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In Loving Memory of Robert A. George and Donald R. George

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particularly good point in any <strong>of</strong> these movies, by speaking the picture’s<br />

number, she would turn <strong>of</strong>f the music <strong>and</strong> turn on that movie’s volume.<br />

<strong>In</strong> the lower middle played Some Like It Hot with Tony Curtis <strong>and</strong><br />

Jack Lemmon dressed in drag. When Roy Orbison started singing Pretty<br />

Woman, Serendipity did not even attempt to repress a giggle.<br />

The Entertainment Room was the place she always came to unwind, to<br />

lose herself in a simpler time. She knew it was late, but she couldn’t sleep.<br />

She was far too excited. Her time machine actually worked. She had been<br />

to 1985. At this very moment up in her guest room, there was a real<br />

twentieth-century native who wanted to stay.<br />

Amidst her elation, Serendipity’s mind began to swirl with doubt.<br />

Would this even work out? Would Sherman become another pain in the<br />

rear end? She lived alone for good reason. She didn’t like people telling<br />

her what to do, how to act, what to wear. Always trying to make her<br />

normal. She had tried being normal. Didn’t work. She had given up trying<br />

to fit in long ago. Much happier being herself.<br />

Perhaps Sherman, being from another time, would see Serendipity as<br />

simply the norm for the twenty-fourth century. That would work. He<br />

certainly didn’t seem that put <strong>of</strong>f by her. If he didn’t try to change her or<br />

take over her life, they could get along just fine. He was old enough to<br />

take care <strong>of</strong> himself. He wouldn’t be making dem<strong>and</strong>s on her time. Yes. It<br />

might just work.<br />

So...where should she—no they—go next? <strong>In</strong> the upper middle section<br />

<strong>of</strong> the screen, Groucho was attempting to unpack his brothers from a giant<br />

steamer trunk. Hmm, thought Serendipity, curling her legs up a bit more.<br />

A voyage on a 1940s luxury liner crossing the Atlantic, now that would be<br />

nice. She smiled. <strong>In</strong> the lower left, Rosalind Russell looked out her<br />

window at Manhattan. Yes. New York City in the 1920s, Serendipity had<br />

to see that. <strong>In</strong> the lower right h<strong>and</strong> corner a college fraternity imitated<br />

Devo. Perhaps a 1980s rock concert?<br />

Why did the twentieth century appeal to her so? Serendipity had<br />

always had a hard time explaining that to others; she couldn’t really<br />

explain it to herself. Was it truly because it was an exciting century? Or<br />

was it because <strong>of</strong> the recordings? She considered that for a moment.<br />

Before the twentieth century, records <strong>of</strong> society were preserved only in<br />

books <strong>and</strong> paintings. With film <strong>and</strong> recordings one could relive this<br />

period.<br />

She stood up a stepped closer to the screen. What was the main theme<br />

in all these movies?<br />

Every protagonist was a misfit.<br />

15

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