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Click here to view the concert programme - Somerset Chamber Choir

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Welcome...<br />

from <strong>the</strong> trustees of <strong>Somerset</strong> <strong>Chamber</strong> <strong>Choir</strong><br />

Firstly our very special thanks <strong>to</strong> <strong>the</strong> Dean and Chapter of Wells Ca<strong>the</strong>dral for welcoming us back again <strong>to</strong> this wonderful<br />

building. It seems unbelievable that this is our 20th consecutive annual <strong>concert</strong> <strong>here</strong> since 1994 (following our first in<br />

1992), and it still remains a privilege <strong>to</strong> sing in <strong>the</strong>se magnificent surroundings. As always, a very warm welcome <strong>to</strong> <strong>the</strong><br />

Friends of <strong>the</strong> <strong>Choir</strong> who form such a large part of our audiences, <strong>to</strong> Sou<strong>the</strong>rn Sinfonia who are fast becoming old friends<br />

<strong>to</strong>o, <strong>to</strong> our soloists <strong>to</strong>night and, of course, <strong>to</strong> you all, whe<strong>the</strong>r you be brand new or established followers of <strong>Somerset</strong><br />

<strong>Chamber</strong> <strong>Choir</strong>. Tonight’s <strong>programme</strong> centre-stages <strong>the</strong> writings of two composers from very different ages and,<br />

t<strong>here</strong>fore, both portraying very different interpretations of ‘Last Words’ in <strong>the</strong>ir own way but both weaving <strong>the</strong>ir<br />

individual musical talents in<strong>to</strong> magical and thought-provoking works which <strong>the</strong> choir has relished working on.<br />

After this <strong>concert</strong> it is usual for <strong>the</strong> choir <strong>to</strong> take a little rest and enjoy <strong>the</strong> remaining summer. However, this year, a goodly<br />

number of us will be disappearing <strong>to</strong> Berlin this autumn <strong>to</strong> take part in performances of Haydn’s Die Schöpfung (The<br />

Creation) with <strong>the</strong> Berliner Kan<strong>to</strong>rei with whom we have recently established a link. We are brushing up our German!<br />

You will read elsew<strong>here</strong> in this <strong>programme</strong> that <strong>the</strong> return match comes next summer when our German friends will join<br />

us <strong>here</strong> in Wells Ca<strong>the</strong>dral for a quintessential English work by one of our most esteemed composers, Edward Elgar’s<br />

mighty The Dream of Gerontius.<br />

Next year marks <strong>Somerset</strong> <strong>Chamber</strong> <strong>Choir</strong>’s 30th anniversary, so this couldn’t be a better work or better forces <strong>to</strong> mark<br />

that occasion: Berliner Kan<strong>to</strong>rei’s conduc<strong>to</strong>r, Günter Brick, is a former pupil of Herr Joachim Scharr who similarly forged<br />

a link with Robert Tullett (former conduc<strong>to</strong>r of <strong>Somerset</strong> Youth <strong>Choir</strong>) and <strong>the</strong>ir respective school choirs many years ago.<br />

That link continued over a considerable time, even in<strong>to</strong> <strong>the</strong> early years of <strong>Somerset</strong> <strong>Chamber</strong> <strong>Choir</strong> which, as you may<br />

know or can also read in this <strong>programme</strong>, was founded by former members of <strong>the</strong> Youth <strong>Choir</strong>. A bit of his<strong>to</strong>ry being<br />

relived perhaps? We are hoping <strong>to</strong> meet up with Joachim again whilst in Germany; despite failing health he was able <strong>to</strong><br />

be <strong>here</strong> for our <strong>concert</strong> in 2011 which was very special. Robert is sadly no longer with us, though his ‘right-hand (wo)man’,<br />

from those days, Dorothy, remains one of our most fervent ‘groupies’ - our Honorary Life Friend - and indeed is in our<br />

audience <strong>to</strong>night.<br />

We start our special year in January 2014 in <strong>the</strong> Chapel of King’s College in Taun<strong>to</strong>n with a seasonal <strong>concert</strong> which<br />

promises something for everyone <strong>to</strong> enjoy … even some audience participation … note <strong>the</strong> date and details from <strong>the</strong><br />

back page of this <strong>programme</strong> now so as not <strong>to</strong> miss out on your chance <strong>to</strong> perform <strong>to</strong>o!<br />

But first, back <strong>to</strong> <strong>to</strong>night’s performance and now <strong>the</strong> time <strong>to</strong> let <strong>the</strong> words and music take <strong>the</strong>ir turn. I sense that having<br />

imbibed <strong>the</strong>m we all, performers and listeners alike, will leave this building in more contemplative and reflective moods<br />

than when we arrived.<br />

LIN WINSTON<br />

Chair of Trustees<br />

ACKNOWLEDGEMENTS<br />

This <strong>concert</strong> takes place by kind permission of <strong>the</strong> Dean and Chapter.<br />

We are very grateful for <strong>the</strong> support we receive from our Patrons, Dame Emma Kirkby & Sir David Willcocks, and Vice-Presidents<br />

Adrian Male, Chris Cutting and Anthony Leigh.<br />

Programme notes compiled and written by Graham Caldbeck.<br />

Printed music for this <strong>concert</strong> has been provided by <strong>Somerset</strong> Libraries Arts &<br />

Information Service.<br />

<strong>Somerset</strong> <strong>Chamber</strong> <strong>Choir</strong> - Registered Charity number 1003687<br />

www.tapa.org.uk<br />

www.somersetchamberchoir.org.uk<br />

Patrons: Dame Emma Kirkby, Sir David Willcocks. Vice Presidents: Chris Cutting, Anthony Leigh, Adrian Male<br />

Please note that pho<strong>to</strong>graphy (with or without flash) and/or recording of any sort during <strong>the</strong> performance is forbidden without <strong>the</strong> prior written<br />

consent of <strong>the</strong> Dean and Chapter and <strong>Somerset</strong> <strong>Chamber</strong> <strong>Choir</strong><br />

The right is reserved, without incurring liability, <strong>to</strong> substitute artists and <strong>to</strong> vary <strong>the</strong> <strong>programme</strong> for reasons beyond our control, although <strong>the</strong>se<br />

details are correct at <strong>the</strong> time of going <strong>to</strong> print.

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