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Passive Design in Hot Humid Climates - IBD

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<strong>Passive</strong> <strong>Design</strong> <strong>in</strong> <strong>Hot</strong><br />

<strong>Humid</strong> <strong>Climates</strong><br />

Mohd. Hamdan Ahmad, PhD<br />

Professor<br />

Executive Director<br />

Institute Sultan Iskandar<br />

10/12/2011<br />

Universiti Teknologi Malaysia<br />

1


Introduction<br />

• Build<strong>in</strong>gs consumed half<br />

of the energy used daily. The<br />

energy used rise significantly<br />

due to the homogenous<br />

environment created by<br />

designers and the standardized<br />

eng<strong>in</strong>eer<strong>in</strong>g solutions. Today,<br />

most build<strong>in</strong>gs tend to waste a<br />

lot of energy by not respond<strong>in</strong>g<br />

to the climatic conditions and<br />

comfort requirement of the<br />

<strong>in</strong>habitants.<br />

•<br />

10/12/2011 2


Introduction<br />

• Application of advance<br />

technology and mechanical aids<br />

for cool<strong>in</strong>g and comfort has also<br />

play significant roles <strong>in</strong><br />

chang<strong>in</strong>g the basic design<br />

pr<strong>in</strong>ciples which we normally<br />

used to be responsive to our<br />

context – i.e. tropical climate<br />

and culture.<br />

• Thus there is a need to reevaluate<br />

and re-address the<br />

basic plann<strong>in</strong>g and design<br />

pr<strong>in</strong>ciples as designers are<br />

responsible for the energy<br />

<strong>in</strong>efficiency of the build<strong>in</strong>gs they<br />

design. They must be ecological<br />

and susta<strong>in</strong>able.<br />

10/12/2011 3


Introduction<br />

Architecture can be described from various<br />

perspectives. Historians see architecture<br />

differ than the scientist. The aristocrat and<br />

peer of the cultural realm perceived<br />

architecture more so from the cultural view<br />

po<strong>in</strong>ts. On the other hand, the<br />

environmentalists see architecture from the<br />

environmental and bio-climatic angles.<br />

Malay Architecture should not fall <strong>in</strong>to<br />

be<strong>in</strong>g a trend or fashionable item. It should<br />

be dynamic to change but keep<strong>in</strong>g what is<br />

local legible!


Susta<strong>in</strong>able Development:<br />

<br />

Susta<strong>in</strong>ability applies to actions/developments that<br />

preserve the global environment and its nonrenewable<br />

resources for present and future<br />

generations<br />

10/12/2011 5


Why Susta<strong>in</strong>able<br />

Three Basic understand<strong>in</strong>gs:<br />

<br />

<br />

<br />

That our resources are limited<br />

That our decision may not be<br />

reversible<br />

That we have moral obligation<br />

for future generation<br />

Susta<strong>in</strong>able Architecture<br />

The art or technology of mak<strong>in</strong>g build<strong>in</strong>g<br />

with human nature relationship.<br />

Objective of Susta<strong>in</strong>able<br />

Architecture:<br />

To provide comfortable & healthy<br />

environment<br />

To maximize use of natural energy forces<br />

<strong>in</strong>stead of mechanical aids<br />

To reduce energy use <strong>in</strong> build<strong>in</strong>g<br />

10/12/2011 6


<strong>Passive</strong> <strong>Design</strong><br />

• Susta<strong>in</strong>able design approach<br />

• <strong>Passive</strong> design is design that does not require mechanical<br />

heat<strong>in</strong>g or cool<strong>in</strong>g. It is about mak<strong>in</strong>g the most of local<br />

conditions to make your home comfortable, affordable and<br />

susta<strong>in</strong>able.<br />

• <strong>Passive</strong> design means design<strong>in</strong>g your home for your climate. In<br />

tropical areas, lightweight materials, shade and ventilation help<br />

keep your home cool.<br />

• MS1525:2007 Clause 4.1<br />

• <strong>Design</strong><strong>in</strong>g with<strong>in</strong> contextual climate and site are the first steps <strong>in</strong> the<br />

reduction of energy consumption, that will result <strong>in</strong> operational cost sav<strong>in</strong>gs.<br />

10/12/2011 7


MS1525:2007<br />

• MS 1525 primarily deals with build<strong>in</strong>g energy.<br />

• The steps towards Energy Efficient build<strong>in</strong>gs are:<br />

PASSIVE MEASURES<br />

ACTIVE MEASURES<br />

Clause 4:<br />

Architectural and <strong>Passive</strong> <strong>Design</strong><br />

Strategy<br />

Clause 5:<br />

Build<strong>in</strong>g Envelope<br />

+<br />

Clause 6:<br />

Light<strong>in</strong>g<br />

Clause 7:<br />

Power System and Distribution System<br />

Clause 8:<br />

Air Cond and Mech Ventilation System<br />

Clause 9:<br />

Energy Management Control System<br />

10/12/2011 8


<strong>Passive</strong> <strong>Design</strong><br />

• MS1525:2007 Clause 4 Key passive design factors<br />

4.1 Susta<strong>in</strong>able <strong>Design</strong> Approach<br />

4.2 <strong>Passive</strong> <strong>Design</strong> Strategy<br />

4.3 Site Plann<strong>in</strong>g and Orientation<br />

4.4 Daylight<strong>in</strong>g<br />

4.5 Façade <strong>Design</strong><br />

4.6 Natural Ventilation<br />

4.7 Strategic Landscap<strong>in</strong>g<br />

10/12/2011 9


<strong>Passive</strong> <strong>Design</strong><br />

• MS1525:2007 Clause 4 Key passive design factors<br />

• Key element of susta<strong>in</strong>able build<strong>in</strong>g<br />

• Aims to maximise comfort for people liv<strong>in</strong>g <strong>in</strong> a home while m<strong>in</strong>imis<strong>in</strong>g energy use and<br />

impacts on the environment<br />

• Mak<strong>in</strong>g the most of renewable, natural sources of energy, such as the sun and the<br />

w<strong>in</strong>d, to provide natural ventilation and light<strong>in</strong>g and to contribute to responsible energy<br />

waste.<br />

10/12/2011 10


Contextual Understand<strong>in</strong>g<br />

<br />

Understand<strong>in</strong>g context is vital <strong>in</strong> contextual responsive architecture.<br />

<br />

<br />

<br />

<br />

<br />

There are three major components describ<strong>in</strong>g context.<br />

The first is climate.<br />

The second is culture.<br />

The third is time (technology)<br />

Understand<strong>in</strong>g climate and culture must <strong>in</strong>clude the understand<strong>in</strong>g of<br />

the site specific; the location of the site, the climatic condition of the<br />

site, the socio-cultural issues relat<strong>in</strong>g to the site, and the users. Time<br />

relates very much to the available and appropriate technology.<br />

10/12/2011 11


Understand<strong>in</strong>g Our Tropical<br />

Climate and Thermal Comfort<br />

Criteria:<br />

• Malaysia sits between 1-8 o N<br />

latitudes, 100-119 o E<br />

longitudes.<br />

• Approximately 137km north of<br />

the Equator.<br />

10/12/2011 12


Understand<strong>in</strong>g Climate<br />

• Intense Heat/Solar radiation: 4.76 kWh/m2 (but<br />

variable with cloud<br />

cover)<br />

• High Air Temperature (<strong>in</strong>creased yearly esp.<br />

visible <strong>in</strong> m<strong>in</strong>imum air temperature) 22-34 o C<br />

• Small diurnal air temperature range: less than<br />

10<br />

• High humidity: >50% and very high at night<br />

• Generally, very light w<strong>in</strong>ds: 0.5-3 m/s (1-6 knots)<br />

• Cloudy Sky: >6 oktas, High Diffused Light<br />

Components (53%)<br />

• Ra<strong>in</strong>fall above global average (annual: 2600mm)<br />

10/12/2011 13


Climate Data<br />

World Temperature Zon<strong>in</strong>g<br />

Malaysia<br />

Source: www.myforecast.com


Climate Data<br />

Source: www.climate-charts.com (2007)


Climate Data<br />

Kuala Lumpur, Malaysia<br />

Source: www.climate-charts.com (2007)


Climate Data<br />

Temperature<br />

Kuala Lumpur, Malaysia (Jan – Sept 2011)<br />

Max Avg M<strong>in</strong> Sum<br />

Max Temperature 35 °C 32 °C 24 °C<br />

Mean Temperature 30 °C 28 °C 23 °C<br />

M<strong>in</strong> Temperature 27 °C 24 °C 22 °C<br />

Degree Days<br />

Heat<strong>in</strong>g Degree Days (base 65) 0 0 0 0<br />

Cool<strong>in</strong>g Degree Days (base 65) 22 17 9 4628<br />

Grow<strong>in</strong>g Degree Days (base 50) 36 32 24 8711<br />

Dew Po<strong>in</strong>t<br />

Dew Po<strong>in</strong>t 30 °C 24 °C 20 °C<br />

Precipitation<br />

Precipitation - - - -<br />

Snowdepth - - - -<br />

W<strong>in</strong>d<br />

W<strong>in</strong>d 37 km/h 6 km/h 0 km/h<br />

Gust W<strong>in</strong>d 47 km/h 34 km/h 23 km/h<br />

Sea Level Pressure<br />

Sea Level Pressure 1014 hPa 1009 hPa 1002 hPa<br />

Source: www.wunderground.com


Climate Data<br />

Kuala Lumpur, Malaysia (Jan – Sept 2011)<br />

Source: www.wunderground.com


Daylight Availability <strong>in</strong> Kuala<br />

Lumpur<br />

10/12/2011 19


10/12/2011 20


Understand<strong>in</strong>g Solar<br />

Chart/Path for Malaysia<br />

Use Solar Chart from 0 o to 8 o Latitude<br />

(KL about 4 o N)<br />

10/12/2011 21


Understand<strong>in</strong>g<br />

Solar Path<br />

For Malaysia, be<strong>in</strong>g <strong>in</strong><br />

the Tropical Region<br />

near the Equator, the<br />

sun is experienced<br />

from all sides of the<br />

build<strong>in</strong>g throughout the<br />

year<br />

10/12/2011 22


Understand<strong>in</strong>g<br />

Solar Angle<br />

Critical exposure to sun<br />

(10.00am-4.00pm):<br />

Maximum Radiation on the<br />

Roof<br />

<strong>Hot</strong> even<strong>in</strong>g sun (4.00-<br />

5.30pm): west wall<br />

Higher total solar irradiance<br />

on the East wall<br />

Lowest sun angle (North) at<br />

mid-day <strong>in</strong> June = 69 o<br />

Lowest sun angle (South) at<br />

mid-day <strong>in</strong> Dec/Jan = 63 o<br />

<br />

<br />

Lowrise Build<strong>in</strong>g-Roof Most<br />

Critical<br />

Highrise Build<strong>in</strong>g- Wall<br />

Most critical<br />

10/12/2011 23


Understand<strong>in</strong>g Thermal<br />

Comfort Criteria<br />

• Comfort Zone for Tropical Climate as suggested by Koenigsberger:<br />

Corrected Effective<br />

Temperature<br />

Air Movement<br />

22 o C(CET)-27 o C(CET)<br />

0.15m/s-1.5m/s<br />

• C.G.Webbs Equatorial Comfort Index:<br />

25.6 o C<br />

• Adnan’s Thermal Comfort Zone: 23 – 27 o C<br />

10/12/2011 24


Olgay’s Bio-Climatic Chart<br />

10/12/2011 25


Understand<strong>in</strong>g Heat Ga<strong>in</strong>s <strong>in</strong><br />

Build<strong>in</strong>g<br />

Qs and Qc (The effect of Solar Radiation and Heat Ga<strong>in</strong> most crucial)<br />

10/12/2011 26


Shelter<strong>in</strong>g Concept<br />

Basic Purpose of<br />

Build<strong>in</strong>g (Architecture):<br />

To Shelter:<br />

<br />

<br />

<br />

<br />

Ra<strong>in</strong><br />

Sun<br />

Safe and Comfortable<br />

Animal and Insect<br />

When we design, how<br />

do we achieve this idea<br />

of ‘shelter’<br />

10/12/2011 27


How Build<strong>in</strong>g Functions<br />

Build<strong>in</strong>g as ‘Climatic<br />

Risk’<br />

To shelter<br />

Build<strong>in</strong>g is not a sheet of<br />

paper with<strong>in</strong> the<br />

environment<br />

Build<strong>in</strong>g has envelope<br />

10/12/2011 28


How to Achieve Good Shelter or Basic<br />

Pr<strong>in</strong>ciple for Comfort <strong>in</strong> The Tropics<br />

APPRECIATE OUR<br />

CLIMATE<br />

THINK UMBRELLA<br />

UNDER SHADED<br />

TREE OR TREE<br />

CANOPY<br />

OPEN aga<strong>in</strong>st<br />

ENCLOSED<br />

OUTDOOR-INDOOR<br />

IS WALL REALLY<br />

NECESSARY<br />

10/12/2011 29


Lessons from Traditional Architectural<br />

Response :<br />

Malay House<br />

• Large Open<strong>in</strong>g<br />

• Light Construction/light<br />

materials<br />

• On stilts<br />

• Open <strong>Design</strong> – M<strong>in</strong>imum<br />

partitions<br />

10/12/2011 30


ARGUMENT<br />

The same th<strong>in</strong>g applies to architecture.<br />

Traditional architecture cleverly<br />

appreciate climate which <strong>in</strong> turn become<br />

part of the cultural understand<strong>in</strong>g <strong>in</strong><br />

creat<strong>in</strong>g built form.<br />

For example, the construction<br />

technology depicted the available<br />

technology at that time but somehow<br />

illustrated an accurate prediction of<br />

controll<strong>in</strong>g, filter<strong>in</strong>g and respond<strong>in</strong>g to<br />

outdoor climate.<br />

The outdoor expressions were<br />

respond<strong>in</strong>g to the exposure of the<br />

build<strong>in</strong>g surfaces or envelopes and their<br />

aesthetic effect to the sunlight and even<br />

the sky condition.


ARGUMENT<br />

When we discussed about the Malay Traditional Architecture, the<br />

picture that comes to our m<strong>in</strong>d is a traditional kampong house<br />

that sits comfortably with<strong>in</strong> its surround<strong>in</strong>g.<br />

Pitch roof to block the heat from the sun and shed the ra<strong>in</strong> when it<br />

pours. The facades are recessed, Long roof overhangs. Large<br />

open<strong>in</strong>gs that allow maximum ventilation. Walls are operable or<br />

open-able allow<strong>in</strong>g flexibility of uses and function from comfort to<br />

visual and privacy. Raised floor mak<strong>in</strong>g no contact with the<br />

ground, allow<strong>in</strong>g natural ventilation and avoid<strong>in</strong>g conduction of<br />

heat from the ground. The sleep<strong>in</strong>g areas face east and front<br />

verandah always avoid<strong>in</strong>g fac<strong>in</strong>g west. They are loosely arranged<br />

allow<strong>in</strong>g good air movements around build<strong>in</strong>g.<br />

The surround<strong>in</strong>g enhances the shelter<strong>in</strong>g from the hot sun hav<strong>in</strong>g<br />

trees <strong>in</strong>directly as natural filter. The <strong>in</strong>door is as open plan as<br />

possible, with loosely arrange furniture creat<strong>in</strong>g transparency of<br />

light and ease the natural ventilation.<br />

The <strong>in</strong>terior sometime is visually gloomy provid<strong>in</strong>g sense of<br />

coolness aga<strong>in</strong>st the hot outside environment.<br />

The Malay Traditional Architecture is a reflection of careful<br />

understand<strong>in</strong>g of our people towards their environment even<br />

without architect! This is implicit language that we normally<br />

misplaced.


Traditional Ch<strong>in</strong>ese Shop-house<br />

Architecture Response<br />

Traditional Colonial<br />

Architecture Response<br />

• Internal Courtyards<br />

• Multiple Air-wells.<br />

• High Ceil<strong>in</strong>g<br />

• Corridor/porch around<br />

build<strong>in</strong>g<br />

10/12/2011 33


<strong>Design</strong> Strategy for Tropical<br />

Climate:<br />

a. The Must/Primary: Avoid<strong>in</strong>g<br />

Heat from Direct Sunlight<br />

b. The Plus/Secondary: Natural<br />

Ventilation<br />

c. The Extra: Induced<br />

Ventilation<br />

d. The Unnecessary:<br />

Mechanical Aids/Controls for<br />

Remedy<br />

10/12/2011 37


Envelope <strong>Design</strong> Pr<strong>in</strong>ciples<br />

Build<strong>in</strong>g envelope’ is a term used to describe<br />

the roof, walls, w<strong>in</strong>dows, floors and <strong>in</strong>ternal<br />

walls of a home. Its performance <strong>in</strong> modify<strong>in</strong>g<br />

or filter<strong>in</strong>g climatic extremes is greatly improved<br />

by passive design.<br />

10/12/2011 38


Roof <strong>Design</strong><br />

<br />

<br />

<br />

<br />

<br />

<br />

Must act as umbrella<br />

Provide Good Shade<br />

Reflective<br />

Good Insulation<br />

Ventilated Roof<br />

Discharge Trapped <strong>Hot</strong> Air<br />

10/12/2011 39


Wall <strong>Design</strong><br />

<br />

<br />

<br />

<br />

Selective Wall – Why you must have<br />

wall Privacy, security, view,<br />

ventilation, daylight, sunlight,<br />

transition<br />

Shaded Wall – breath<strong>in</strong>g, allow<br />

ventilation<br />

Exposed Wall – barrier, reduce heat:<br />

absorbance, radiation, transmission<br />

Materials Selection<br />

10/12/2011 40


Earth-bags<br />

10/12/2011 41


Floor <strong>Design</strong><br />

<br />

<br />

<br />

<br />

<br />

Reduce contact with hot ground<br />

Raised Floor<br />

Cooled Floor – Air or water cooled<br />

Air gap – used recycle tire<br />

Floor F<strong>in</strong>ishes<br />

10/12/2011 42


Outdoor <strong>Design</strong><br />

Landscape<br />

Water bed/pond<br />

10/12/2011 43


Harness<strong>in</strong>g Environment<br />

(potential)<br />

Solar Energy<br />

Day-light<strong>in</strong>g<br />

Recycl<strong>in</strong>g Ra<strong>in</strong> Water<br />

10/12/2011 44


Case study<br />

ST DIAMOND BUILDING (MALAYSIAN ENERGY<br />

COMMISSION)<br />

10/12/2011 45


CONCLUSION<br />

Architecture is too substantial to<br />

become an artifact. Architecture is<br />

about life, a public art that will have to<br />

be experienced by people.<br />

Architecture must fit to context.<br />

We can put Traditional Architecture <strong>in</strong>to<br />

a frozen state or place <strong>in</strong>to a protected<br />

<strong>in</strong>heritance of past excellence under<br />

heritage acts for future generation to<br />

appreciate. We can turn many of our<br />

heritages <strong>in</strong>to museums.<br />

But what is more important is to<br />

cont<strong>in</strong>uously susta<strong>in</strong> the fundamental<br />

nature that is the language of climatic<br />

understand<strong>in</strong>g <strong>in</strong>to contemporary<br />

solution.


CONCLUSION<br />

If one traces the evolution<br />

of architecture of a<br />

country that <strong>in</strong>clude<br />

change due to colonial<br />

<strong>in</strong>fluence such as<br />

Indonesia and Malaysia,<br />

the architecture is still<br />

chiefly manifest<strong>in</strong>g<br />

response to climate than<br />

the foreign cultural<br />

<strong>in</strong>fluence.


PROPOSITION<br />

Could it be Corbusier mach<strong>in</strong>e for<br />

liv<strong>in</strong>g<br />

Or is the organic Wright idea right<br />

What about our own bio-climatic idea<br />

of Dr Ken Yeang<br />

Can we still cl<strong>in</strong>g to the application of<br />

batik, songket and ukiran on our<br />

facades or tengkolok and songkok on<br />

top of build<strong>in</strong>gs


PROPOSITION<br />

What I sense is that our contemporary<br />

architecture has gone to war with<br />

nature!<br />

We must aspire that our next attempt<br />

is an act of friendly rek<strong>in</strong>dle with our<br />

surround<strong>in</strong>g.<br />

Explore the implicit language of Malay<br />

Architecture, and <strong>in</strong>tegrate the explicit.<br />

Let’s pray it will work!


Thanks, and may the competition<br />

becomes a successful example of<br />

susta<strong>in</strong>able project!<br />

10/12/2011 50

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