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Rosicrucian Beacon Magazine - 2011-03 - AMORC

Rosicrucian Beacon Magazine - 2011-03 - AMORC

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Music & Civilisation<br />

by Flora Rogers, SRC<br />

HERE IS AN INTANGIBLE LAW OF<br />

nature which embraces the constant warring<br />

between the forces of good and bad, the<br />

positive and the negative, the spiritual<br />

and the material. And it is applicable in<br />

the sphere of music just as much as it is in every other<br />

department of life. Indeed throughout the universe,<br />

constructive forces are on the whole balanced out by<br />

destructive forces, though what is “constructive” and what<br />

is “destructive” is not always that clear to us always (or even<br />

often), and we as a result have our personal biases which<br />

cause us to see either too much of one or too much of the<br />

other, depending on our innate character.<br />

During the Second World War while Poland, a<br />

nation rich in its heritage of literature, music and art,<br />

was being devastated by heavy bombing from the air, the<br />

radio station in Warsaw kept up a constant connection<br />

with the outside world by playing the music of their<br />

national composer, Chopin. The same thing happened<br />

in Finland: Sibelius stood out in those awful days as the<br />

one vital link with the nation’s past and no one could<br />

listen to the moving strains of Finlandia without a sense<br />

of deep conviction that Finland would always live while<br />

the music of Sibelius remained hidden in the hearts of the<br />

people. The same was true of Norway where Grieg is held<br />

in deepest reverence because he not only gave the world<br />

The <strong>Rosicrucian</strong> <strong>Beacon</strong> -- March <strong>2011</strong><br />

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