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1 Fill in the Blanks: FINAL EXAM CINEMATOGRAPHY SPRING ...

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<strong>Fill</strong> <strong>in</strong> <strong>the</strong> <strong>Blanks</strong>: <strong>FINAL</strong> <strong>EXAM</strong> <strong>CINEMATOGRAPHY</strong> <strong>SPRING</strong> 2012<br />

1) A Long-shot at <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g of a sequence tell<strong>in</strong>g <strong>the</strong> audience where and<br />

when <strong>the</strong> action is tak<strong>in</strong>g place is called an ______________________ shot.<br />

2) A _________________ shot might be a close-up of a letter, follow<strong>in</strong>g a shot of a<br />

character open<strong>in</strong>g his mail and look<strong>in</strong>g down to beg<strong>in</strong> read<strong>in</strong>g.<br />

3) The editorial term for a sequence created by cutt<strong>in</strong>g a long-shot of a person<br />

fall<strong>in</strong>g, followed by a close-up of him hitt<strong>in</strong>g <strong>the</strong> floor is called _____________ on<br />

_________________<br />

4) Like <strong>the</strong> name says, A _____________ Shot depicts TWO characters.<br />

5) A _______________ Shot is a wide shot of <strong>the</strong> entire scene.<br />

6) Carefully study<strong>in</strong>g content and break<strong>in</strong>g it down <strong>in</strong>to pieces that are easily<br />

understood by <strong>the</strong> viewer and <strong>the</strong>n re-assembl<strong>in</strong>g <strong>the</strong>m to guide <strong>the</strong><br />

audience through <strong>the</strong> scene is known as _______________________ Edit<strong>in</strong>g.<br />

7) SCALE is important to consider <strong>in</strong> lay<strong>in</strong>g-out a scene. Typically, we meet<br />

groups of two or more characters <strong>in</strong> Long-Shot. As we get to know <strong>the</strong>m we<br />

might _________________________ <strong>the</strong> scale to become more <strong>in</strong>timate with <strong>the</strong>m.<br />

8) “Cutt<strong>in</strong>g on Action” is one type of ______________________ to l<strong>in</strong>k toge<strong>the</strong>r two<br />

shots so <strong>the</strong>y appear cont<strong>in</strong>uous, and as if <strong>the</strong>y are occurr<strong>in</strong>g <strong>in</strong> <strong>the</strong> same<br />

time and space.<br />

9) The ________________rule ma<strong>in</strong>ta<strong>in</strong>s that <strong>the</strong> “l<strong>in</strong>e” formed by two people<br />

<strong>in</strong>teract<strong>in</strong>g must be respected dur<strong>in</strong>g camera placement.<br />

10) Ano<strong>the</strong>r common edit<strong>in</strong>g practice that helps l<strong>in</strong>k two separate shots is called<br />

“Shot, followed by ________________ shot”.<br />

1


11) Shot = Scene is a primitive filmmak<strong>in</strong>g technique. It came about because<br />

early filmmakers were tra<strong>in</strong>ed <strong>in</strong> _________________________.<br />

12) Hear<strong>in</strong>g a sound without see<strong>in</strong>g its source, or show<strong>in</strong>g a character speak<strong>in</strong>g<br />

to an unseen listener rem<strong>in</strong>ds <strong>the</strong> viewer that <strong>the</strong>re is a larger world beyond<br />

<strong>the</strong> frame l<strong>in</strong>es. This is known as _________________ Space<br />

13) A _____________ Shot <strong>in</strong>cludes an entire figure from head to toe.<br />

14) A _______________ Shot might show only his face or even a s<strong>in</strong>gle eye.<br />

15) Two pieces of film that may have orig<strong>in</strong>ated <strong>in</strong> different spaces and at<br />

different times take on a s<strong>in</strong>gle mean<strong>in</strong>g by be<strong>in</strong>g placed next to each o<strong>the</strong>r<br />

<strong>in</strong> <strong>the</strong> timel<strong>in</strong>e. This is called______________________.<br />

16) “Lead<strong>in</strong>g with Audio” is a way to “BRIDGE” two shots so <strong>the</strong>y flow<br />

cont<strong>in</strong>uously.<br />

TRUE<br />

FALSE<br />

The THREE Questions.<br />

1) State Question #1. Elaborate.<br />

2) State Question #2. Elaborate.<br />

3) State Question #3. Elaborate.<br />

4) How often should a filmmaker ask himself <strong>the</strong>se questions<br />

2


Which image below uses a SHALLOW depth of field A or B<br />

A<br />

B<br />

3


Which Image below uses HIGH-KEY light<strong>in</strong>g scheme A (female) or B (male)<br />

a b<br />

4


This exam is complete. The pages follow<strong>in</strong>g are guides for you to keep and refer to<br />

as your work progresses. They deal with <strong>the</strong> “180 rule” and <strong>the</strong> “master and 2 over<br />

<strong>the</strong> shoulder set-ups”. REMEMBER<br />

THEM!<br />

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