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Jersey Jazz - New Jersey Jazz Society

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<strong>Jersey</strong>Articles<strong>Jazz</strong><br />

Big Band<br />

in the Sky<br />

By Sanford Josephson<br />

■ John Dankworth, 82, alto<br />

saxophonist/bandleader, Sept. 20,<br />

1927, Woodford, England – Feb. 6,<br />

2010, London. While he was undoubtedly<br />

better known in England than in<br />

the United States, John Dankworth was<br />

both respected and, in fact, revered by<br />

many U.S. jazz musicians. In 1964, he<br />

recorded an album called The Zodiac<br />

Variations, which featured such musicians<br />

as trumpeter Clark Terry, alto<br />

saxophonist Phil Woods and trombonist<br />

Bob Brookmeyer. Although they<br />

didn’t see him often over the years,<br />

many of these musicians cherished his<br />

friendship and were greatly saddened<br />

by his passing. “I loved him very<br />

much,” said Terry. “He was very, very<br />

cordial to me when I was in England.<br />

I used to stay in his home, and he<br />

and Cleo [his wife, vocalist Cleo Laine]<br />

treated me like a king. He was a great<br />

person and a great player.”<br />

Dankworth grew up outside London<br />

studying piano and violin, but switched to<br />

clarinet, influenced by Benny Goodman,<br />

and then to alto saxophone, influenced by<br />

Johnny Hodges and Charlie Parker. His first<br />

band, the Dankworth Seven, was formed in<br />

1949. In 1951, Laine joined that group and<br />

married him seven years later. By that time,<br />

he had formed a big band, which endured<br />

until 1964. In the meantime, Laine became a<br />

popular vocalist and, in the ’70s, Dankworth<br />

devoted much of his time to serving as her<br />

musical director. In 2006, he was knighted<br />

by Queen Elizabeth; Laine had been<br />

made a Dame of the British Empire nine<br />

years earlier.<br />

Woods, also greatly influenced by Charlie<br />

Parker, first met Dankworth in the late<br />

1950s while touring in Europe with the<br />

Quincy Jones big band. “Later,” he recalled,<br />

“when I moved to Europe and started my<br />

sojourn in London at Ronnie Scott’s club,<br />

Cleo and Sir John would come by often, and<br />

it was always a good E flat laugh when we<br />

hung out together, along with Annie Ross<br />

Actor Robert Mitchum, left, meets with Cleo Laine and John Dankworth backstage<br />

between sets at The Blue Note in <strong>New</strong> York, October 11, 1985. Photo by Mitchell Seidel.<br />

and her husband, Sean.” In Woods’ opinion,<br />

Dankworth was, “a pivotal figure on the<br />

European jazz scene and was not only a<br />

great instrumentalist but a great composer/<br />

arranger as well. He will be missed!”<br />

Dankworth had a long association with<br />

Duke Ellington and his son, Mercer. In the<br />

’90s, he and Laine recorded an album with<br />

the Mercer-led Ellington band that featured,<br />

among others, trumpeter Barrie Lee Hall<br />

and trombonist Art Baron. Baron recalls it<br />

as, “a very cool album. Johnny did all the<br />

charts, and they were fun to play. Some stuff<br />

was borrowed from the Maestro [Ellington],<br />

and a lot of it was Johnny’s own, although<br />

influenced by Duke.” Playing with<br />

Dankworth, says Baron, “was such a joy.<br />

He was a beautiful arranger, a great guy.<br />

He was very creative and talented.” In 2005,<br />

the John Dankworth Quintet recorded a<br />

tribute album to Ellington entitled In a<br />

Mellow Tone (Universal/Absolute).<br />

Pianist Derek Smith moved from London to<br />

<strong>New</strong> York in the mid-1950s, and he recalls<br />

that he “idolized Johnny Dankworth.” In his<br />

early 20s, Smith, under the influence of his<br />

parents, was still working in the insurance<br />

business, but, “I would sneak out and do<br />

gigs with him. He finally got me out of<br />

insurance and with his band. Cleo — I still<br />

call her Clem — was the band singer. Seeing<br />

little future as the pianist in a big band, no<br />

matter how good, I left after a year, got into<br />

the London studios and eventually came to<br />

<strong>New</strong> York. I saw little of them after that<br />

except for the occasional jazz cruise or when<br />

they asked me to fill in while they were<br />

between piano players for her act.”<br />

In the late ’50s and through the ’60s,<br />

Dankworth wrote music for movies and<br />

television shows such as Darling, Saturday<br />

Night and Sunday Morning and The Avengers,<br />

and Smith once asked him why he didn’t do<br />

more of this type of writing. “He said the<br />

producers didn’t call after awhile, so he<br />

devoted himself to his wife’s career. Our<br />

only contact in the last few years were<br />

Christmas cards. I’ll miss him.”<br />

Baron says he was scheduled be part of a<br />

tour with Dankworth and Laine’s small<br />

group in January 2009, but, “unfortunately,<br />

Cleo broke her leg just before the tour, and<br />

it wasn’t rescheduled.” Dankworth’s death<br />

was actually announced by Laine on the<br />

stage of The Stables, a theater in the town of<br />

Milton Keynes that the couple had run for<br />

continued on page 10<br />

8<br />

___________________________________ May 2010

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