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Kate Bornstein: A Transgender Transsexual ... - Karin Kammann

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<strong>Kate</strong>: That is what m ine is like. What they do for a M-To-F sex change is cut the penis<br />

open, scrape out the inside and then turn it inside out so that the outside of m y penis is<br />

now the walls of m y vagina. The head of m y penis is now m y cervix. You have m ore<br />

sensation in your clitoris than I do because m ine is reconstructed from m y perineum . I t<br />

has lots of nerves and is fine, but yours is m ore sensitive. However, the walls of m y<br />

vagina are m ore sensitive than the walls of your vagina.<br />

Shannon: What about your cervix or previous penis head. I s it sensitive?<br />

<strong>Kate</strong>: Yes, we have been searching and have just found the right sized dildo, which is<br />

great because pounding hurts. What I have is a cul-de-sac which just goes so far. I still<br />

have a form of ejaculation from the Cowper’s glands. I t com es out of m y urethra.<br />

m ental backup Seite 12 von 12<br />

by karin kam m ann<br />

the brain refreshm ent company<br />

Copyright und alle Rechte des Textes<br />

12<br />

After the interview I go to see The Opposite Sex ... Is Neither! again. I wanted to see<br />

<strong>Kate</strong> channel Billy Tipton, the passing he-she 1920’s jazz m usician, one m ore tim e. <strong>Kate</strong><br />

can read her audience: as Billy says:<br />

"My wife left m e after sixteen years. See, I never told her I was a wom an. After I died,<br />

and word got around, she swore she never knew. That’s a m ighty big regret I have,<br />

m ighty big. I f you see her, you tell her I am so goddam n sorry I never told her. Her<br />

nam e is Kitty. [ Billy looking straight at m e] You tell her that, please. Please?"<br />

I whisper "yes," in a sort of inaudible hoarse whisper that carries into the space between<br />

her words and m y m ind. Can <strong>Kate</strong> tell that there is som ething about Billy, his voice, his<br />

m aleness, channeled through her gorgeous fem ale body, that ignites a sense of awe in<br />

m y clit and continues up the back of m y spine and out the top of m y head? Maybe it’s<br />

because Billy is such a m ind-fuck, a trickster through and through. Billy begins his exit:<br />

"I had to be a m an ... I have been readin’ all the newspapers since I died, and they like<br />

to m ake it out I did it for m y m usic. I love m y m usic, but lookin’ back, it wasn’t<br />

everything. Maybe I just sim ply loved m y Kitty. Maybe I was just one ornery old<br />

bulldagger who got away with it all."<br />

<strong>Kate</strong> <strong>Bornstein</strong> is a perform ance artist, actor and writer. Gender Outlaw: on Men, Wom en<br />

and the Rest of Us was recently published by Routledge.<br />

Shannon Bell is a pastiche fem inist philosopher. She teaches classical political theory and<br />

fem inist theory. Her book, Reading, Writing and Rewriting the Prostitute Body was<br />

published by I ndiana University Press, 1994. The I nterview with <strong>Kate</strong> Borenstein was<br />

originally published in The Last Sex: Fem inism and Outlaw Bodies, Arthur and Marilouise<br />

Kroker, editors. New York: St.Martin’s Press.<br />

Note: All references from The Opposite Sex...I s Neither! are from <strong>Kate</strong> <strong>Bornstein</strong>’s script,<br />

copyright 1991, 1992.<br />

www,m ental- backup.de<br />

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D - 47669 Wachtendonk<br />

info@m ental- backup.de<br />

Tel.: + 49 (0)2836 - 97 10 59<br />

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