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The Rewards of Art Criticism in Art Education: A Review Essay ...

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http://ijea.asu.edu/v7r2/ 10<br />

said he watched the water and wanted to feel it, to be it, to draw it, and to write a story<br />

about it” (p. 222). Examples such as this are throughout the book, underscor<strong>in</strong>g the<br />

ability <strong>of</strong> young children and non-art expert adults to engage powerfully with works <strong>of</strong><br />

art and develop <strong>in</strong>sightful <strong>in</strong>terpretations mean<strong>in</strong>gful to them and those with which<br />

they share their ideas. In addition to the emphasis on knowledge construction and<br />

<strong>in</strong>quiry, Barrett’s demonstration <strong>of</strong> the rewards <strong>of</strong> <strong>in</strong>terpretation from his experience<br />

and those he has encountered and worked with make this book a valuable contribution<br />

to the literature on the role <strong>of</strong> art criticism <strong>in</strong> art education.<br />

References<br />

Anderson, T. (1993). Def<strong>in</strong><strong>in</strong>g and structur<strong>in</strong>g art criticism for education. Studies <strong>in</strong><br />

<strong>Art</strong> <strong>Education</strong>, 34(4), 199-208.<br />

Barrett, T. (1997). Talk<strong>in</strong>g about student art. Worcester, MA: Davis Publications.<br />

Barrett, T. (2000). Criticiz<strong>in</strong>g photographs: An <strong>in</strong>troduction to understand<strong>in</strong>g images, 3 rd ed.<br />

Mounta<strong>in</strong> View, CA: Mayfield.<br />

Costant<strong>in</strong>o, T. E. (2002). Problem-based learn<strong>in</strong>g: A concrete approach to teach<strong>in</strong>g<br />

aesthetics. Studies <strong>in</strong> <strong>Art</strong> <strong>Education</strong>, 43(3), 219-231.<br />

Feldman, E. (1970). Becom<strong>in</strong>g human through art: Aesthetic experience <strong>in</strong> the school.<br />

Englewood Cliffs, NJ: Prentice-Hall.<br />

Garber, E. (1990). Implications <strong>of</strong> fem<strong>in</strong>ist art criticism for art education. Studies <strong>in</strong><br />

<strong>Art</strong> <strong>Education</strong>, 32(1), 17-26.<br />

Lak<strong>of</strong>f, G., & Johnson, M. (1999). Philosophy <strong>in</strong> the flesh: Embodied m<strong>in</strong>d and its challenge<br />

to western thought. New York, NY: Basic Books.<br />

Mitchell, S. (Ed. and Trans.). (1995). Ahead <strong>of</strong> all part<strong>in</strong>g: <strong>The</strong> selected poetry and prose <strong>of</strong><br />

Ra<strong>in</strong>er Maria Rilke. New York, NY: <strong>The</strong> Modern Library.<br />

About the <strong>Review</strong>er<br />

Tracie E. Costant<strong>in</strong>o is an Assistant Pr<strong>of</strong>essor <strong>of</strong> <strong>Art</strong> <strong>Education</strong> at the University <strong>of</strong><br />

Georgia. She received her Ph.D. <strong>in</strong> aesthetic education and curriculum and <strong>in</strong>struction<br />

from the University <strong>of</strong> Ill<strong>in</strong>ois at Urbana-Champaign and her Master’s degree <strong>in</strong> art<br />

history from Brown University. Her research <strong>in</strong>terests <strong>in</strong>clude the development <strong>of</strong>

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