Download - OATG. Oxford Asian Textile Group
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10<br />
Unravelling the mysteries of the Karakalpaks<br />
In the first of a new series, <strong>OATG</strong> members David and Sue Richardson present an<br />
essay on two of their favourite textiles<br />
Karakalpak shapan from Qazaxdar’ya<br />
Those of us who attended Nick Fielding‘s home<br />
in early January to see his wonderful collection<br />
of Kyrgyz textiles were each requested to bring<br />
along a textile of our own, for what the Americans<br />
embarrassingly refer to as a ―show and<br />
tell‖ session. For us the choice was obvious.<br />
Like Nick, we too are fascinated by a visually<br />
powerful group of Turkic textiles that in our<br />
case come from the opposite, western side of<br />
Central Asia – from the Karakalpaks, who for<br />
the past two centuries have occupied the delta<br />
of the Amu Darya at the southern end of the<br />
Aral Sea.<br />
We have been studying the Karakalpaks<br />
almost full time for the past seven or eight<br />
years, trying to spend a full month in the delta<br />
every year furthering our research.<br />
Karakalpak textiles are difficult to collect.<br />
There are no proper dealers in Karakalpakstan,<br />
quality items never appear in bazaars, and the older generation is still reluctant to part with<br />
their heirlooms. Often a decision to sell is a protracted process that requires the approval of the<br />
whole family. Despite these obstacles, we have now assembled one of the largest collections of<br />
Karakalpak textiles currently in existence outside Karakalpakstan.<br />
Sadly many of the textiles in Karakalpak, Uzbek and Russian museums lack any detailed<br />
provenance. In acquiring our textiles, we have taken great care to try to document their history,<br />
frequently identifying the name, village, and clan of the maker and the date and circumstances of<br />
their production. Such information has been invaluable in furthering our understanding of changing<br />
Karakalpak fashions over the years.<br />
Sue brought along a woman‘s quilted shapan (chapan in Uzbek), made from polished cotton<br />
alasha and with over-sleeves known as jengse, decorated with cross- and chain-stitch embroidery.<br />
It probably dates from the 1910‘s or early 1920‘s. It illustrates how the Karakalpaks adopted<br />
the Khorezmian Uzbek craft of alacha making, which archaeologists have traced back to the 13 th<br />
century. This particular shapan was once owned by a wealthy bey from Qazaxdar‘ya named Tleumuratov<br />
who belonged to the Qoldawlı clan, part of the Qonı‘rat (Kungrad) division. He had three<br />
wives, each of whom had her own yurt.<br />
In 1929 Stalin unveiled his revolutionary policy of collectivization. Progressively during<br />
the early 1930‘s, the land, livestock and other possessions of private landowners and farmers<br />
throughout Karakalpakia were confiscated, and those who resisted – like Tleumuratov - were exiled<br />
and sometimes murdered. News that soviet officials were coming to arrest her husband<br />
reached Tleumuratov‘s youngest wife Gulbazar in 1933 when she was only 23-years old. She took<br />
the shapan, wrapped her newly born son in it, and fled south to Shımbay, escaping the officials<br />
and preserving the shapan for posterity. Meanwhile her husband was imprisoned and all of his<br />
property confiscated. Turdymurat Tleumuratov, the infant who had been wrapped in the shapan