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COMPLETE DELMARK CATALOG INSIDE - Delmark Records

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Bob Koester and the Old Town School<br />

Speech given before <strong>Delmark</strong> 55th Anniversary Blues & Jazz Program at OTS, 9/26/08<br />

Bob Koester has been an enormously influential figure in the blues and jazz<br />

worlds over the past half-century. The list of artists who have appeared on<br />

<strong>Delmark</strong> <strong>Records</strong>, the label he began in 1953, includes some of the most<br />

significant musicians and ensembles in 20th century – and now 21st century<br />

- American music. But what’s less well known about Bob is his effort to bring<br />

blues to the Old Town School community in the school’s earliest years.<br />

The story began when Bob moved to Chicago from St. Louis in the summer<br />

of 1958, less than a year after the Old Town School first opened its doors.<br />

Once here, he started to search for the blues musicians who made Chicago<br />

their home. Over the next several years, he located nearly two dozen of<br />

them, including some of the most talented artists who had recorded in<br />

Chicago in the years before World War Two.<br />

At the same time, Bob was observing the steady stream of students heading<br />

to the School at its original location on North Avenue. It occurred to him that<br />

the folk music fans who were coming to learn the history of the blues might<br />

enjoy hearing the music played by some of its most gifted performers.<br />

Bob decided to launch a series of concerts in the Blind Pig coffeehouse, just<br />

downstairs from the school. He called it “Blues and Barrelhouse, “ and when<br />

he printed up flyers to advertise the series, he made sure to list the<br />

performers he planned to invite.<br />

And so in June of 1961, for the admission fee of one dollar, you could go to<br />

the Blind Pig on Tuesday nights and hear performers like guitarist Walter<br />

Vinson, who played with the legendary Mississippi Sheiks. Maybe<br />

harmonica star Jazz Gillum, who had the first hit version of “Key to the<br />

Highway”, would show up, or perhaps Washboard Sam, whose song “Mama<br />

Don’t Allow” would later become a staple of the repertoire of Old Town alum<br />

Steve Goodman. Or you might be treated to one of the legendary<br />

barrelhouse piano players who had played in actual barrelhouses, like Little<br />

Brother Montgomery or Roosevelt Sykes.<br />

When you hear this roster of extraordinary talent, it’s hard not to<br />

wish for a time machine to go back and sit in the front row on one<br />

of those Tuesday nights. In fact, if you were to do that, you might<br />

have had the row to yourself. It turned out that Bob was a little<br />

ahead of his time, and the turnouts were disappointing. After a few<br />

months, he discontinued the series.<br />

But a year or so later Bob tried his hand again as a promoter,<br />

booking some of the same artists at a North Side club called the<br />

Fickle Pickle. Perhaps it was because people had by then seen<br />

some of the performers at one of the early University of Chicago<br />

Folk Festivals, or because guitarist Mike Bloomfield’s enthusiasm<br />

in promoting the shows had gotten the word around, or maybe just<br />

because the folk revival was gathering momentum, but for<br />

whatever reason, the Fickle Pickle series had more success in<br />

drawing a crowd. Soon other North Side venues were presenting<br />

blues artists to white audiences, and a new chapter in blues history<br />

began.<br />

In the years since then, Bob and the Old Town School have each<br />

become internationally recognized leaders in their fields. As we<br />

celebrate <strong>Delmark</strong> on 55 years - and counting - of great music, we<br />

salute Bob in particular for his steadfast determination to give the<br />

artists he believes in the chance to reach audiences who might<br />

appreciate them. From the Blues and Barrelhouse series to the<br />

terrific show here tonight, we are still benefiting from his vision and<br />

his tenacity.<br />

- Bob Riesman, music documentarian<br />

JRM TEES!<br />

SWEET HOME CHICAGO<br />

Gold/white on black<br />

S-M-L-XL $18 2X $20<br />

JUNIOR WELLS Hoodoo Man<br />

Black on cream<br />

M-L-XL $18; 2X $20<br />

CHICAGO BLUES<br />

2 color / 2 sided on orange<br />

S-M-L-XL $20; 2X $22<br />

CHARLIE CHRISTIAN<br />

Color on white<br />

M-L-XL $22; 2X $24<br />

SUN RA Sun Song<br />

Yellow on red<br />

M-L-XL $20; 2X-3X $22<br />

JRM TOTE<br />

Only<br />

$<br />

12!<br />

MONK<br />

B&W on white tee<br />

M-L-XL $22; 2X $24<br />

MUDDY WATERS<br />

B&W on white tee<br />

M-L-XL $22; 2X $24<br />

ROBERT JOHNSON<br />

B&W on white tee<br />

M-L-XL $22; 2X $24<br />

JRM CHICAGO<br />

White on blk/blk on mustard<br />

S-M-L-XL $18; 2X-3X $20<br />

15

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