school of botanical art & illustration - Denver Botanic Gardens
school of botanical art & illustration - Denver Botanic Gardens
school of botanical art & illustration - Denver Botanic Gardens
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ELECTIVE COURSES<br />
Mysterious Yellows in<br />
Watercolor<br />
Explore and master and the<br />
subtleties <strong>of</strong> yellow hues as<br />
you paint fruits and flowers.<br />
Begin with examples <strong>of</strong> how<br />
other <strong>botanical</strong> illustrators<br />
have handled this color.<br />
Constance Sayas<br />
Through demonstration and<br />
practice, learn to create the best color mixes to convey shading<br />
while keeping yellows bright and clean. Learn how to apply<br />
shadow colors using both glazing and feathering techniques.<br />
Practice the range <strong>of</strong> yellows from s<strong>of</strong>t to striking. Work<br />
toward completing a plate <strong>of</strong> a beautiful yellow <strong>botanical</strong>.<br />
Fee: $225 member, $280 non-member. Prerequisites: Pencil<br />
I, Color Mixing, Watercolor I, (Perspective and Light on Form<br />
strongly recommended)<br />
• Thu., March 28, April 4, 11, 18, 25, 6 – 9 p.m.<br />
Instructor: Constance Sayas<br />
Flower Studies:<br />
Arthur Henry Church<br />
(Microscopy course)<br />
The revolutionary drawings<br />
<strong>of</strong> Arthur Henry Church are<br />
some <strong>of</strong> the finest <strong>botanical</strong><br />
<strong>illustration</strong>s <strong>of</strong> the 20 th<br />
Arthur Henry Church<br />
Century. Work with the help<br />
<strong>of</strong> a microscope and the instructor to understand the <strong>botanical</strong><br />
details <strong>of</strong> your flower. Learn to master micro techniques, study the<br />
different stages <strong>of</strong> the flower development, and create an elegant<br />
plate in the medium <strong>of</strong> your choice illustrating the exposed internal<br />
structures <strong>of</strong> your flower. Fee: $225 member, $280 non-member.<br />
Prerequisites: Pencil I, Botany and the entry level course <strong>of</strong> the<br />
medium you like to work in, (Perspective and Light on Form<br />
strongly recommended)<br />
• Tue., Jan. 8, 15, 22, 29, Feb. 5, 6 – 9 p.m.<br />
Instructor: Mervi Hjelmroos-Koski<br />
GRAPHITE<br />
Miniature Masterpieces in Pencil<br />
Small and special! Bring your big ideas and learn to scale<br />
them to a small format. Learn about the importance <strong>of</strong><br />
miniatures in the history <strong>of</strong> <strong>art</strong>. Discover the delights and<br />
challenges <strong>of</strong> working in diminutive dimensions. Learn how<br />
Susan Rubin<br />
composition, line, form and precision<br />
are crucial conveying the message in<br />
miniature. Instructor demonstrations,<br />
class critique and individual attention<br />
will help you complete several<br />
stunning miniature works <strong>of</strong> <strong>botanical</strong><br />
<strong>art</strong>. Fee: $210 member, $265 nonmember.<br />
Prerequisites: Pencil I<br />
• Mon., Jan. 7, 14, 21, 28, Feb. 4, 9 a.m. - Noon<br />
Instructor: Susan Rubin<br />
Carbon Dust<br />
Push your drawing skills into<br />
a new realm. Carbon dust has<br />
been a mainstay medium for<br />
medical and scientific illustrators<br />
for more than 75 years. Using<br />
a combination <strong>of</strong> pencil lines<br />
and dust “washes” applied with<br />
brushes; this medium produces<br />
rich, tonal renderings with the<br />
value range <strong>of</strong> charcoal and the<br />
precision <strong>of</strong> watercolor. You’ll<br />
Karla Beatty<br />
be introduced to the various<br />
tools associated with carbon dust, including carbon pencils,<br />
dust, brushes, blenders and fixative. Choose a subject well<br />
suited to the technique and learn to use methodical layering to<br />
create a flawless continuous tone. Complete the finer details<br />
with pencil for a finished carbon-dust rendering. Fee: $210<br />
member, $265 non-member. Prerequisites: Pencil I, (Pencil II<br />
strongly recommended)<br />
• Wed., Jan. 9, 16, 23, 30, Feb. 6, 1 – 4 p.m.<br />
Instructor: Karla Beatty<br />
Randy Raak<br />
Darkest Dark and Lightest<br />
Light with Polycarbonate<br />
Pencils on Film<br />
Beautiful <strong>art</strong>work is created<br />
with value: the degree <strong>of</strong> light<br />
and dark in a specific subject.<br />
Working in “plastic” pencil,<br />
you’ll develop pigment-free<br />
values and master seamless<br />
gradations from the lightest<br />
lights to the darkest darks<br />
without the usual graphite<br />
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