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[3]<br />
EDITORIAL<br />
In volume six we promised to widen the scope of Chelys to include<br />
material outside the central concern of the <strong>Society</strong>—that is, English music<br />
of the seventeenth century. We feel, therefore, that this present volume,<br />
entirely concentrated in that one area, needs a little explanation. The sudden<br />
arrival of a number of extremely important articles dealing with<br />
biographical and analytical topics has prompted us to issue them straight<br />
away, without waiting for the usual crop of music and book reviews, notes,<br />
queries and letters. Volume eight will be another double issue, largely<br />
devoted to foreign music, and with that, our primary task, to bring Chelys up<br />
to <strong>da</strong>te, will have been achieved. To maintain its punctuality after that we<br />
would like to renew our appeal for contributions of all types.<br />
We gratefully acknowledge the help of David Pinto in preparing the<br />
musical illustrations for the articles.<br />
WENDY HANCOCK<br />
PETER HOLMAN