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VENUES CONTINUED<br />

Museum, the Marr Sound Archives, the Mutual<br />

Musicians Foundation, and fine jazz clubs and<br />

restaurants. On most nights a fan has tough<br />

choices of who to hear.<br />

But this municipal asset is hardly recognized locally.<br />

What does not help is the lack of national recognition<br />

that we receive. I tell friends in New York City about<br />

the Kansas City scene and they seem surprised, even as<br />

they acknowledge the nationally-recognized musicians<br />

who came out of the area are making an impact, from<br />

Pat Metheny and Steve Cardenas to Karrin Allyson and<br />

Kevin Mahogany to Logan Richardson.<br />

DownBeat has a single Kansas City jazz club in its<br />

annual Best Jazz Clubs listing, the Blue Room. It is a<br />

well-earned distinction. But does this leave the impression<br />

that this is all there is to the Kansas City club scene<br />

DownBeat readers need to know is that there should be<br />

more of Kansas City on this list.<br />

Three venues that have opened within the past few<br />

years that should cause the jazz traveler to include Kansas<br />

City in future plans. These venues are in addition to fine<br />

venues such as the Majestic Restaurant and Jazz Club<br />

(jazz seven nights a week), the Phoenix (jazz and blues<br />

six nights a week), the Gaslight Grill (jazz five nights a<br />

week), and many more with regular weekend schedules.<br />

The Broadway Jazz Club<br />

The Broadway is the latest entry to the local scene,<br />

and it is among the best places to relax and listen to music<br />

that I have been in anywhere.<br />

Before opening in December, they sought the<br />

advice of renowned sound engineer John Story. “John<br />

recommended three systems to us, from simple to best,<br />

depending on what we could invest,” owner Neil Pollock<br />

is right there, too; these are among the best bar seats of<br />

any club I have been to. And unless this large club gets<br />

overstuffed, the views are just unobstructed.<br />

On a recent trip to the club, my son said the room felt<br />

much like the Kitano in New York, one of my favorites.<br />

It is intimate and relaxed, and conducive to listening<br />

with minimal distraction. It is appreciated that the club<br />

The Broadway Jazz Club<br />

3601 Broadway, Kansas City, phone 816-298-6316<br />

Open Tuesday to Thursday, 4 to midnight, Friday 4 to 1 a.m., and Saturday 6 to 1 a.m.<br />

Web site: www.thebroadwayjazzclub.com<br />

told us. “We took the best, I wanted the sound to be the<br />

best it could be.” The sound is indeed excellent. “There<br />

are really no dead spots, the sound is good throughout<br />

the room,” adds general manager Pat Hanrahan. Many<br />

will remember Pat from his time at Jardine’s. I agree; the<br />

club has a great sound.<br />

The club boasts many seats close to the bandstand<br />

that is in the front window, including some next to the<br />

bandstand, the tables directly in front of the bandstand,<br />

and those lining the south wall. The large U-shaped bar<br />

has placed cards on each table to request respect for the<br />

musicians and fellow customers by keeping conversations<br />

low. On my visits, this request has generally been<br />

obeyed. “Yes, it generally works,” Pat told us. “We have<br />

had a couple of larger parties that have been talkative.<br />

The good news is that the room seems to handle it well,<br />

you can still hear the music.” They also have a small cover,<br />

usually five dollars but it could be a few dollars higher<br />

for some acts, like Ida McBeth. More on that later.<br />

12<br />

APRIL + MAY 2014 • JAZZ AMBASSADOR MAGAZINE

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