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PJ Harvey & John Parish no compromise - FILTER Magazine

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BAT FOR LASHES<br />

Two Suns 89%<br />

ASTRALWERKS<br />

Of all the victims of the great<br />

postmodern exaltation of mediocrity,<br />

it is romance itself that lies most bleeding. Her<br />

Ladyship Natasha Khan, bless her, is having <strong>no</strong>ne of<br />

it. As Bat for Lashes, she could well have gone all<br />

trendoid on this, her second collection, yet Two Suns<br />

sees her crawling even further down the mystical<br />

rabbit hole. This is a beauteous, hallucinatory journey<br />

through Arcadian daydreams of mortal heartache and<br />

caprice, set gorgeously to the musical echoes of<br />

Albion and illuminated by the august majesties of<br />

days gone by. Hell yeah. KEN SCRUDATO<br />

PETER BJORN AND JOHN<br />

Living Thing 74%<br />

ALMOST GOLD/<br />

STAR TIME INTERNATIONAL<br />

It’s mighty hard to keep pace in the<br />

long shadow of the “Young Folks.” With its latest<br />

LP, Living Thing, the trio of Swedes has delivered<br />

a<strong>no</strong>ther batch of minimalist pop, simple hooks and<br />

good-time kicks. But how alive is it really Maybe<br />

the title Writer’s Block would fit this album better,<br />

as its barren second-half suggests a struggle for<br />

inspiration. “I’m Losing My Mind” is a sort of ars<br />

poetica for writing under pressure:“I’m losing my<br />

mind/way behind.” However, there are signs of life.<br />

“It Don’t Move Me” actually does move and “Nothing<br />

to Worry About” is the cohesive PBJ we k<strong>no</strong>w and<br />

love, but the forced sparsity of Thing ultimately flatlines<br />

by its finish. KYLE MacKINNEL<br />

DOVES<br />

Kingdom of Rust 90%<br />

ASTRALWERKS<br />

While the band’s name may evoke<br />

images of white feathers and olive<br />

branches, the title of its fourth album gives way to<br />

darker visions of rotting royal accoutrements and<br />

majestic towers coated with the signs of a bygone<br />

era. Thankfully those faded images fit with the music,<br />

if <strong>no</strong>t with the band. They may be veterans of the<br />

British music scene by <strong>no</strong>w, but they perform the<br />

single “Jetstream” with more intensity and fervor than<br />

practically anything else in their catalogue. And the<br />

rest of the album succeeds in shaking off any rust the<br />

band may have collected over the years. While the<br />

kingdom of rust may fade away, the kingdom of Doves<br />

is here to stay. JEREMY MOEHLMANN<br />

GOMEZ<br />

A New Tide 80%<br />

ATO<br />

Winsome and lonesome as usual,<br />

Gomez’s sixth record does <strong>no</strong>thing<br />

to break from the past, save to abstract the bits of<br />

crisp clarity that shone on 2006’s How We Operate.<br />

Most interesting, <strong>no</strong>netheless, is how the band<br />

continues to utilize each distinctive vocalist apart<br />

from the others. Whether by the vocal coarseness of<br />

Ben Ottewell, Ian Ball’s tonal youth, or Tom Gray’s<br />

charming mediation between them, engaging sparks<br />

still ignite as they all wind together (“Win Park<br />

Slope”). BREANNA MURPHY<br />

<br />

The Venture Bros.:<br />

3rd Season 84%<br />

WARNER<br />

The third season of The Venture<br />

Bros. picks up where season two<br />

left off: the demolishing of The<br />

Monarch’s dreaded Cocoon and its subsequent<br />

rebuilding by his winged dominions. Packed with<br />

witty banter, super-hero/villain parody and the<br />

sexy auspices of the deep-voiced but shapely Dr.<br />

Girlfriend, The Venture Bros.’ third installment is<br />

more of the same high-action cartooning—made<br />

for adults, of course. Also making appearance in<br />

season three: Sgt. Hatred, General Manhowers,<br />

and obviously, Dr. Venture and his dim-wit<br />

boys. ERIK NOWLAN<br />

MOTÖRHEAD [REISSUES]<br />

Overkill 89%<br />

Iron Fist 90%<br />

Bomber 87%<br />

Ace of Spades 91%<br />

UNIVERSAL<br />

I mean, I get that there are people who don’t like<br />

Motörhead, which is cool, but at least once in your life<br />

you’re going to find yourself on the run from the cops<br />

doing a buck-fifty in the wrong lane at 3 a.m. (shades on,<br />

obviously) and dude, what else are you going to pop into<br />

the tape deck This is one of the most ass-kickingest fouralbum<br />

runs in the history of music, featuring the greatest<br />

lineup in Motörhead’s three decades of ass-kickery.<br />

Every track sounds like a knife fight between speed and<br />

beer. The existence of this band would be worth it just for<br />

“Ace of Spades,” but they produced a<strong>no</strong>ther three dozen<br />

songs just as good, and without them, who k<strong>no</strong>ws what<br />

you’d listen to in jail. MAX READ<br />

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22 <strong>FILTER</strong> GOOD MUSIC GUIDE

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