2014v2Online
2014v2Online
2014v2Online
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VENUES CONTINUED<br />
Museum, the Marr Sound Archives, the Mutual<br />
Musicians Foundation, and fine jazz clubs and<br />
restaurants. On most nights a fan has tough<br />
choices of who to hear.<br />
But this municipal asset is hardly recognized locally.<br />
What does not help is the lack of national recognition<br />
that we receive. I tell friends in New York City about<br />
the Kansas City scene and they seem surprised, even as<br />
they acknowledge the nationally-recognized musicians<br />
who came out of the area are making an impact, from<br />
Pat Metheny and Steve Cardenas to Karrin Allyson and<br />
Kevin Mahogany to Logan Richardson.<br />
DownBeat has a single Kansas City jazz club in its<br />
annual Best Jazz Clubs listing, the Blue Room. It is a<br />
well-earned distinction. But does this leave the impression<br />
that this is all there is to the Kansas City club scene<br />
DownBeat readers need to know is that there should be<br />
more of Kansas City on this list.<br />
Three venues that have opened within the past few<br />
years that should cause the jazz traveler to include Kansas<br />
City in future plans. These venues are in addition to fine<br />
venues such as the Majestic Restaurant and Jazz Club<br />
(jazz seven nights a week), the Phoenix (jazz and blues<br />
six nights a week), the Gaslight Grill (jazz five nights a<br />
week), and many more with regular weekend schedules.<br />
The Broadway Jazz Club<br />
The Broadway is the latest entry to the local scene,<br />
and it is among the best places to relax and listen to music<br />
that I have been in anywhere.<br />
Before opening in December, they sought the<br />
advice of renowned sound engineer John Story. “John<br />
recommended three systems to us, from simple to best,<br />
depending on what we could invest,” owner Neil Pollock<br />
is right there, too; these are among the best bar seats of<br />
any club I have been to. And unless this large club gets<br />
overstuffed, the views are just unobstructed.<br />
On a recent trip to the club, my son said the room felt<br />
much like the Kitano in New York, one of my favorites.<br />
It is intimate and relaxed, and conducive to listening<br />
with minimal distraction. It is appreciated that the club<br />
The Broadway Jazz Club<br />
3601 Broadway, Kansas City, phone 816-298-6316<br />
Open Tuesday to Thursday, 4 to midnight, Friday 4 to 1 a.m., and Saturday 6 to 1 a.m.<br />
Web site: www.thebroadwayjazzclub.com<br />
told us. “We took the best, I wanted the sound to be the<br />
best it could be.” The sound is indeed excellent. “There<br />
are really no dead spots, the sound is good throughout<br />
the room,” adds general manager Pat Hanrahan. Many<br />
will remember Pat from his time at Jardine’s. I agree; the<br />
club has a great sound.<br />
The club boasts many seats close to the bandstand<br />
that is in the front window, including some next to the<br />
bandstand, the tables directly in front of the bandstand,<br />
and those lining the south wall. The large U-shaped bar<br />
has placed cards on each table to request respect for the<br />
musicians and fellow customers by keeping conversations<br />
low. On my visits, this request has generally been<br />
obeyed. “Yes, it generally works,” Pat told us. “We have<br />
had a couple of larger parties that have been talkative.<br />
The good news is that the room seems to handle it well,<br />
you can still hear the music.” They also have a small cover,<br />
usually five dollars but it could be a few dollars higher<br />
for some acts, like Ida McBeth. More on that later.<br />
12<br />
APRIL + MAY 2014 • JAZZ AMBASSADOR MAGAZINE