Rosicrucian Beacon Magazine - 2011-03 - AMORC
Rosicrucian Beacon Magazine - 2011-03 - AMORC
Rosicrucian Beacon Magazine - 2011-03 - AMORC
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Music & Civilisation<br />
by Flora Rogers, SRC<br />
HERE IS AN INTANGIBLE LAW OF<br />
nature which embraces the constant warring<br />
between the forces of good and bad, the<br />
positive and the negative, the spiritual<br />
and the material. And it is applicable in<br />
the sphere of music just as much as it is in every other<br />
department of life. Indeed throughout the universe,<br />
constructive forces are on the whole balanced out by<br />
destructive forces, though what is “constructive” and what<br />
is “destructive” is not always that clear to us always (or even<br />
often), and we as a result have our personal biases which<br />
cause us to see either too much of one or too much of the<br />
other, depending on our innate character.<br />
During the Second World War while Poland, a<br />
nation rich in its heritage of literature, music and art,<br />
was being devastated by heavy bombing from the air, the<br />
radio station in Warsaw kept up a constant connection<br />
with the outside world by playing the music of their<br />
national composer, Chopin. The same thing happened<br />
in Finland: Sibelius stood out in those awful days as the<br />
one vital link with the nation’s past and no one could<br />
listen to the moving strains of Finlandia without a sense<br />
of deep conviction that Finland would always live while<br />
the music of Sibelius remained hidden in the hearts of the<br />
people. The same was true of Norway where Grieg is held<br />
in deepest reverence because he not only gave the world<br />
The <strong>Rosicrucian</strong> <strong>Beacon</strong> -- March <strong>2011</strong><br />
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