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étranger" (Cf. Michel Lécureur, Raymond <strong>Queneau</strong>, pp. 397-398) and how <strong>Queneau</strong> left<br />
the jury, and Nadeau's displeasure at the feelings <strong>Queneau</strong> revealed in the Journal 1939-<br />
1940 (which he refers to as Carnets de guerre). Nadeau writes of his efforts to get<br />
Histoire published, with <strong>Queneau</strong> turning it down for Gallimard and with Breton complaining<br />
about what he thought <strong>Queneau</strong> had contributed to it and about Odile (pp. 40-<br />
41). Nadeau also cites a letter to him in which Antonin Artaud mentions <strong>Queneau</strong> in<br />
regard to Artaud's struggle against the censors (p. 168), describes his unpleasant relations<br />
with Jean Paulhan and how <strong>Queneau</strong> was involved in them (pp. 254-257), and speaks of<br />
how <strong>Queneau</strong> was in support of his becoming a member of the Gallimard concern (pp.<br />
459-463). Nadeau has included a copy of the anonymously-authored "A Messieurs les<br />
juges du tribunal correctionel de Nancy" (pp. 162-163) and also mentions <strong>Queneau</strong> on pp.<br />
38, 67, 150, 187, 235, 249, and 425.<br />
Nadeau, Maurice. Histoire du surréalisme. Paris: Editions du Seuil, 1945. %% There are<br />
some<br />
simple mentions of <strong>Queneau</strong>, his work on "Permettez!" and the later Cadavre (cf. <strong>Queneau</strong>,<br />
"Dédé"), and some other short texts (such as "Des canons de neige...," "Rêve," and<br />
"Je suis à Londres...") on pp. 152, 189, 245, 263, and 332-333. Cf. Maurice Nadeau,<br />
"<strong>Queneau</strong>" and "Secret, apparemment distant, mais plein de gentillesse"; <strong>Queneau</strong>, "La<br />
Vie des livres": "Collections."<br />
Nadeau, Maurice. Histoire du surréalisme. Paris: Editions du Seuil, 1964. %% Pages 246-250<br />
reproduce the text of <strong>Queneau</strong> et al., "Permettez!"<br />
Nadeau, Maurice. "Le 'Jeune Roman'." Les Lettres nouvelles (Paris), an. 7 #4 (25 mars 1959),<br />
pp. 1-2. %% Nadeau just mentions <strong>Queneau</strong>'s name in an article on the current state of<br />
the novel in France.<br />
Nadeau, Maurice. "Journal en public." Quinzaine littéraire (Paris), vol. * #878 (1 ier juin<br />
2004),<br />
p. 27. %% Nadeau mentions that he reads <strong>Queneau</strong>, among others, when he is on the<br />
train.<br />
Nadeau, Maurice. "Nouveaux Poèmes de Raymond <strong>Queneau</strong>." France observateur (Paris),<br />
vol. 9 #436 (11 septembre 1958), p. 16. %% Nadeau reviews the first edition of Le Chien<br />
à la mandoline, the one appearing in Verviers, and concentrates almost exclusively (but<br />
superficially) on <strong>Queneau</strong>'s language.<br />
Nadeau, Maurice. "Une Nouvelle Littérature." Mercure de France (Paris), an. 61 #308 (=<br />
#1009) (mars 1950), pp. 499-503. %% Nadeau just barely mentions Le Chiendent as part<br />
of the new trend in literature.<br />
Nadeau, Maurice. "Pelons l'oignon." Quinzaine littéraire (Paris), vol. * #62 (1 ier décembre<br />
1968), p. 7. %% Nadeau reviews Le Vol d'Icare in a depth unusual for him.<br />
Nadeau, Maurice. Préface. In Boris Souvarine et "La Critique sociale." Ed. Anne Roche.<br />
Pref. Maurice Nadeau. Paris: La Découverte, 1990, pp. 7-10. %% Nadeau considers the<br />
value of reconsidering this revue and its contributions.<br />
Nadeau, Maurice. Proteus: Der französischen Roman seit dem Kriege. Neuwied: Luchterhand,<br />
1964. %% This is a translation of his Le Roman français depuis la guerre.<br />
Nadeau, Maurice. "Quatre Libraires de Nancy retournent devant les tribunaux." Combat<br />
(Paris), an. 10 #2107 (12 avril 1951), p. 4. %% Nadeau summarizes the 1947 campaign<br />
against Henry Miller in France and includes the name of <strong>Queneau</strong> among those who