635 - IATSE Local 8 Philadelphia
635 - IATSE Local 8 Philadelphia
635 - IATSE Local 8 Philadelphia
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ing their research, were able to meet<br />
their goal of raising the performance<br />
rate in this contract, which was their<br />
top priority.<br />
Almost every day the General Office<br />
is being used by the Wardrobe<br />
<strong>Local</strong>s, as well as <strong>Local</strong> 798, Hair and<br />
Makeup, as a resource to represent<br />
their members.<br />
Representative White thanked In-<br />
House Counsel Samantha Dulaney,<br />
Vice Presidents DePaulo, DiTolla, and<br />
Lawlor, General Secretary-Treasurer<br />
Wood and his staff, especially Marcia<br />
Lewis, for all their assistance and for<br />
sharing their knowledge with her so<br />
that she can best serve the <strong>Local</strong>s.<br />
Revel Atlantic City<br />
Vice President Barnes has been<br />
monitoring the development known<br />
as Revel Atlantic City, an entertainment<br />
resort and casino located on the<br />
beach in Atlantic City, New Jersey.<br />
With the downturn in the economy,<br />
the principal financing for the project<br />
fell through and the project came to a<br />
halt. The State of New Jersey stepped<br />
up to jumpstart the project and it is<br />
now on schedule to open in May 2012.<br />
ACT Department<br />
Vice President Lawlor reported<br />
that membership in ACT numbered<br />
exactly 500 in January 2012. The project<br />
to transfer forty ACT members to<br />
Stage <strong>Local</strong> 33 – Los Angeles, CA is<br />
still a work in progress.<br />
PLASA<br />
Vice President Lawlor represents<br />
the Organizational Members on the<br />
PLASA North American Board, which<br />
is chaired by Eddie Raymond, Vice<br />
President of <strong>Local</strong> 16. Membership<br />
in the organization is down slightly<br />
as some companies belonged to both<br />
PLASA and ESTA, which merged together<br />
last year, and some have been<br />
affected by the long-term economic<br />
downturn. PLASA’s arrangement with<br />
Penton Media, the owner of the LDI<br />
show, is breathing new life into LDI<br />
and creating a potential financial<br />
windfall for PLASA. This will allow<br />
them to start their PLASA Focus Roadshows.<br />
The first PLASA Roadshow is<br />
being held in Austin, Texas in late<br />
February and Vice President Lawlor<br />
has been assigned by President Loeb<br />
to attend and to determine whether<br />
the <strong>IATSE</strong> and applicable local unions<br />
should exhibit prospectively.<br />
The ETCP program remains intact<br />
and separate from the PLASA<br />
merger and continues to gain steam.<br />
There are currently 1,394 certifications<br />
that have been granted to<br />
1,190 individuals. The majority of<br />
the certifications are for rigging<br />
with the balance being certified as<br />
Entertainment Electricians.<br />
The Stagecraft Department applauds<br />
the local unions currently<br />
working with the ETCP staff and recognized<br />
trainers to get the training<br />
necessary for their members to take<br />
and pass the test.<br />
LDI<br />
The most recent Live Design International<br />
(LDI) show was held in Orlando,<br />
Florida, October 28-30, 2011.<br />
Although the show is currently being<br />
rebranded in a five-year arrangement<br />
with PLASA, the benefit of this<br />
new arrangement did not increase<br />
exhibitor attendance at the show although<br />
it seemed that the foot traffic<br />
increased. This still remains a very<br />
important show for the Stagecraft<br />
Department. Penton Media, the primary<br />
owner of the show, has decided<br />
against moving the show around the<br />
country and has settled on presenting<br />
the show in Las Vegas for the next<br />
three years. The 2012 LDI show dates<br />
are October 19-21, 2012 in Las Vegas<br />
at the Las Vegas Convention Center.<br />
USITT<br />
The United States Institute of Theatre<br />
Technology (USITT) tradeshow<br />
will be held in Long Beach, California<br />
on March 29-31, 2012. This tradeshow<br />
continues to grow in size. One of the<br />
benefits of this show is the exposure<br />
to prospective members.<br />
INFOCOMM<br />
This year will be the Stagecraft<br />
Department’s third year exhibiting at<br />
InfoComm in June 2012 in Las Vegas.<br />
As in 2011, the International will<br />
once again co-sponsor the rigging<br />
and staging demo because of the expanded<br />
relationship with InfoComm.<br />
Particular thanks go to Brother Kent<br />
Jorgensen for helping to coordinate<br />
the practical demonstrations on behalf<br />
of the <strong>IATSE</strong>.<br />
Broadway<br />
Things change very quickly on<br />
the Great White Way. With a finite<br />
amount of venues to begin with and<br />
a certain amount of theatres locked in<br />
with long running shows, open theatres<br />
become booked theatres very<br />
quickly. The economy is still affecting<br />
the ability to capitalize shows but<br />
there are plenty of shows waiting in<br />
the wings.<br />
The hit of the season continues<br />
to be The Book of Mormon, breaking<br />
house records at the O’Neill every<br />
week. The Tony winner for best play,<br />
War Horse, continues to have sold<br />
out performances business at Lincoln<br />
Center.<br />
As recently as last week, the top<br />
five grossing shows continue to be<br />
a mix of old and new with Wicked<br />
leading the charge. During the 2011<br />
Christmas holiday season, virtually<br />
every show did blockbuster business<br />
by adding a ninth show for the week.<br />
Hugh Jackman’s one man show took<br />
in over $15 million for its 10-week<br />
run. In addition, Jackman raised almost<br />
$2 million dollars for Broadway<br />
Cares/Equity Fights Aids by conducting<br />
an auction at the conclusion of<br />
every performance.<br />
The Road<br />
Another tour of Jersey Boys was<br />
mounted this past fall, and did production<br />
in <strong>Philadelphia</strong>. In addition,<br />
The Book of Mormon will mount a<br />
tour starting in Denver in the fall of<br />
2012. Some tours will shut down and<br />
others will be licensed to new producers.<br />
Most of the tours expected to<br />
launch this past fall - American Idiot,<br />
Addams Family, Million Dollar Quartet,<br />
Memphis and La Cage Aux Folles<br />
- have been mounted; those that have<br />
yet to travel include War Horse and the<br />
NETworks’ version of Mary Poppins.<br />
The good news is that arguably<br />
everything going out on tour is under<br />
an <strong>IATSE</strong> contract and the Stagecraft<br />
Department will now seek to improve<br />
those contracts on behalf of our touring<br />
members.<br />
Modified Non-League Networks<br />
The International’s contract with<br />
Networks, Troika, Big League, Phoenix<br />
and Worklight expired on June<br />
30, 2011. Networks is producing upwards<br />
of 10 shows in 2011-2012 season.<br />
As was previously reported, General<br />
Counsel Short was working with<br />
Networks’ outside Counsel to agree<br />
with the language of the League/Disney<br />
Theatrical agreement. The goal<br />
is to get this Agreement to comport<br />
to the language agreed to with the<br />
League.<br />
Live Nation<br />
Vice President Lawlor was assigned<br />
to assist <strong>Local</strong> 3, Pittsburgh/<br />
New Castle, Pennsylvania, with the<br />
renegotiation of its contracts with Live<br />
Nation. A meeting was held in Pittsburgh<br />
in October 2011 with representatives<br />
of <strong>Local</strong> 3 and the management<br />
from Live Nation. The <strong>Local</strong> has<br />
indicated a willingness to come into<br />
the National Agreement and a review<br />
of the proposal submitted by the employer<br />
is currently underway.<br />
Canada<br />
Vice President John Lewis reported<br />
that the Canadian Pink Contract<br />
was rolled out and the reaction<br />
by both the <strong>Local</strong>s and the Producers<br />
has been favorable. The first French<br />
version of the Pink Contract has been<br />
signed in the Province of Quebec.<br />
Vice President Lewis thanked Assistant<br />
to the President Sean McGuire<br />
for helping make the process seamless<br />
and stated that Sean and Vice<br />
President Damian Petti are coordinating<br />
efforts to make the issuance of<br />
Pink Traveling Cards more efficient.<br />
In keeping with President Loeb’s<br />
outreach directive, every touring<br />
production under the Canadian Pink<br />
Agreement has been visited by an International<br />
Representative.<br />
MOTION PICTURE AND<br />
TELEVISION PRODUCTION<br />
DEPARTMENT<br />
International Vice Presidents Michael<br />
F. Miller, Jr., John M. Lewis,<br />
Thom Davis and John Ford, Assistant<br />
Division Director Daniel M. Mahoney,<br />
International Representatives Ben Adams,<br />
Steve Aredas, Jamie Fry, Vanessa<br />
Holtgrewe, Lyle Trachtenberg, and<br />
Jennifer Triplett reported on Motion<br />
Picture and Television Production.<br />
Foremost in the report was an announcement<br />
concerning upcoming<br />
negotiations for a successor Producer-<strong>IATSE</strong><br />
Basic Agreement, and Area<br />
Standards Agreement.<br />
In the past six months, over 300<br />
collective bargaining agreements have<br />
been negotiated by the Division. This<br />
includes new term signatories, as well<br />
as many single production agreements.<br />
Reality television continues to be<br />
an organizing priority. This has greatly<br />
progressed with the recent addition<br />
of Representative Vanessa Holtgrewe<br />
to the West Coast Office. She has<br />
worked as a Director of Photography<br />
in reality production, and has been<br />
instrumental in taking the union message<br />
to crews working in reality television<br />
productions.<br />
New media production has been<br />
on the increase. Significantly, the<br />
budgets for this medium have grown,<br />
and in some instances are intended to<br />
challenge traditional television. Netflix,<br />
YouTube, Hulu and Yahoo are all<br />
engaged in original new media production.<br />
Commercial production rose to a<br />
record level during 2011. There were<br />
7,079 production days, an increase<br />
of 4.4% over the previous year. The<br />
result is that over 3.5 million hours<br />
were reported to the MPIPHP on this<br />
work, and over 40,000 days were the<br />
basis for contributions into the IA<br />
National Benefit Funds.<br />
In Canada, there are now 197<br />
signatories to the Canadian Binder<br />
36 Official Bulletin First Quarter 2012 37