04.01.2015 Views

Legal Aspects of the Information Society. - Free Technology Academy

Legal Aspects of the Information Society. - Free Technology Academy

Legal Aspects of the Information Society. - Free Technology Academy

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

GNUFDL • 5 Intellectual property: authors' rights and copyright<br />

1. Intellectual property: authors' rights and copyright<br />

Intellectual Property Rights, or IPR, are a series <strong>of</strong> rights that protect intangible<br />

(intellectual) works <strong>of</strong> human creation. While <strong>the</strong> term IPR in Anglo-Saxon<br />

countries confusingly covers several types <strong>of</strong> rights, including Authors' rights<br />

(copyright), patents and trademarks, in <strong>the</strong> continental tradition, IPR is limited<br />

to Authors'rights,orcopyright, with <strong>the</strong> concept <strong>of</strong> "Industrial Property<br />

Rights" to cover o<strong>the</strong>r types <strong>of</strong> rights.<br />

In this Module 2 we look at IPR in <strong>the</strong> continental tradition, Authors' rights,<br />

and its special relationship with s<strong>of</strong>tware, while Industrial Property Rights are<br />

covered in Module 3.<br />

1.1. The traditional concept <strong>of</strong> Authors' rights<br />

Authors' rights is a legal term describing <strong>the</strong> certain specific rights granted to<br />

creators in <strong>the</strong>ir original works. In <strong>the</strong> legal system <strong>of</strong> most English-speaking<br />

countries, <strong>the</strong> term copyright is used, as we shall see later. In this section we<br />

shall see how <strong>the</strong> law establishes and regulates <strong>the</strong>se rights.<br />

Neighbouring rights<br />

In <strong>the</strong> general <strong>the</strong>ory <strong>of</strong> Authors' rights, <strong>the</strong>re are also certain rights<br />

attached to a work that are granted to certain persons who are not authors,<br />

such as interpreters and performers on <strong>the</strong> one hand, and producers,<br />

broadcasting entities on <strong>the</strong> o<strong>the</strong>r. Thus a recorded musical work<br />

(e.g. a song) will be concurrently protected by several different rights:<br />

• The authors' rights <strong>of</strong> <strong>the</strong> composer <strong>of</strong> <strong>the</strong> music and <strong>the</strong> lyricist.<br />

• The performers' rights <strong>of</strong> <strong>the</strong> singer and <strong>the</strong> musicians.<br />

• The producers' rights <strong>of</strong> <strong>the</strong> person or corporation which made <strong>the</strong><br />

recording.<br />

1.2. Origin <strong>of</strong> Authors' rights/copyright<br />

Protection by Authors' rights stems from <strong>the</strong> historical moment when works<br />

were initially exploited economically by reproduction in hard copies. First, by<br />

medieval copiers and, especially, fur<strong>the</strong>r ahead, with <strong>the</strong> appearance <strong>of</strong> <strong>the</strong><br />

printing press. Publishing houses, as a whole, benefited directly from <strong>the</strong> invention<br />

<strong>of</strong> <strong>the</strong> press, as works were transformed into commercial objects that<br />

could reap <strong>the</strong>m economic benefits. However, at <strong>the</strong> same time, <strong>the</strong> use <strong>of</strong> <strong>the</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!