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CHAW EI THEIN and HTEIN LIN - Thavibu Gallery

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Far Away in NYC @ Chamber<br />

Street Subway Station, 2010<br />

Acrylic on canvas<br />

80 x 100 cm<br />

In @ 86-02, 57 th Road, Elmhurst, Queens Chaw refers to<br />

the challenges she faced when her residency ended<br />

<strong>and</strong> the bright possibilities of New York started to<br />

dissipate. With an amazing interweaving of looking<br />

<strong>and</strong> meaning, Chaw draws attention to her frenzy of<br />

her social context through a restless energy that is<br />

constantly at play. With an unlikely level of poise, the<br />

interplay of loud color, organization <strong>and</strong> structure<br />

relates to the social codes to which her life had been<br />

reduced. These are themes that constantly surface in<br />

these paintings as her expressions <strong>and</strong> forms are in<br />

reality the transposition of cultural values.<br />

Far Away in NYC @ Prince<br />

Street Subway Station, 2010<br />

Acrylic on canvas<br />

80 x 100 cm<br />

Chaw Ei Thein’s practice interrogates the meeting of<br />

culture <strong>and</strong> nature in the broadest sense. Here in Far<br />

Away in NYC her work is a meditation on the body <strong>and</strong><br />

its negotiation of the space <strong>and</strong> things around it. @7520,<br />

41 st Avenue, Elmhurst reflects that consciousness as<br />

she aesthetically seeks to stimulate her experiences<br />

t h a t i n v i t e t h e v i e w e r t o c r o s s t h e l i n e b e t w e e n<br />

commonplace <strong>and</strong> emotion. Within the restricted<br />

confines of yet another transient habitat, Chaw’s<br />

work investigates the potential to extend the body’s<br />

sense by subverting them. The development of her<br />

o e u v re h a s gr av i t a te d tow a rd s i m m e r s i n g t h e v i e we r<br />

emotionally in the work. With this awareness in mind,<br />

the muted expressionism in @231, West 25 th Street,<br />

Chelsea, Manhattan (1) is a response that conveys her<br />

vulnerability, fears <strong>and</strong> insecurity when she learnt<br />

that she could not return to Burma. Within the same<br />

18 STORIES OUT OF BURMA

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