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Corey Boucher Portfolio 2015

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<strong>Corey</strong> <strong>Boucher</strong><br />

Design <strong>Portfolio</strong>


TABLE OF CONTENTS<br />

CHICAGO LYRIC OPERA<br />

ARMITAGE PAVILION<br />

FIRST TEXANS MUSEUM<br />

MASSACHUSETTS ST. BUSINESSES<br />

RESUME<br />

4<br />

12<br />

20<br />

26<br />

37


Chicago Lyric Opera<br />

Chicago, IL<br />

Fall 2014


Urban areas provide for unique yet challenging sites. The site for the Chicago Lyric Opera, situated at the<br />

junction of the north and east Chicago River sections known as Wolf Point, provided irregular boundaries<br />

and strict regulations, but yielded a high reward for a well-thought out design, offering up a<br />

breathtaking panorama of the city that rested within walking distance of some of the most popular<br />

attractions.<br />

The main focus of this project was to create an epicenter for the city from which everything radiates and<br />

also falls back to for a surreal experience in an intimate environment. This notion affected the opera<br />

house in plan, with the program surrounding the stage, which is the literal center point of the facility, but<br />

also the metaphorical center point for the cultural arts scene in the area.


NORTH ELEVATION<br />

EAST ELEVATION


SOUTH ELEVATION<br />

WEST ELEVATION


SECTION 1


SECTION 2


Armitage Dining Pavilion<br />

Lawrence, KS<br />

Spring 2014


The KU Field Station is a facility that allows<br />

both staff and guests the chance to observe<br />

nature and wildlife in a microcosm of the<br />

climate of the midwestern plains. At the<br />

center of the survey is the Armitage Center,<br />

the headquarters of the facility. The<br />

Armitage Center is the intake point for all<br />

guests, and often hosts groups for<br />

celebratory or educational purposes. The<br />

Field Station reached out to the Dirt Works<br />

Studio, with which they had commissioned<br />

two prior projects, the Roth Trailhead (above<br />

left), and the Field Station Gateway (above<br />

right), to design a dining pavilion for the<br />

Armitage Center. This pavilion would serve<br />

as a gathering place for both the staff on a<br />

regular basis as well as special groups<br />

visiting the center on occasion.<br />

The intent of the design was to create a<br />

multipurpose space for users which would<br />

provide shade from the hot Kansas sun, and<br />

preserve the views out to the beautiful<br />

natural surroundings that encompass the<br />

center, specifically the prairie grass<br />

immediately to the center's west. And<br />

keeping with the central purpose of the Dirt<br />

Works Studio, the pavilion would be<br />

constructed primarily of rammed earth.


CANOPY<br />

WALL<br />

FOUNDATION


WEST ELEVATION


First Texans Museum<br />

Dallas, TX<br />

Fall 2013


Lying in the middle of the Dallas Arts District, the First Texans Museum takes the spot of a<br />

parking (#6 above) to preserve the history of the Native Americans who inhabited the area<br />

that would later become Texas. The unique challenge presented here is the presence of<br />

dozens of buildings in the nearby area that already command a lot of attention, having<br />

been designed by multiple Pritzker prize-winning architects.<br />

The museum takes its form from the most traditional weapon the Native American's had -<br />

the bow and arrow - and the longhouses that some tribes often inhabited. The common<br />

history of the Native American tribes is preserved in the open galleries in the north of the<br />

muesum, but a central tower encloses the Galleries of Contact and Effect, which chronicle<br />

the tragic and often covered history of Native American tribes and their oppression by<br />

European settlers.


SECTION 1


SECTION 2


Massachusetts St. Businesses<br />

Lawrence, KS<br />

Spring 2013


This project aimed to reenvision two vacant spots on Massachusetts Street, the main<br />

arterial avenue of downtown Lawrence, Kansas. The northernmost site, a 50-by-100 foot<br />

lot would become an optometrist's office, and the southernmost site a community theatre<br />

for Lawrence. Though the sites were not adjacent, the ability to create a cohesive site<br />

between the two was critical in activating the block, which is at the southernmost periphery<br />

of Massachusetts Street's most active section.<br />

Creating connections to the street, which is highly pedestrian, was the central focus. The<br />

traditional facade of the optometrist's office was turned to create another alleyway, which<br />

are prevalent along the street. The community theatre features a courtyard with visual<br />

connection to the street, blending the site together.<br />

But the other theme of the two was the dynamic between living and working, as the optometry office<br />

housed an apartment for the doctor and her family, and the theatre housed apartments for visiting artists<br />

and actors. Carefully designing this balance was at the heart of the projects' success.

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