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Letter 2013 Samuel H. Scripps American Dance Festival Award Lin

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Theatre, Garth Fagan, Maguy Marin, Eiko and Koma, Bill T. Jones, Murray Louis, Mark Morris, <br />

Laura Dean, Ohad Naharin, Martha Clarke, Anne Teresa De Keersmaeker, William Forsythe, and <br />

posthumously in honor of Doris Humphrey, Charles Weidman, José Limón, Pearl Primus, and <br />

Helen Tamiris. <br />

Endowed Chair for Distinguished Teaching <br />

Phyllis Lamhut <br />

Established at the ADF in 1991, the Balasaraswati/Joy Ann Dewey Beinecke Endowed Chair for <br />

Distinguished Teaching honors teachers who have made extraordinary contributions to the field <br />

of dance. This <strong>Award</strong>, endowed through a generous contribution from Luise Elcaness <strong>Scripps</strong> <br />

and with additional support by Walter Beinecke, the daughters of Joy Ann Dewey Beinecke, and <br />

the ADF, recognizes the dual role of teachers in passing on dance history and tradition and <br />

cultivating the future creativity of dance as an art form. The chair was named for Balasaraswati, <br />

one of India’s legendary dancers and teachers, and Joy Ann Dewey Beinecke, a former dancer <br />

and distinguished member of the dance faculty at Williams College. The <strong>2013</strong> Chair will be <br />

awarded to internationally celebrated educator and mentor, Phyllis Lamhut in a special <br />

ceremony will be held on on Friday, June 14, <strong>2013</strong> at 7:00pm in White Lecture Hall on Duke <br />

University’s East Campus. <br />

For over four decades Phyllis Lamhut has remained dedicated to teaching the exploration of <br />

motion and kinetic expression to students throughout the world. Her zeal for the art form and <br />

continued commitment to teaching the principles of choreography have earned her critical <br />

acclaim, and she is a widely sought after teacher and mentor for both students and emerging <br />

choreographers. <br />

Ms. Lamhut received her professional training in dance technique, improvisation, choreography, <br />

percussion, notation, and stagecraft from Alwin Nikolais and later went on to perform as a <br />

principal dancer with the Nikolais <strong>Dance</strong> Theatre for twenty years. Her training led her to create <br />

her own company where her choreography was set on numerous companies including the <br />

Limon <strong>Dance</strong> Company, Ririe-­‐Woodbury <strong>Dance</strong> Company, and the Theatre Ballet of Canada, <br />

among many others. As a leading mentor for young professional choreographers, she has <br />

worked as a Choreography Advisor/Editor for the Joyce Soho Residency Program, and has <br />

directed the National Canadian Composer/Choreographer Seminar, the National Association of <br />

Regional Ballet Craft of Choreography Conference, and the Carlyle Project “New Impulses” <br />

choreography workshop. Ms. Lamhut presently teaches Principles of <strong>Dance</strong> Composition and <br />

Motional Research at New York University Tisch School of the Arts and continues mentoring <br />

professional choreographers. <br />

Past recipients of the Chair include Pearl Primus, Daniel Nagrin, Betty Jones, Bella Lewitzky, <br />

Anna Halprin, Donald McKayle, Bessie Schönberg, Matt Mattox, Pauline Koner, Viola Farber, <br />

Mary Anthony, Walter Nicks, Jane Dudley, Sophie Maslow, Pearl Lang, Martha Myers, Carmen <br />

De Lavallade, Gus Solomons, Jr., Gerri Houlihan, Dr. Charles “Chuck” Davis, <strong>Lin</strong>da Tarnay, <br />

Douglas Nielsen, Dianne McIntyre, Carolyn Adams, Sharon Kinney, Ruth Andrien, Yang Meiqi, <br />

Donna Faye Burchfield, and Ana Marie Forsythe.

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