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Language Laboratory Film Collection Wagner College, Campus Hall ...

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The Witnesses/ Les Témoins (2007) Andre Téchiné. France<br />

A dramatic relationship between four characters: a homosexual police inspector who crosses paths with a<br />

doctor, a writer and an opera singer.<br />

Women/ Elles (1998) Luís Galvão Teles. Luxembourg<br />

Five women, all near the wrong side of forty, face life's ups and downs together with laughter, tears, and<br />

sometimes irony. Their only imperative: live, love and live some more.<br />

Xavier Lombard et Le fils perdu/ The Lost Son (1999) Chris Menges. France<br />

Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is<br />

Nathalie, a high-class call girl. He gets a call from an old friend from the Paris police department, now a<br />

businessman whose brother-in-law is missing. The missing man's parents hire Xavier over their<br />

daughter's objections, and quickly he finds himself in the realm of children's sexual slavery. He guesses<br />

that the lost son is dead and shifts his focus to finding and breaking this lucrative business of child<br />

trafficking. He involves a reluctant Nathalie to hunt "the Austrian," the shadowy head of the business.<br />

Violence erupts quickly, and Xavier soon has little more to lose.<br />

The Young Girls of Rochefort/ Les demoiselles de Rochefort (1967) Jacques Demy. France<br />

Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange<br />

composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon<br />

owns a music shop, he left Paris once month ago to come back where he fell in love 10 years ago. They are<br />

looking for love, looking for each other, without being aware that their ideal partner is very close... A film<br />

whose scenario is much less important than its feeling of euphory, according to the director Jacques Demy.<br />

Zéro de conduite (1933) Jean Vigo. France<br />

After the holidays, Caussat and Bruel are going back to the boarding school, where their life is sad, dull,<br />

and akin to imprisonment. But there is plot setting up for a revolt... A caricature of power, authority and<br />

religion, with elements of surrealism and cinematic experimentation, this is a prime example of poetic<br />

realist film.

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