20.11.2014 Views

12/01/2011 - Belmont Vision

12/01/2011 - Belmont Vision

12/01/2011 - Belmont Vision

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

a&e<br />

Top 5 Albums on iTunes<br />

1. Mylo Xyloto – Coldplay<br />

2. Christmas – Michael Buble<br />

3. Talk that Talk - Rihanna<br />

4. Take Care – Drake<br />

5. Here and Now – Nickelback<br />

The <strong>Belmont</strong> <strong>Vision</strong>, December 1, 2<strong>01</strong>1<br />

‘Gravy and the Biscuits’ for 25,000<br />

By Kyle Dee Johnson<br />

Staff Writer<br />

Before coming to <strong>Belmont</strong>, future roommates<br />

Grady Wenrich and Sam Gidley<br />

knew they both were interested in music,<br />

but had not yet had the thought of forming<br />

a band.<br />

As incoming freshmen, the two Maddox<br />

Hall residents began recording tracks before<br />

meeting John Paterini, a singer/songwriter<br />

across the hall.<br />

“Sam played drums, I played bass and<br />

did the whole rapping thing,” Wenrich said.<br />

“We heard John’s voice and asked him if<br />

he wanted to sing and play in the group.<br />

He plays guitar too, so it just kind of…<br />

ports<br />

worked,”<br />

Blending styles of soul, funk, hip<br />

hop, and pop, the band began writing a<br />

couple songs in their dorm room, but not<br />

before creating a memorable name based<br />

off Wenrich’s first name: Gravy and the<br />

Biscuits.<br />

“We’ll usually write a guitar or bass part<br />

and pick a topic, then Grady will write some<br />

verses off of that,” Paterini said.<br />

Their first hit, “Butter,” a song about<br />

finding one’s own unique creativity, became<br />

well-known after the band created a music<br />

video to it and posted the video on YouTube.<br />

Before they knew it, the video had received<br />

10,000, then 15,000, then 20,000 views. As<br />

of now, the video has more than 25,000 hits.<br />

“We thought it was crazy at first, but<br />

we’ve just got to keep it going,” Wenrich<br />

said.<br />

And the attention hasn’t stopped with<br />

“That Sunset,” has had more<br />

than 14,000 hits.<br />

The band is quick to show<br />

appreciation to those who<br />

helped make their music and<br />

videos popular.<br />

“We had Good Music All<br />

Day help us out,” Paterini said.<br />

“It’s the No. 1 college music<br />

blog for trafficking music<br />

every day. We were posted on<br />

the homepage.”<br />

On its website, Good Music<br />

All Day describes the band as<br />

having “swag rhythms, sexy<br />

lyrics, funky horns, more soul<br />

than momma’s kitchen and a<br />

beat that if you can’t groove to<br />

– you should see a doctor.”<br />

The initial success of the<br />

videos led the band to record<br />

and release a seven-song EP<br />

titled “Soul Food.” All seven<br />

tracks are available for free<br />

download on both gravyandthebiscuits.com,<br />

and on<br />

goodmusicallday.com.<br />

For many <strong>Belmont</strong><br />

students, “Soul Food” provides<br />

a much-needed break to the<br />

stressors of academic life.<br />

Sydney Shadrix, a sophomore featured<br />

in the video for “That Sunset,” calls the<br />

group a “chill, Californian, catchy” band.<br />

Those three characteristics have been key to<br />

attracting listeners, she said.<br />

Because of their widespread popularity<br />

among college students, Gravy and the<br />

itness<br />

just one song. The group’s second video,<br />

Photo Courtesy of Gravy and the Biscuits<br />

After only months together as a band, Gravy and the Biscuits have become a campus success, gaining tens of<br />

thousands of hits through YouTube and music blogs.<br />

Biscuits will tour many parts of the United<br />

States.<br />

“We’ve already got a few shows planned<br />

at a couple colleges already – Kansas State,<br />

a festival at Colorado College and some<br />

other colleges around the area,” Gidley said.<br />

“We’re just trying to play as much as we can<br />

since we’re around each other 24 hours a<br />

day, basically.”<br />

While the three balance their upstart<br />

group with their lives as <strong>Belmont</strong> students,<br />

their goal is to keep people interested in the<br />

music they make.<br />

“We’re just trying to keep more people<br />

listening by continuing to release singles<br />

and videos,” Wenrich said.<br />

Ainsley Britain has ‘Heart of Hope’<br />

By Autumn Allison<br />

Managing Editor<br />

Listen to the Music<br />

Ainsley Britain’s “Heart of Hope” is on<br />

sale on iTunes for $6 or you can purchase<br />

a hard copy directly from her for $10.<br />

Check out ainsleybritain.com for more<br />

information on the EP.<br />

From an idea to paper to the recording studio.<br />

This process may seem all too familiar for many <strong>Belmont</strong> musicians. But for Ainsley<br />

Britain, a junior mass communications transfer from LSU, the process is all too new.<br />

On Sept. 17, Britain released her first, and maybe last, EP with one idea in mind: having<br />

a “Heart of Hope.”<br />

Instead of releasing the<br />

“Heart of Hope” EP for selfpromotion,<br />

Britain’s dabbling<br />

in music creation was geared<br />

toward providing funds for the<br />

Louisiana-based non-profit Hearts<br />

of Hope, which just so happens to<br />

be run by Britain’s real-life hero –<br />

her mother, Jill Dugass.<br />

“I watched my mom just be<br />

sick over not getting donations,<br />

reduced to stress over trying to<br />

run a safe haven. … That’s what’s<br />

wrong with the world, if a non-profit can’t keep going because of lack of donations,” Britain<br />

said.<br />

Hearts of Hope operates as a center that assists sexually abused children, teenagers and<br />

adults as they recover from emotional and physical trauma. The programs include a Children’s<br />

Advocacy Center, Sexual Assault Nurses and Rape Crisis Center.<br />

“We are one of three in the nation, as far as we know, that houses all three programs in<br />

one,” Dugass said. “It allows us to be with the victim survivor from the beginning ER trip<br />

to the end of the process.”<br />

Growing up surrounded by the pain experienced by victims of sexual abuse, Britain<br />

developed a soft spot for the cause, but it was the statistics that really pushed her to the<br />

recording studio.<br />

Organizations like Louisiana Foundation Against Sexual Abuse and Rape Abuse &<br />

Incest National Network (RAINN) have estimated one in three females and one in five<br />

males have been sexual abused by the time they are 16. A lack of reporting prevents a<br />

definitive figure, and some estimate approximately nine out of 10 incidents go unreported.<br />

“When I heard the stats, I thought ‘this is freaking scary,’” Britain said. “That’s when I<br />

decided to do something … but I needed something to give in return for donations so that’s<br />

where the EP came in.”<br />

Numerous hours and talents had a hand in the creation of the EP and title track music<br />

video, including old friend and current country chart topper, Hunter Hayes.<br />

“[I have] no idea how it came together. Everyone just sat down and things fell into<br />

place,” Britain said.<br />

The six-song EP contains five original songs, four of which were co-written with Hayes.<br />

Britain performed each of them during the EP release party — her first and perhaps her<br />

only show.<br />

“ I’m terrified of the stage, but I’m working on it,” Britain said.<br />

But she’s not ruling out anything. “Heart of Hope” was released Sept. 17, and now<br />

Britain is looking for her next project.<br />

“Ultimately, I would like to do a different album for a different non-profit,” she said. “It<br />

gets me out of the spotlight and provides them with something they can sell forever. That<br />

would be ideal but it depends on getting everything to work out like with ‘Heart of Hope.’”<br />

Britain is fully aware that her plans to change genres to fit a non-profit’s demographic<br />

will limit her marketability, but making money is not the goal. She sees it as her chance to<br />

be “the voice of the children,” just like her mother.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!