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Madama Butterfly Study Guide - Pacific Opera Victoria

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<strong>Butterfly</strong> Stories<br />

Compiled by Beth “<strong>Opera</strong> Lady” Parker<br />

Pittsburgh <strong>Opera</strong><br />

Les Mis by Puccini? Think of the possibilities…<br />

More than one critic of Les Mis has pointed out the family resemblance between<br />

many of Claude-Michel Schönberg’s melodies and Puccini’s music. It turns out<br />

that one of the subjects Puccini was considering around 1902 was indeed Les<br />

misérables! Victor Hugo’s novel had been published 40 years earlier and was<br />

still a hot topic in Paris at the time, but Puccini fell in love with <strong>Butterfly</strong>’s story<br />

instead.<br />

The Star Spangled Banner<br />

What’s more American than “The Star-Spangled Banner”, the US<br />

national anthem? It seems the whole world knows it. But it wasn’t so<br />

well known in 1904, when the opera premiered. For one thing,<br />

America had not yet become a world power. And another: it didn’t<br />

become the official anthem until 1931. Puccini quoted it no less than<br />

five times in the opera—keep your ears open!<br />

Salomea Krusceniska, the <strong>Butterfly</strong> from the first successful performance in Brescia on May 28, 1904.<br />

Opening Night Fiasco<br />

<strong>Madama</strong> <strong>Butterfly</strong> may be the world’s favorite opera today, but when it<br />

premiered in Milan in February of 1904, it was the worst night of Puccini’s<br />

professional life. Puccini’s publisher Giulio Ricordi wrote, “Growls, shouts,<br />

groans, laughter, giggling, the usual single cries of bis [encore], designed<br />

specially to excite the audience still more: these sum up the reception given by<br />

the public of La Scala to Giacomo Puccini’s new work. After this pandemonium,<br />

throughout which practically nothing could be heard, the public left the theater<br />

pleased as Punch. One had never seen before so many happy…faces—satisfied<br />

as if by a triumph in which they had all shared.” Ouch!<br />

A few months later the first revised version (with the crucial addition of the tenor aria “Addio fiorito<br />

asil” at the end of the opera) opened successfully in Brescia. Puccini and his librettists continued to<br />

tinker over the next two years, recasting the opera into two acts and making the character of<br />

Pinkerton less callous. The “definitive” version, as published by Ricordi, was produced in Paris in<br />

1906. This is the version <strong>Pacific</strong> <strong>Opera</strong> <strong>Victoria</strong> presents.<br />

________________________________________________________________________________________________________<br />

<strong>Pacific</strong> <strong>Opera</strong> <strong>Victoria</strong> <strong>Study</strong> <strong>Guide</strong> for <strong>Madama</strong> <strong>Butterfly</strong> 2008 13

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