PJ Harvey & John Parish no compromise - FILTER Magazine
PJ Harvey & John Parish no compromise - FILTER Magazine
PJ Harvey & John Parish no compromise - FILTER Magazine
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BAT FOR LASHES<br />
Two Suns 89%<br />
ASTRALWERKS<br />
Of all the victims of the great<br />
postmodern exaltation of mediocrity,<br />
it is romance itself that lies most bleeding. Her<br />
Ladyship Natasha Khan, bless her, is having <strong>no</strong>ne of<br />
it. As Bat for Lashes, she could well have gone all<br />
trendoid on this, her second collection, yet Two Suns<br />
sees her crawling even further down the mystical<br />
rabbit hole. This is a beauteous, hallucinatory journey<br />
through Arcadian daydreams of mortal heartache and<br />
caprice, set gorgeously to the musical echoes of<br />
Albion and illuminated by the august majesties of<br />
days gone by. Hell yeah. KEN SCRUDATO<br />
PETER BJORN AND JOHN<br />
Living Thing 74%<br />
ALMOST GOLD/<br />
STAR TIME INTERNATIONAL<br />
It’s mighty hard to keep pace in the<br />
long shadow of the “Young Folks.” With its latest<br />
LP, Living Thing, the trio of Swedes has delivered<br />
a<strong>no</strong>ther batch of minimalist pop, simple hooks and<br />
good-time kicks. But how alive is it really Maybe<br />
the title Writer’s Block would fit this album better,<br />
as its barren second-half suggests a struggle for<br />
inspiration. “I’m Losing My Mind” is a sort of ars<br />
poetica for writing under pressure:“I’m losing my<br />
mind/way behind.” However, there are signs of life.<br />
“It Don’t Move Me” actually does move and “Nothing<br />
to Worry About” is the cohesive PBJ we k<strong>no</strong>w and<br />
love, but the forced sparsity of Thing ultimately flatlines<br />
by its finish. KYLE MacKINNEL<br />
DOVES<br />
Kingdom of Rust 90%<br />
ASTRALWERKS<br />
While the band’s name may evoke<br />
images of white feathers and olive<br />
branches, the title of its fourth album gives way to<br />
darker visions of rotting royal accoutrements and<br />
majestic towers coated with the signs of a bygone<br />
era. Thankfully those faded images fit with the music,<br />
if <strong>no</strong>t with the band. They may be veterans of the<br />
British music scene by <strong>no</strong>w, but they perform the<br />
single “Jetstream” with more intensity and fervor than<br />
practically anything else in their catalogue. And the<br />
rest of the album succeeds in shaking off any rust the<br />
band may have collected over the years. While the<br />
kingdom of rust may fade away, the kingdom of Doves<br />
is here to stay. JEREMY MOEHLMANN<br />
GOMEZ<br />
A New Tide 80%<br />
ATO<br />
Winsome and lonesome as usual,<br />
Gomez’s sixth record does <strong>no</strong>thing<br />
to break from the past, save to abstract the bits of<br />
crisp clarity that shone on 2006’s How We Operate.<br />
Most interesting, <strong>no</strong>netheless, is how the band<br />
continues to utilize each distinctive vocalist apart<br />
from the others. Whether by the vocal coarseness of<br />
Ben Ottewell, Ian Ball’s tonal youth, or Tom Gray’s<br />
charming mediation between them, engaging sparks<br />
still ignite as they all wind together (“Win Park<br />
Slope”). BREANNA MURPHY<br />
<br />
The Venture Bros.:<br />
3rd Season 84%<br />
WARNER<br />
The third season of The Venture<br />
Bros. picks up where season two<br />
left off: the demolishing of The<br />
Monarch’s dreaded Cocoon and its subsequent<br />
rebuilding by his winged dominions. Packed with<br />
witty banter, super-hero/villain parody and the<br />
sexy auspices of the deep-voiced but shapely Dr.<br />
Girlfriend, The Venture Bros.’ third installment is<br />
more of the same high-action cartooning—made<br />
for adults, of course. Also making appearance in<br />
season three: Sgt. Hatred, General Manhowers,<br />
and obviously, Dr. Venture and his dim-wit<br />
boys. ERIK NOWLAN<br />
MOTÖRHEAD [REISSUES]<br />
Overkill 89%<br />
Iron Fist 90%<br />
Bomber 87%<br />
Ace of Spades 91%<br />
UNIVERSAL<br />
I mean, I get that there are people who don’t like<br />
Motörhead, which is cool, but at least once in your life<br />
you’re going to find yourself on the run from the cops<br />
doing a buck-fifty in the wrong lane at 3 a.m. (shades on,<br />
obviously) and dude, what else are you going to pop into<br />
the tape deck This is one of the most ass-kickingest fouralbum<br />
runs in the history of music, featuring the greatest<br />
lineup in Motörhead’s three decades of ass-kickery.<br />
Every track sounds like a knife fight between speed and<br />
beer. The existence of this band would be worth it just for<br />
“Ace of Spades,” but they produced a<strong>no</strong>ther three dozen<br />
songs just as good, and without them, who k<strong>no</strong>ws what<br />
you’d listen to in jail. MAX READ<br />
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22 <strong>FILTER</strong> GOOD MUSIC GUIDE