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Noguchi Collection - Designcollectors.com

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<strong>Noguchi</strong> <strong>Collection</strong>


Cylinder Lamp 1944<br />

The work of the Japanese-American artist and designer<br />

Isamu <strong>Noguchi</strong> is extraordinarily multi-faceted. In<br />

addition to sculptures, he also created stage sets,<br />

furniture, lighting, interiors, public spaces and gardens.<br />

As a sculptor, he was not only interested in materials<br />

and forms, but also in the spatial effect of objects and<br />

even in the design of space itself. It was his intention<br />

to create artworks with practical and social relevance.<br />

<strong>Noguchi</strong>'s work left a lasting mark on 1950s design.<br />

Prismatic Table 1957<br />

Since 2002, the Vitra Design Museum has produced reeditions<br />

of <strong>Noguchi</strong>'s designs in co-operation with the<br />

Isamu <strong>Noguchi</strong> Foundation, New York. Several of these<br />

models are represented in the <strong>Collection</strong> of the Vitra<br />

Design Museum.<br />

Tea Cup 1952<br />

Knife, Fork & Spoon 1952<br />

Coffee Table 1944<br />

Freeform Sofa 1946<br />

Rocking Stools 1954


Cylinder Lamp<br />

The three-legged Cylinder Lamp with its<br />

lampshade made of transparent plastic<br />

and organically shaped wooden legs is<br />

one of Isamu <strong>Noguchi</strong>’s first lighting<br />

designs. Originally made as a present<br />

for his sister, the luminaire went into<br />

serial production in 1945 and became<br />

a trendsetting and often-copied success.<br />

Prismatic Table<br />

The small Prismatic Table was <strong>Noguchi</strong>'s first furniture<br />

design intended for serial production. Made of bent<br />

aluminium sheeting, it was created for Alcoa (Aluminum<br />

Company of America), who wanted to demonstrate<br />

new applications of its primary product. <strong>Noguchi</strong>’s own<br />

motivation for this design can be traced to his previous<br />

experimentation with sheet metal (particularly brass<br />

sheeting), which began during his work with Brancusi<br />

in Paris.


Tea Cup | Knife, Fork & Spoon<br />

Although Tea Cup reveals the formal language of modern design,<br />

it is actually based on an ancient Japanese terracotta cup that was<br />

in <strong>Noguchi</strong>’s possession. With this tea cup and saucer <strong>Noguchi</strong><br />

succeeded in creating a sculptural object that in a unique manner<br />

blended western Modernism with the traditional Japanese tea<br />

ceremony. The fork, knife, and tea spoon, which presumably were<br />

created around the same time, demonstrate how Isamu <strong>Noguchi</strong><br />

should be seen rather as a sculptor than a designer.<br />

Coffee Table<br />

<strong>Noguchi</strong> designed the first version of this table, with a glass top resting<br />

on interconnected rosewood supports, for the private residence of MoMA<br />

president A. Conger Goodyear during the 1930s. In a modified design<br />

from 1944, which reflected his preoccupation with sculptural, biomorphic<br />

structures, <strong>Noguchi</strong> transformed the original idea into a base consisting<br />

of two identical wooden elements, one of which is reversed and pinned<br />

to the other at a right angle. The Coffee Table has been produced for the<br />

US market by Herman Miller since 1947; the Vitra Design Museum began<br />

production for the European market in 2002. It is regarded today as one<br />

of <strong>Noguchi</strong>’s best-known designs.<br />

Table top with etched signature, rounded edges.


Freeform Sofa<br />

<strong>Noguchi</strong>’s sculptural idiom gains full expression in this sofa, which clearly<br />

distinguishes itself from other designs of the same period. The sofa and<br />

ottoman seem almost like a greatly enlarged sculpture of flat, rounded<br />

river stones; yet at the same time, their slender organic forms are graceful<br />

and vigorous. <strong>Noguchi</strong> emphasised this effect with thin, but extremely<br />

<strong>com</strong>fortable upholstery padding and a choice of cover fabrics in natural<br />

colours.<br />

The Freeform Sofa and <strong>com</strong>panion Ottoman were produced around 1950<br />

in limited number. Today, the few remaining pieces achieve record prices<br />

at auction. Since 2002, the group has been produced by the Vitra Design<br />

Museum as a fully authentic re-edition. The sofa is suitable not only for<br />

use in the living room, but also in lobbies, hotels and retail shops.


Programme features<br />

All measurements in millimetres and inches<br />

Freeform Sofa and Ottoman<br />

Re-edition Vitra Design Museum. Solid wood frame,<br />

upholstered. Removable cover in Soft fabric. Legs are<br />

available optionally in maple, natural finish or walnut<br />

stain, depending on colour of upholstery fabric.<br />

Coffee Table<br />

Vitra Design Museum re-edition. Frame of solid black<br />

ash, walnut or maple. Table top made of 19 mm thick<br />

glass with etched signature, rounded edges.<br />

Prismatic Table<br />

Re-edition Vitra Design Museum. Aluminium corpus,<br />

powder-coated finish in black or white. Also suitable<br />

for outdoor use.<br />

Freeform Sofa<br />

720 28 1 /4” 1300 51 1 /4”<br />

3000 118” 1200 47 1 /4”<br />

710 28”<br />

380 15”<br />

Rocking Stool<br />

Re-edition Vitra Design Museum. Stool in two sizes.<br />

Slightly rounded seat and base elements made of<br />

maple, natural colour or walnut stain. Connecting<br />

element with diagonal struts made of chrome-plated<br />

steel rod.<br />

Soft<br />

Maple<br />

Maple stained<br />

walnut-colour<br />

Tea Cup<br />

Ceramic<br />

Knife, Fork & Spoon<br />

Highly polished stainless steel.<br />

Cylinder Lamp<br />

Plastic, maple legs, stained cherry-colour.<br />

930 36 1 /2”<br />

Black ash Walnut Maple<br />

1280 50 1 /2”<br />

400 15 3 /4”<br />

Coffee Table<br />

410 16 1 /4”<br />

375 14 3 /4”<br />

Prismatic Table<br />

Maple<br />

Maple stained<br />

walnut-colour<br />

Ø 360 Ø14 1 /4” Ø 360 Ø14 1 /4”<br />

425 16 3 /4”<br />

Rocking Stool<br />

250 9 3 /4”<br />

Deviations in colour are<br />

possible due to the printing<br />

process.<br />

400 15 3 /4”<br />

Ø180 Ø7”<br />

Cylinder Lamp


Rocking Stool<br />

During his entire lifetime, <strong>Noguchi</strong> alternated between<br />

East and West. After returning from Japan in 1954, he<br />

presented the design for a Rocking Stool to US furniture<br />

manufacturer Hans Knoll. Its form evokes the hourglass<br />

shape of African stools. Although <strong>Noguchi</strong> originally<br />

wanted to make the stool out of polyurethane, a new<br />

plastic, he ultimately decided on a <strong>com</strong>bination of more<br />

traditional materials: wood for the seat and foot, and<br />

chrome-plated steel rods for the central support.


Vitra International AG, Birsfelden, CH | Vitra Ges.m.b.H., Wien, A | NV Vitra Belgium SA, Diegem, B | Vitra AG, Birsfelden, Showroom: Zürich, CH | Vitra koncept, s.r.o., Praha, CZ | Vitra GmbH, Weil am Rhein, Showroom: Frankfurt, D | Vitra<br />

Hispania S.A., Madrid, Showroom: Barcelona, E, Lisboa, P | Vitra, Paris, F | Vitra Ltd., London, GB | Vitra International AG, Budapest, HU | Vitra International AG, Mumbai/Bangalore/New Delhi, IN | Vitra (Nederland) B.V., Ouderkerk aan de Amstel, NL<br />

Vitra Scandinavia AS, Oslo, N | Vitra International AG, Warszawa, PL | Vitra Furniture (Shanghai) Co., Ltd., Shanghai, PRC | Vitra Furniture Pte. Ltd., Singapore | Vitra Inc., New York, Culver City, San Francisco, Chicago, USA | info@vitra.<strong>com</strong> | www.vitra.<strong>com</strong><br />

2008, Art.-Nr. 097 312 20<br />

® All intellectual property rights, such as trademarks, patents and copyrights are reserved. Nothing shown on this printed matter may be reproduced without written permission.

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