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635 - IATSE Local 8 Philadelphia

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ing their research, were able to meet<br />

their goal of raising the performance<br />

rate in this contract, which was their<br />

top priority.<br />

Almost every day the General Office<br />

is being used by the Wardrobe<br />

<strong>Local</strong>s, as well as <strong>Local</strong> 798, Hair and<br />

Makeup, as a resource to represent<br />

their members.<br />

Representative White thanked In-<br />

House Counsel Samantha Dulaney,<br />

Vice Presidents DePaulo, DiTolla, and<br />

Lawlor, General Secretary-Treasurer<br />

Wood and his staff, especially Marcia<br />

Lewis, for all their assistance and for<br />

sharing their knowledge with her so<br />

that she can best serve the <strong>Local</strong>s.<br />

Revel Atlantic City<br />

Vice President Barnes has been<br />

monitoring the development known<br />

as Revel Atlantic City, an entertainment<br />

resort and casino located on the<br />

beach in Atlantic City, New Jersey.<br />

With the downturn in the economy,<br />

the principal financing for the project<br />

fell through and the project came to a<br />

halt. The State of New Jersey stepped<br />

up to jumpstart the project and it is<br />

now on schedule to open in May 2012.<br />

ACT Department<br />

Vice President Lawlor reported<br />

that membership in ACT numbered<br />

exactly 500 in January 2012. The project<br />

to transfer forty ACT members to<br />

Stage <strong>Local</strong> 33 – Los Angeles, CA is<br />

still a work in progress.<br />

PLASA<br />

Vice President Lawlor represents<br />

the Organizational Members on the<br />

PLASA North American Board, which<br />

is chaired by Eddie Raymond, Vice<br />

President of <strong>Local</strong> 16. Membership<br />

in the organization is down slightly<br />

as some companies belonged to both<br />

PLASA and ESTA, which merged together<br />

last year, and some have been<br />

affected by the long-term economic<br />

downturn. PLASA’s arrangement with<br />

Penton Media, the owner of the LDI<br />

show, is breathing new life into LDI<br />

and creating a potential financial<br />

windfall for PLASA. This will allow<br />

them to start their PLASA Focus Roadshows.<br />

The first PLASA Roadshow is<br />

being held in Austin, Texas in late<br />

February and Vice President Lawlor<br />

has been assigned by President Loeb<br />

to attend and to determine whether<br />

the <strong>IATSE</strong> and applicable local unions<br />

should exhibit prospectively.<br />

The ETCP program remains intact<br />

and separate from the PLASA<br />

merger and continues to gain steam.<br />

There are currently 1,394 certifications<br />

that have been granted to<br />

1,190 individuals. The majority of<br />

the certifications are for rigging<br />

with the balance being certified as<br />

Entertainment Electricians.<br />

The Stagecraft Department applauds<br />

the local unions currently<br />

working with the ETCP staff and recognized<br />

trainers to get the training<br />

necessary for their members to take<br />

and pass the test.<br />

LDI<br />

The most recent Live Design International<br />

(LDI) show was held in Orlando,<br />

Florida, October 28-30, 2011.<br />

Although the show is currently being<br />

rebranded in a five-year arrangement<br />

with PLASA, the benefit of this<br />

new arrangement did not increase<br />

exhibitor attendance at the show although<br />

it seemed that the foot traffic<br />

increased. This still remains a very<br />

important show for the Stagecraft<br />

Department. Penton Media, the primary<br />

owner of the show, has decided<br />

against moving the show around the<br />

country and has settled on presenting<br />

the show in Las Vegas for the next<br />

three years. The 2012 LDI show dates<br />

are October 19-21, 2012 in Las Vegas<br />

at the Las Vegas Convention Center.<br />

USITT<br />

The United States Institute of Theatre<br />

Technology (USITT) tradeshow<br />

will be held in Long Beach, California<br />

on March 29-31, 2012. This tradeshow<br />

continues to grow in size. One of the<br />

benefits of this show is the exposure<br />

to prospective members.<br />

INFOCOMM<br />

This year will be the Stagecraft<br />

Department’s third year exhibiting at<br />

InfoComm in June 2012 in Las Vegas.<br />

As in 2011, the International will<br />

once again co-sponsor the rigging<br />

and staging demo because of the expanded<br />

relationship with InfoComm.<br />

Particular thanks go to Brother Kent<br />

Jorgensen for helping to coordinate<br />

the practical demonstrations on behalf<br />

of the <strong>IATSE</strong>.<br />

Broadway<br />

Things change very quickly on<br />

the Great White Way. With a finite<br />

amount of venues to begin with and<br />

a certain amount of theatres locked in<br />

with long running shows, open theatres<br />

become booked theatres very<br />

quickly. The economy is still affecting<br />

the ability to capitalize shows but<br />

there are plenty of shows waiting in<br />

the wings.<br />

The hit of the season continues<br />

to be The Book of Mormon, breaking<br />

house records at the O’Neill every<br />

week. The Tony winner for best play,<br />

War Horse, continues to have sold<br />

out performances business at Lincoln<br />

Center.<br />

As recently as last week, the top<br />

five grossing shows continue to be<br />

a mix of old and new with Wicked<br />

leading the charge. During the 2011<br />

Christmas holiday season, virtually<br />

every show did blockbuster business<br />

by adding a ninth show for the week.<br />

Hugh Jackman’s one man show took<br />

in over $15 million for its 10-week<br />

run. In addition, Jackman raised almost<br />

$2 million dollars for Broadway<br />

Cares/Equity Fights Aids by conducting<br />

an auction at the conclusion of<br />

every performance.<br />

The Road<br />

Another tour of Jersey Boys was<br />

mounted this past fall, and did production<br />

in <strong>Philadelphia</strong>. In addition,<br />

The Book of Mormon will mount a<br />

tour starting in Denver in the fall of<br />

2012. Some tours will shut down and<br />

others will be licensed to new producers.<br />

Most of the tours expected to<br />

launch this past fall - American Idiot,<br />

Addams Family, Million Dollar Quartet,<br />

Memphis and La Cage Aux Folles<br />

- have been mounted; those that have<br />

yet to travel include War Horse and the<br />

NETworks’ version of Mary Poppins.<br />

The good news is that arguably<br />

everything going out on tour is under<br />

an <strong>IATSE</strong> contract and the Stagecraft<br />

Department will now seek to improve<br />

those contracts on behalf of our touring<br />

members.<br />

Modified Non-League Networks<br />

The International’s contract with<br />

Networks, Troika, Big League, Phoenix<br />

and Worklight expired on June<br />

30, 2011. Networks is producing upwards<br />

of 10 shows in 2011-2012 season.<br />

As was previously reported, General<br />

Counsel Short was working with<br />

Networks’ outside Counsel to agree<br />

with the language of the League/Disney<br />

Theatrical agreement. The goal<br />

is to get this Agreement to comport<br />

to the language agreed to with the<br />

League.<br />

Live Nation<br />

Vice President Lawlor was assigned<br />

to assist <strong>Local</strong> 3, Pittsburgh/<br />

New Castle, Pennsylvania, with the<br />

renegotiation of its contracts with Live<br />

Nation. A meeting was held in Pittsburgh<br />

in October 2011 with representatives<br />

of <strong>Local</strong> 3 and the management<br />

from Live Nation. The <strong>Local</strong> has<br />

indicated a willingness to come into<br />

the National Agreement and a review<br />

of the proposal submitted by the employer<br />

is currently underway.<br />

Canada<br />

Vice President John Lewis reported<br />

that the Canadian Pink Contract<br />

was rolled out and the reaction<br />

by both the <strong>Local</strong>s and the Producers<br />

has been favorable. The first French<br />

version of the Pink Contract has been<br />

signed in the Province of Quebec.<br />

Vice President Lewis thanked Assistant<br />

to the President Sean McGuire<br />

for helping make the process seamless<br />

and stated that Sean and Vice<br />

President Damian Petti are coordinating<br />

efforts to make the issuance of<br />

Pink Traveling Cards more efficient.<br />

In keeping with President Loeb’s<br />

outreach directive, every touring<br />

production under the Canadian Pink<br />

Agreement has been visited by an International<br />

Representative.<br />

MOTION PICTURE AND<br />

TELEVISION PRODUCTION<br />

DEPARTMENT<br />

International Vice Presidents Michael<br />

F. Miller, Jr., John M. Lewis,<br />

Thom Davis and John Ford, Assistant<br />

Division Director Daniel M. Mahoney,<br />

International Representatives Ben Adams,<br />

Steve Aredas, Jamie Fry, Vanessa<br />

Holtgrewe, Lyle Trachtenberg, and<br />

Jennifer Triplett reported on Motion<br />

Picture and Television Production.<br />

Foremost in the report was an announcement<br />

concerning upcoming<br />

negotiations for a successor Producer-<strong>IATSE</strong><br />

Basic Agreement, and Area<br />

Standards Agreement.<br />

In the past six months, over 300<br />

collective bargaining agreements have<br />

been negotiated by the Division. This<br />

includes new term signatories, as well<br />

as many single production agreements.<br />

Reality television continues to be<br />

an organizing priority. This has greatly<br />

progressed with the recent addition<br />

of Representative Vanessa Holtgrewe<br />

to the West Coast Office. She has<br />

worked as a Director of Photography<br />

in reality production, and has been<br />

instrumental in taking the union message<br />

to crews working in reality television<br />

productions.<br />

New media production has been<br />

on the increase. Significantly, the<br />

budgets for this medium have grown,<br />

and in some instances are intended to<br />

challenge traditional television. Netflix,<br />

YouTube, Hulu and Yahoo are all<br />

engaged in original new media production.<br />

Commercial production rose to a<br />

record level during 2011. There were<br />

7,079 production days, an increase<br />

of 4.4% over the previous year. The<br />

result is that over 3.5 million hours<br />

were reported to the MPIPHP on this<br />

work, and over 40,000 days were the<br />

basis for contributions into the IA<br />

National Benefit Funds.<br />

In Canada, there are now 197<br />

signatories to the Canadian Binder<br />

36 Official Bulletin First Quarter 2012 37

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