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[3]<br />

EDITORIAL<br />

In volume six we promised to widen the scope of Chelys to include<br />

material outside the central concern of the <strong>Society</strong>—that is, English music<br />

of the seventeenth century. We feel, therefore, that this present volume,<br />

entirely concentrated in that one area, needs a little explanation. The sudden<br />

arrival of a number of extremely important articles dealing with<br />

biographical and analytical topics has prompted us to issue them straight<br />

away, without waiting for the usual crop of music and book reviews, notes,<br />

queries and letters. Volume eight will be another double issue, largely<br />

devoted to foreign music, and with that, our primary task, to bring Chelys up<br />

to <strong>da</strong>te, will have been achieved. To maintain its punctuality after that we<br />

would like to renew our appeal for contributions of all types.<br />

We gratefully acknowledge the help of David Pinto in preparing the<br />

musical illustrations for the articles.<br />

WENDY HANCOCK<br />

PETER HOLMAN

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