone Library is open<br />

to all who may wish to peruse a fine collection<br />

<strong>of</strong> art books and DVDs. The library is a<br />

lending library for members. Hours are<br />

Tuesday through Saturday, 10 am to 4 pm.<br />

Change <strong>of</strong> Address<br />

If you have a seasonal change <strong>of</strong> residence<br />

or a permanent address change, please<br />

inform the <strong>Museum</strong> membership <strong>of</strong>fice at<br />

(772) 231-0707, ext. 123—so you won’t miss<br />

any <strong>Museum</strong> mailings or invitations.<br />

<strong>Vero</strong> <strong>Beach</strong> <strong>Art</strong> Club<br />

The <strong>Vero</strong> <strong>Beach</strong> <strong>Art</strong> Club, founded in 1936, is<br />

an independent nonpr<strong>of</strong>it organization<br />

headquartered at the <strong>Vero</strong> <strong>Beach</strong> <strong>Museum</strong><br />

<strong>of</strong> <strong>Art</strong>. The club serves more than 500 local<br />

artists through education, exhibitions, and<br />

social events. For membership information,<br />

call the <strong>Vero</strong> <strong>Beach</strong> <strong>Art</strong> Club <strong>of</strong>fice at<br />

(772) 231-0303.<br />

The VBMA Quarterly is published by the<br />

<strong>Museum</strong>’s Public Relations <strong>of</strong>fice and sent<br />

free to members.<br />

<strong>Vero</strong> <strong>Beach</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong> programs are<br />

sponsored in part by the State <strong>of</strong> Florida,<br />

Department <strong>of</strong> State, Division <strong>of</strong> Cultural<br />

Affairs, and the Florida <strong>Art</strong>s Council.

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