CHAW EI THEIN and HTEIN LIN - Thavibu Gallery
CHAW EI THEIN and HTEIN LIN - Thavibu Gallery
CHAW EI THEIN and HTEIN LIN - Thavibu Gallery
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Far Away in NYC @ Chamber<br />
Street Subway Station, 2010<br />
Acrylic on canvas<br />
80 x 100 cm<br />
In @ 86-02, 57 th Road, Elmhurst, Queens Chaw refers to<br />
the challenges she faced when her residency ended<br />
<strong>and</strong> the bright possibilities of New York started to<br />
dissipate. With an amazing interweaving of looking<br />
<strong>and</strong> meaning, Chaw draws attention to her frenzy of<br />
her social context through a restless energy that is<br />
constantly at play. With an unlikely level of poise, the<br />
interplay of loud color, organization <strong>and</strong> structure<br />
relates to the social codes to which her life had been<br />
reduced. These are themes that constantly surface in<br />
these paintings as her expressions <strong>and</strong> forms are in<br />
reality the transposition of cultural values.<br />
Far Away in NYC @ Prince<br />
Street Subway Station, 2010<br />
Acrylic on canvas<br />
80 x 100 cm<br />
Chaw Ei Thein’s practice interrogates the meeting of<br />
culture <strong>and</strong> nature in the broadest sense. Here in Far<br />
Away in NYC her work is a meditation on the body <strong>and</strong><br />
its negotiation of the space <strong>and</strong> things around it. @7520,<br />
41 st Avenue, Elmhurst reflects that consciousness as<br />
she aesthetically seeks to stimulate her experiences<br />
t h a t i n v i t e t h e v i e w e r t o c r o s s t h e l i n e b e t w e e n<br />
commonplace <strong>and</strong> emotion. Within the restricted<br />
confines of yet another transient habitat, Chaw’s<br />
work investigates the potential to extend the body’s<br />
sense by subverting them. The development of her<br />
o e u v re h a s gr av i t a te d tow a rd s i m m e r s i n g t h e v i e we r<br />
emotionally in the work. With this awareness in mind,<br />
the muted expressionism in @231, West 25 th Street,<br />
Chelsea, Manhattan (1) is a response that conveys her<br />
vulnerability, fears <strong>and</strong> insecurity when she learnt<br />
that she could not return to Burma. Within the same<br />
18 STORIES OUT OF BURMA