FAHRENHEIT 451 - Film Score Rundowns
FAHRENHEIT 451 - Film Score Rundowns
FAHRENHEIT 451 - Film Score Rundowns
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Eb-Db-C. Top line violins I play, after an 8 th rest, Gb down to Eb played 4X. After an<br />
8 th rest, bottom line violins I play Bb up to C played 4 X.<br />
In Bar 4, the vibe strikes the F whole note. Top line violins II play quarter notes<br />
F-Db-C (followed by a quarter rest), while bottom line (after a quarter rest) play Db-C-<br />
Bb. After an 8 th rest, top line violins I play F down to Db 4 X; bottom line violins II play<br />
Gb up to Bb 4 X.<br />
In Bar 5, the vibe sounds Line 1 A whole note. Top line violins II play quarter<br />
notes E-C-B (quarter rest), while bottom line plays (after a quarter rest) C-B-G. After an<br />
8 th rest, top line violins I play E down to C 8 th notes played 4X; bottom line on F up to A<br />
played 4X.<br />
In Bar 6, the vibe sounds the Line 1 Fb whole note. Top line violins II play<br />
quarter notes Cb-Ab-Fb (quarter rest), while bottom line plays Ab-Fb-Eb. After an 8 th<br />
rest, top line violins I play Eb down to Cb 4 X, while bottom line plays Fb up to Ab 8 th<br />
note figure played 4X.<br />
In Bar 7 (:24), violins II now join in on the 8 th note figures while the violas and<br />
celli now play the descending quarter notes. The vibe strikes on Line 2 C whole note.<br />
Violas play descending quarter notes Line 2 Bb-Gb-F (followed by a quarter rest). After<br />
a quarter rest, celli play descending quarter notes Gb-F-Eb pp < >. After an 8 th rest, top<br />
line violins I and II play Line 2 Bb down to Gb played 4X. Bottom line violins I & II<br />
play Line 2 C up to Eb 8ths played 4X. The CB play pp < unison small octave Eb<br />
whole note to (Bar 8) divisi A dotted half notes (Great & small octave registers),<br />
followed by a quarter rest.<br />
In Bar 8, the vibe strikes the Line 1 B whole note. Viole play legato quarter notes<br />
Line 1 A-F-E < > (quarter rest following) while VC play (after a quarter rest) Line 1 F-<br />
E-C. In Bar 9, CB play unison small octave C whole note to (Bar 10), divisi F dotted half<br />
notes.<br />
In Bar 16 (1:00), there are double bar lines thru the cue signifying a change. CB<br />
plays sfp > on Great octave E/Bb whole notes tied to next bar (pp) and tied to Bar 18,<br />
held fermata. VC play the Bb whole note tied next two bars. Violas play small octave E.<br />
Violins II play Bb/F#, and violins I sound the small octave G/Line 1 F# whole notes sff ><br />
pp to Bar 18, held fermata. It looks like the E min 9 th flat 5 th (E/G/Bb/D/F#) but without<br />
the 7 th note (D). At any rate, after a quarter rest in Bar 16, the vibe strikes softly ppp on<br />
Line 1 F# dotted half note (repeat next two bars). After a quarter rest, harp II plays 8 th<br />
note figures Bb up to Db, Bb-Db, Bb-Db (repeated next bar) to (Bar 18) where, after a<br />
quarter rest, it plays Bb-Db, Bb-Db, then a quarter rest held fermata. Harp I plays small<br />
octave G up to Line 1 F, Bb up to Line 2 C, Eb up to Line 2 E. In Bar 17, after a quarter<br />
rest, Gb up to Line 2 F, Bb up to Line 3 C, Line 2 F up to Line 3 Gb. In Bar 18, after a<br />
quarter rest, small octave G up to F, Bb up to Line 2 C, followed by a quarter rest held<br />
fermata.<br />
“The File” Cue XXXIII [10M4] Allegro Moderato in C time, 19 bars, :47.<br />
Pages 72 and 73 in the score. Track # 24 on the compact disc. Scene: In a suspenseful<br />
scene, the Captain approaches closer and closer to his office where Montag is still<br />
looking for photos of Clarisse.<br />
VC/CB play sff on unison Great octave register F# whole note tied to dotted half<br />
note next bar (followed by a quarter rest). Viole play fortissimo ascending pizzicato<br />
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