Buddhist Ceremonies and Rituals of Sri Lanka
Buddhist Ceremonies and Rituals of Sri Lanka
Buddhist Ceremonies and Rituals of Sri Lanka
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person is ill <strong>and</strong> medical treatment does not respond, the suspicion arises that it is due to<br />
some influence <strong>of</strong> an evil spirit. The person to be consulted in such a case is the exorcist<br />
known as kaþþadiyá or yakädurá or yaddessá 25 who would discover <strong>and</strong> identify the<br />
particular evil spirit causing the disease <strong>and</strong> perform the appropriate tovil. There are also<br />
certain forms <strong>of</strong> tovil performed as pregnancy rituals (e.g. raþa-yakuma) <strong>and</strong> others as<br />
means <strong>of</strong> eradicating various forms <strong>of</strong> evil influences like the evil eye, evil mouth, etc.<br />
(e.g. gará-yakuma).<br />
The devil-dancers start their ceremony by first worshipping the Buddha, Dhamma, <strong>and</strong><br />
Sangha, as in the case <strong>of</strong> the bali ceremony. The yakkhas—who constitute one <strong>of</strong> the main<br />
classes <strong>of</strong> malevolent spirits placated in devil-dancing—are believed to become satisfied<br />
with the <strong>of</strong>ferings made by people through tovil <strong>and</strong> cease harassing them. The yakkhas<br />
like RìrI SannI Kalukumáraya, Súniyan, Mahásohon, Maru, etc. are some <strong>of</strong> the main<br />
spirits placated. There are eighteen main yakkhas in this category, each representing a<br />
particular kind <strong>of</strong> illness, <strong>and</strong> in tovil these demons are represented by the devil-dancers<br />
themselves, who wear their specific masks <strong>and</strong> other apparel in keeping with the<br />
traditional forms ascribed to these spirits. It is believed that by dancing, chanting, <strong>and</strong><br />
acting the part <strong>of</strong> the demons after assuming their likenesses through masks <strong>and</strong> other<br />
paraphernalia, the demons possessing the patient would leave him. The sound waves<br />
created by the drum-beat <strong>and</strong> the chanting <strong>of</strong> stanzas accompanied by rhythmic dancing<br />
in keeping with these sounds are all performed to a set pattern traditionally laid down.<br />
The collective effect <strong>of</strong> the ceremony is believed to cure the patient’s illness. Thus this<br />
dancing in tovil is a therapeutic ritual. The impersonation <strong>of</strong> the demon by the dancer is<br />
regarded as tantamount to the actual presence <strong>of</strong> the demon who becomes placated<br />
through <strong>of</strong>ferings, recitations, chanting, miming, etc. When the spirits are threatened<br />
<strong>and</strong> asked to leave the patient, they are asked to do so under the comm<strong>and</strong> <strong>and</strong> in the<br />
name <strong>of</strong> the Buddha.<br />
The ceremony known as raþa-yakuma is performed to make barren women conceive, or<br />
for the pre-natal care <strong>of</strong> pregnant women, <strong>and</strong> to ensure the safe delivery <strong>of</strong> children.<br />
One <strong>of</strong> the episodes mimetically performed by the exorcist in this ceremony shows how<br />
barren women, according to a <strong>Buddhist</strong> legend preserved among the Sinhala people,<br />
<strong>of</strong>fer cloths to the past Buddha Dìpaòkara, the fourth in the line <strong>of</strong> twenty-eight<br />
Buddhas accepted by Theravada <strong>Buddhist</strong>s; they obtain children through the merits <strong>of</strong><br />
the act. 26 Among the rituals specially connected with women may be mentioned those<br />
devil-dancing ceremonies that invoke the yakkha called Kalukumáraya in Sinhala. He is<br />
very <strong>of</strong>ten associated with another group <strong>of</strong> yakkhas called raþa-yakku, whose leader is a<br />
female named Riddi-bisava. Another pregnancy ritual that deserves mention here is the<br />
one known as kalas-täbìma (lit. setting apart a pot). When the first signs <strong>of</strong> pregnancy<br />
appear in a woman, a new clay pot is filled with certain ingredients <strong>and</strong> kept apart with<br />
the solemn promise that once the child is safely delivered a tovil will be performed. The<br />
ritual known as hat-aðiya (seven steps) in the tovil ceremony called súniyam-käpìma,<br />
signifies the seven steps the Bodhisatta Siddhattha is said to have taken just after he was<br />
born.<br />
Two important facts that emerge from this brief description <strong>of</strong> tovil is the theatrical value<br />
present in these rituals <strong>and</strong> the way in which religious sanction has been obtained for<br />
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