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July 2013 Checker - Central Florida Region SCCA

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entire shooting schedule. McQueen definitely wanted wonderful shot of the Mustang appearing in the<br />

to handle all the Mustang stunt driving. Some Charger's rearview mirror was Fraker's idea & it took a<br />

accounts say it was pressure from his family & the number of attempts to get timing & focus down. A<br />

studio that got him out of the car for the most difficult pressure building jazz score from Lalo Schiffrin (he<br />

scenes. Eventually, it was McQueen's inability to pull also composed the driving “Mission Impossible" &<br />

off the stunts that forced Lofton to replace him with Bud "Mannix" themes) accompanied the cars on the prowl.<br />

Ekins, McQueen’s longtime friend who performed the But music isn't needed after Hickman crosses traffic &<br />

famous motorcycle jump in "The Great Escape."<br />

boils the tires up a hill. In fact, virtually none of the<br />

McQueen was overly sensitive about stunt doubles, traditional Hollywood tricks were used to emphasize<br />

especially when it involved motorcycles & cars. The the speed, danger, or intensity of the chase … no fake<br />

Hollywood publicity machine & McQueen stressed that shots of a 100 mph speedometer, screaming<br />

he did all of his own stunt work in the chase & during the passengers, or crashes thru garbage cans: nothing to<br />

dangerous airport runway scene. In reality, 3 drivers - take the audience away from the cars.<br />

McQueen, Ekins, & Lofton drove the Mustang in the The early scenes of the chase show the cars building<br />

chase scene & Loren Janes, McQueen's longtime speed thru the hills & taking turns at tire-screeching<br />

stunt double, was underneath those airliner wheels on velocities. It took numerous attempts to get the right<br />

the runway.<br />

action at some locations as the crew worked with<br />

"The success of the car chase still had a lot to do with McQueen. Automotive journalist Nina Padgett, who<br />

Steve even tho he didn't do the dangerous stuff," says conducted many interviews with Lofton, says<br />

1st assistant director Tim Zinneman.<br />

McQueen knew he was having problems after<br />

watching the rushes (raw footage of the previous day's<br />

Indeed, McQueen's enormous contributions to the<br />

filming) each morning. Finally, McQueen blew a turn<br />

movie should have been enough to satisfy his ego<br />

once too often, &, according to Ekins, Lofton yelled,<br />

without fabricating more stories about his involvement.<br />

"Get him out of the car. Ekins, go to makeup & get your<br />

He suggested Bullitt's turtleneck-&-open-jacket look.<br />

hair bleached." None of the crew members recalls the<br />

He never overplayed the role, making sure Bullitt had<br />

moment so dramatically, but Bud Ekins was eventually<br />

the same expression whether he was driving 100 mph<br />

called on to handle the trick assignments. It's easy to<br />

or romancing Jacqueline Bisset. Even when he arrived<br />

tell when Ekins is in the Mustang. The watch is<br />

early in San Francisco to research his role, McQueen<br />

different on Ekins' right arm from McQueen's. Also, the<br />

was thinking about the chase.<br />

rearview mirror is turned away when Ekins drives,<br />

otherwise it reflects McQueen's face. Ironically,<br />

mistakes such as McQueen locking the tires & backing<br />

up in tire hopping anger (one of the only "speeded-up"<br />

scenes), play an important part in the reality of the<br />

chase. "That's what happens when you drive a car<br />

fast," explains Yates. "It was part of spirit of the chase.<br />

The near misses are what make it great."<br />

Hickman had his share of problems, too. He lost<br />

control of a 4-wheel drift around a hard right comer &<br />

Ekins' most famous shot came when he laid crashed into a '56 Ford, knocking out a remote camera<br />

down a motorcycle at speed while the Charger & mounted in front. You can tell it wasn't exactly planned,<br />

Mustang drove around him.<br />

but footage from that camera was used in the movie.<br />

“They told him to do it," proclaims Ekins.<br />

One evening, he went motorcycle riding with Don<br />

Gordon, who played his partner Delgedi. "Steve took a “We may have told Bill to hit the car," recalls Yates, "but<br />

jump off one of the hills," remembers Gordon. "When we didn't tell him to take out the camera." The actual<br />

he came back, he said this would be a great spot to see crash in all its glass-breaking, metal-crunching glory<br />

cars flying off the hill."<br />

can be seen in the production short that accompanies<br />

the anniversary video & DVD edition. Ekins was in the<br />

"Steve was very dear," adds his former production<br />

Mustang when it made its aerial charge at the Dodge.<br />

partner, Robert Releya. "He always said that this movie<br />

The action was filmed from within both cars, giving the<br />

was a western in which he would strap on a car like a<br />

audience a pit-of-the-stomach roller-coaster ride<br />

gun belt." The cat-&-mouse game between the cars<br />

unseen before m any movie theater.<br />

after leaving the car wash was the 1st priority & help set<br />

up the rivalry. Again, no tricks were used. The Pressure to finish the shooting schedule with a<br />

18<br />

<strong>July</strong> <strong>2013</strong>

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