12/01/2011 - Belmont Vision
12/01/2011 - Belmont Vision
12/01/2011 - Belmont Vision
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a&e<br />
Top 5 Albums on iTunes<br />
1. Mylo Xyloto – Coldplay<br />
2. Christmas – Michael Buble<br />
3. Talk that Talk - Rihanna<br />
4. Take Care – Drake<br />
5. Here and Now – Nickelback<br />
The <strong>Belmont</strong> <strong>Vision</strong>, December 1, 2<strong>01</strong>1<br />
‘Gravy and the Biscuits’ for 25,000<br />
By Kyle Dee Johnson<br />
Staff Writer<br />
Before coming to <strong>Belmont</strong>, future roommates<br />
Grady Wenrich and Sam Gidley<br />
knew they both were interested in music,<br />
but had not yet had the thought of forming<br />
a band.<br />
As incoming freshmen, the two Maddox<br />
Hall residents began recording tracks before<br />
meeting John Paterini, a singer/songwriter<br />
across the hall.<br />
“Sam played drums, I played bass and<br />
did the whole rapping thing,” Wenrich said.<br />
“We heard John’s voice and asked him if<br />
he wanted to sing and play in the group.<br />
He plays guitar too, so it just kind of…<br />
ports<br />
worked,”<br />
Blending styles of soul, funk, hip<br />
hop, and pop, the band began writing a<br />
couple songs in their dorm room, but not<br />
before creating a memorable name based<br />
off Wenrich’s first name: Gravy and the<br />
Biscuits.<br />
“We’ll usually write a guitar or bass part<br />
and pick a topic, then Grady will write some<br />
verses off of that,” Paterini said.<br />
Their first hit, “Butter,” a song about<br />
finding one’s own unique creativity, became<br />
well-known after the band created a music<br />
video to it and posted the video on YouTube.<br />
Before they knew it, the video had received<br />
10,000, then 15,000, then 20,000 views. As<br />
of now, the video has more than 25,000 hits.<br />
“We thought it was crazy at first, but<br />
we’ve just got to keep it going,” Wenrich<br />
said.<br />
And the attention hasn’t stopped with<br />
“That Sunset,” has had more<br />
than 14,000 hits.<br />
The band is quick to show<br />
appreciation to those who<br />
helped make their music and<br />
videos popular.<br />
“We had Good Music All<br />
Day help us out,” Paterini said.<br />
“It’s the No. 1 college music<br />
blog for trafficking music<br />
every day. We were posted on<br />
the homepage.”<br />
On its website, Good Music<br />
All Day describes the band as<br />
having “swag rhythms, sexy<br />
lyrics, funky horns, more soul<br />
than momma’s kitchen and a<br />
beat that if you can’t groove to<br />
– you should see a doctor.”<br />
The initial success of the<br />
videos led the band to record<br />
and release a seven-song EP<br />
titled “Soul Food.” All seven<br />
tracks are available for free<br />
download on both gravyandthebiscuits.com,<br />
and on<br />
goodmusicallday.com.<br />
For many <strong>Belmont</strong><br />
students, “Soul Food” provides<br />
a much-needed break to the<br />
stressors of academic life.<br />
Sydney Shadrix, a sophomore featured<br />
in the video for “That Sunset,” calls the<br />
group a “chill, Californian, catchy” band.<br />
Those three characteristics have been key to<br />
attracting listeners, she said.<br />
Because of their widespread popularity<br />
among college students, Gravy and the<br />
itness<br />
just one song. The group’s second video,<br />
Photo Courtesy of Gravy and the Biscuits<br />
After only months together as a band, Gravy and the Biscuits have become a campus success, gaining tens of<br />
thousands of hits through YouTube and music blogs.<br />
Biscuits will tour many parts of the United<br />
States.<br />
“We’ve already got a few shows planned<br />
at a couple colleges already – Kansas State,<br />
a festival at Colorado College and some<br />
other colleges around the area,” Gidley said.<br />
“We’re just trying to play as much as we can<br />
since we’re around each other 24 hours a<br />
day, basically.”<br />
While the three balance their upstart<br />
group with their lives as <strong>Belmont</strong> students,<br />
their goal is to keep people interested in the<br />
music they make.<br />
“We’re just trying to keep more people<br />
listening by continuing to release singles<br />
and videos,” Wenrich said.<br />
Ainsley Britain has ‘Heart of Hope’<br />
By Autumn Allison<br />
Managing Editor<br />
Listen to the Music<br />
Ainsley Britain’s “Heart of Hope” is on<br />
sale on iTunes for $6 or you can purchase<br />
a hard copy directly from her for $10.<br />
Check out ainsleybritain.com for more<br />
information on the EP.<br />
From an idea to paper to the recording studio.<br />
This process may seem all too familiar for many <strong>Belmont</strong> musicians. But for Ainsley<br />
Britain, a junior mass communications transfer from LSU, the process is all too new.<br />
On Sept. 17, Britain released her first, and maybe last, EP with one idea in mind: having<br />
a “Heart of Hope.”<br />
Instead of releasing the<br />
“Heart of Hope” EP for selfpromotion,<br />
Britain’s dabbling<br />
in music creation was geared<br />
toward providing funds for the<br />
Louisiana-based non-profit Hearts<br />
of Hope, which just so happens to<br />
be run by Britain’s real-life hero –<br />
her mother, Jill Dugass.<br />
“I watched my mom just be<br />
sick over not getting donations,<br />
reduced to stress over trying to<br />
run a safe haven. … That’s what’s<br />
wrong with the world, if a non-profit can’t keep going because of lack of donations,” Britain<br />
said.<br />
Hearts of Hope operates as a center that assists sexually abused children, teenagers and<br />
adults as they recover from emotional and physical trauma. The programs include a Children’s<br />
Advocacy Center, Sexual Assault Nurses and Rape Crisis Center.<br />
“We are one of three in the nation, as far as we know, that houses all three programs in<br />
one,” Dugass said. “It allows us to be with the victim survivor from the beginning ER trip<br />
to the end of the process.”<br />
Growing up surrounded by the pain experienced by victims of sexual abuse, Britain<br />
developed a soft spot for the cause, but it was the statistics that really pushed her to the<br />
recording studio.<br />
Organizations like Louisiana Foundation Against Sexual Abuse and Rape Abuse &<br />
Incest National Network (RAINN) have estimated one in three females and one in five<br />
males have been sexual abused by the time they are 16. A lack of reporting prevents a<br />
definitive figure, and some estimate approximately nine out of 10 incidents go unreported.<br />
“When I heard the stats, I thought ‘this is freaking scary,’” Britain said. “That’s when I<br />
decided to do something … but I needed something to give in return for donations so that’s<br />
where the EP came in.”<br />
Numerous hours and talents had a hand in the creation of the EP and title track music<br />
video, including old friend and current country chart topper, Hunter Hayes.<br />
“[I have] no idea how it came together. Everyone just sat down and things fell into<br />
place,” Britain said.<br />
The six-song EP contains five original songs, four of which were co-written with Hayes.<br />
Britain performed each of them during the EP release party — her first and perhaps her<br />
only show.<br />
“ I’m terrified of the stage, but I’m working on it,” Britain said.<br />
But she’s not ruling out anything. “Heart of Hope” was released Sept. 17, and now<br />
Britain is looking for her next project.<br />
“Ultimately, I would like to do a different album for a different non-profit,” she said. “It<br />
gets me out of the spotlight and provides them with something they can sell forever. That<br />
would be ideal but it depends on getting everything to work out like with ‘Heart of Hope.’”<br />
Britain is fully aware that her plans to change genres to fit a non-profit’s demographic<br />
will limit her marketability, but making money is not the goal. She sees it as her chance to<br />
be “the voice of the children,” just like her mother.