fall M - Department of English - University of Minnesota
fall M - Department of English - University of Minnesota
fall M - Department of English - University of Minnesota
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P HOTO BY T ERRY F AUST<br />
Chabon to speak to their undergraduate<br />
<strong>English</strong> class. The rigorous requirement<br />
for the honor <strong>of</strong> having an award-winning<br />
writer come to your class: the class had to<br />
her nose buried in this fat novel with a yellow<br />
and red cartoon cover called The<br />
Amazing Adventures <strong>of</strong> Kavalier and Clay,<br />
which she claimed was the best book she<br />
She came home from California with her nose buried in<br />
this fat novel with a yellow and red cartoon cover called The<br />
Amazing Adventures <strong>of</strong> Kavalier and Clay<br />
Michael Chabon<br />
TEACHING WITH MICHAEL<br />
CHABON<br />
By MOLLY HENNESSEY<br />
Late in the 2002 <strong>fall</strong> semester an<br />
email circulated asking <strong>English</strong><br />
instructors if they would like<br />
Pulitzer Prize-winning novelist and the<br />
spring 2003 Esther Freier lecturer Michael<br />
meet at 9:00 am on Mondays. (The due<br />
date <strong>of</strong> Chabon and his wife’s fourth child<br />
required a frantic rescheduling <strong>of</strong> his<br />
appearance from April to February, thus<br />
the last-minute call to instructors and the<br />
restricted time frame). Sometimes I’m<br />
lucky. My composition class for spring fit<br />
the bill. Michael Chabon would be coming<br />
to my class on a Monday morning in<br />
February.<br />
My sister had introduced me to Michael<br />
Chabon’s work the previous summer. She<br />
came home from college in California with<br />
had read in years. It became my family’s<br />
summer book. We secured more copies<br />
and we all read it. Because we never had a<br />
sufficient number <strong>of</strong> books for each <strong>of</strong> us<br />
to have our own copy (six), the books were<br />
communal and all had multiple dog-eared<br />
pages.<br />
Kavalier and Clay seemed to satisfy us all.<br />
I liked the main characters—the hero and<br />
his sidekick—Joe and Sam. I liked the<br />
story. I liked the worlds <strong>of</strong> the novel—especially<br />
New York City in the 30s and 40s,<br />
Chabon—continued on page 14<br />
THE ESTHER<br />
FREIERENDOWED<br />
LECTURE SERIES IN LITERATURE<br />
JAMAICA KINCAID February 5 2001<br />
BARRY LOPEZ<br />
March 15 2002<br />
EDMUND WHITE November 22 2003<br />
MICHAEL CHABON February 9 2003<br />
ARNOLD RAMPERSAD October 10 2003<br />
A. S. BYATT<br />
April 17 2004<br />
Esther Freier was the first woman president <strong>of</strong> the Academy <strong>of</strong> Clinical Laboratory<br />
Physicians and Scientists. She retired from the <strong>University</strong> Medical School faculty<br />
holding the only endowed chair in Medical Technology in the nation. Dr. Freier<br />
loved literature and the arts. In her view, too much donated money went to science,<br />
and not enough to the arts. Her endowment to our <strong>English</strong> <strong>Department</strong> resulted<br />
in the creation <strong>of</strong> the Esther Freier Endowed Lecture Series. Its mission: bring significant<br />
national and international writers to the <strong>University</strong> community.<br />
EDMUND WHITE:<br />
PROFILE OF A WRITER<br />
By M. J. HENSLEY<br />
Edmund White delivered the<br />
Esther Freier Lecture “My<br />
Historical Novel,” on November<br />
22, 2002. His first historical novel, Fanny:<br />
A Fiction—scheduled for release in October<br />
2003—just completed, White sought to<br />
share some <strong>of</strong> the experience gained while<br />
writing this novel. “You must be<br />
brave,” he told his audience, “to be<br />
an archeologist <strong>of</strong> the past. Your<br />
intention should be to encounter<br />
the past, not as we would hope it<br />
had been, but as it was.” The narrator<br />
<strong>of</strong> the novel, Frances Trollope<br />
(mother <strong>of</strong> Anthony Trollope), provides<br />
an outsider’s view <strong>of</strong><br />
early nineteenth-century America.<br />
White--continued on page 12<br />
Edmund White<br />
P HOTO BY T ERRY F AUST<br />
ENGLISH AT MINNESOTA<br />
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